
Saint Francis Receiving the Stigmata
<p>A painter and skilled engraver, Federico Barocci was an experimental etcher. Here he explored the effects of light and shade by sequentially stopping out sections of the plate with a wax resist while immersing it in acid. The areas protected by the resist were not etched, while the parts that were exposed to the acid throughout the entire process were etched with dark, thick lines. The suggestive, hallucinatory effect of the resulting print dramatizes the saint’s moment of revelation, as the details of the terrestrial world fade into the pale background.</p>
Catalogue
- Year
- 1576
- Dimensions
- Plate: 23 × 14.7 cm (9 1/16 × 5 13/16 in.); Sheet: 23.3 × 15 cm (9 3/16 × 5 15/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Federico Barocci
Artist

Printmaking
Federico Barocci was an Italian painter of the late Renaissance whose luminous, emotionally direct religious works helped establish the visual language of the Counter-Reformation. Working primarily in the Duchy of Urbino, he developed a distinctive approach to narrative painting through soft modeling, warm color harmonies, and carefully orchestrated compositions that drew viewers into intimate spiritual encounters. His altarpieces and devotional scenes, rendered in oil and sometimes preparatory chalk studies of remarkable delicacy, influenced Baroque painters across Europe. Barocci's commitment to his provincial workshop and his experimental approach to light and emotion mark him as a pivotal figure between Renaissance tradition and Baroque sensibility.
Full artist profile →More
More by Federico Barocci
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
1700 · Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper
Quintilia Fischieri
1600 · oil on canvas
Kneeling Magdalene and Tomb Attendant
1600 · Black chalk and brush and black and gray wash, heightened with touches of white chalk, on gray-green laid paper, laid down on tan wove paper, drum mounted on ivory wove paper
Grove of Trees
1600 · Black chalk, on ivory laid paper
Aeneas and His Family Fleeing Troy
1595 · engraving
Studies for a Servant in "The Last Supper"
1590 · black, red, and yellow chalk heightened with white chalk on blue tinted paper
Record
Verified by WattsOS- Artist
- Federico Barocci
- Year
- 1576
- Dimensions
- Plate: 23 × 14.7 cm (9 1/16 × 5 13/16 in.); Sheet: 23.3 × 15 cm (9 3/16 × 5 15/16 in.)
- Watts ID
- WW-1576-110790
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified




