Blast Furnace and Dust Catcher, Ford Plant

Blast Furnace and Dust Catcher, Ford Plant

Charles SheelerWW-1927-104436
1927·Gelatin silver print·Image: 24 × 19.3 cm (9 1/2 × 7 5/8 in.); Paper: 25.2 × 20.2 cm (9 15/16 × 8 in.)

<p>Charles Sheeler was both a painter and a photographer of architecture and industrial forms in the highly detailed Precisionist style. In 1927, Sheeler was commissioned to photograph Ford Motor Company’s mammoth manufacturing facility, the River Rouge Factory, in Dearborn, Michigan, which Sheeler called “incomparably the most thrilling [subject] I have had to work with.” The project was part of an advertising campaign designed to show the factory—and thus its parent company—as “one huge, perfectly timed, smoothly operating machine.” Sheeler chose not to photograph Ford automobiles or even assembly lines, but instead focused on the geometric patterns and abstract designs of the factory itself. Sheeler’s images depict machinery as coherent, natural forms and reveal his view, held by many modernist artists, that the very efficiency of machinery in function and design was itself a thing of beauty.</p>

Catalogue

Year
1927
Dimensions
Image: 24 × 19.3 cm (9 1/2 × 7 5/8 in.); Paper: 25.2 × 20.2 cm (9 15/16 × 8 in.)

Artist

Charles Sheeler
Charles Sheeler

Painting

A leading figure of the Precisionist movement of the 1920s – 30s, Charles Sheeler is known for his crisply-articulated interpretations of the modernizing American landscape, from the urban monoliths of the New York City skyline to the sprawling factories of the industrial Midwest. In his carefully balanced compositions, Sheeler explored aesthetic and conceptual tension, chiefly between abstraction and representation; objectivity and subjectivity; painting and photography; and the past and present. Sheeler employed a novel process for creating paintings based on his photographs, once observing: “Photography records inalterably the single image, while painting records a plurality of images willfully directed by the artist.” The process-driven dialogue between media and object endures as one of Sheeler’s greatest contributions to American modernism.

Philadelphia, PA, USA

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Record

Verified by WattsOS
Year
1927
Dimensions
Image: 24 × 19.3 cm (9 1/2 × 7 5/8 in.); Paper: 25.2 × 20.2 cm (9 15/16 × 8 in.)
Watts ID
WW-1927-104436

Source

Source
aic
Status
verified

Artist

Charles Sheeler

Charles Sheeler

Painting

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