
Saint Aleksandr Nevskii, from War: Mystical Images of War
<p>The last of fourteen plates represents the thirteenth century hero Alexander Nevsky, who as Prince of Novgorod defeated the Swedes on the Neva river and so became known as Nevsky. later, in 1242, he won a stillmore-resounding victory over the German Knights of the Teutonic Order on the ice of Lake Peipus. His last achievement was a diplomatic mission to the Tatars, and he died on his return journey in 1263. When Peter the Great built his new capital, St. Petersburg, he had a great monastery erected there to enshrine the body of the saint, who became the protector of the city. In 1750 the Empress Elizabeth had a splendid sarcophagus, surrounded by trophies, made for the shrine from the first silver quarried from the mines at Kolyvan. Although this was moved to the Hermitage Museum after the Revolution, Alexander Nevsky is still honored as a national hero, and was the subject of a famous film of 1938 by Sergei Eisenstein.</p>
Catalogue
- Year
- 1914
- Dimensions
- 32.4 × 24.4 cm (12 13/16 × 9 5/8 in.)
- Collection
- Art Institute of Chicago
- Artist
- Natalia Goncharova
Artist

Painting
Natalia Sergeevna Goncharova was a Russian avant-garde artist, painter, costume designer, writer, illustrator, and set designer. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (1909–1911), Moscow's first radical independent exhibiting group, the more radical Donkey's Tail (1912–1913), and with Larionov invented Rayonism (1912–1914). She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death.
Full artist profile →More
More by Natalia Goncharova
Plate 8 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I
1962 · Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving
Three-Panel Folding Screen
1947 · Oil on canvas, wood frame
The City Square. Study for backdrop for the ballet Le Coq d'or (The Golden Cockerel)
1937 · Gouache, watercolor, and pencil on board
Neizdannyi Khlebnikov, no. 17
1930 · Cover with lithographed manuscript design on front by Goncharova; and lithographed manuscript text by Mikhail Pustynin and Olga Olesha-Suok
Portrait
1920 · Pencil on paper
Spanish Dancer
1920 · Oil on canvas
Record
Verified by WattsOS- Artist
- Natalia Goncharova
- Year
- 1914
- Dimensions
- 32.4 × 24.4 cm (12 13/16 × 9 5/8 in.)
- Watts ID
- WW-1914-085376
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified





