Partie de la Cité vers la fin du XVIIe siècle (View of the City of Paris Towards the Close of the XVIIth Century)
Catalogue
- Year
- 1861
- Medium
- etching on laid paper
- Dimensions
- image: 12.9 × 28.9 cm (5 1/16 × 11 3/8 in.) plate: 15 × 32.5 cm (5 7/8 × 12 13/16 in.) sheet: 29.7 × 44.8 cm (11 11/16 × 17 5/8 in.)
- Collection
- National Gallery of Art
- Artist
- Charles Méryon
Artist
Painting
Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France. His most famous works are a series of views powerfully conveying his distinctive Gothic vision of Paris. He also had mental illness, dying in an asylum.
Full artist profile →More
More by Charles Méryon
Portfolio
1890 · Portfolio lettered in ink and color
College Henri IV
1869 · graphite with red chalk additions on laid paper
Rebus: 'No, Morny is not dead for he is marrying again'
1866 · Etching on ivory laid paper
Cover for a Voyage to New Zealand (1842-46)
1866 · Etching on brown wove paper
Rebus: 'No, Morny is not dead for he is marrying again'
1866 · Etching on ivory laid paper
The Old Soldier's Thatched Cottage, Akaroa, 1845
1866 · Etching and drypoint in warm black on ivory laid paper
Record
Verified by WattsOS- Artist
- Charles Méryon
- Year
- 1861
- Medium
- etching on laid paper
- Dimensions
- image: 12.9 × 28.9 cm (5 1/16 × 11 3/8 in.) plate: 15 × 32.5 cm (5 7/8 × 12 13/16 in.) sheet: 29.7 × 44.8 cm (11 11/16 × 17 5/8 in.)
- Watts ID
- WW-1861-240785
Source
- Collection
- National Gallery of Art
- Source
- nga
- Reference
- View at source
- Status
- verified