
Madonna and Child on Clouds
<p>Federico Barocci’s tender etching is one of the first the artist completed. The intimate scale makes the work ideal for personal devotion. The infant Christ’s direct, beatific gaze at the viewer gently contrasts with the rapt adoration lavished on him by his sweet, youthful mother. The flying putto heads in the cloudburst on either side exude a sense of calm and protection, while the detail of the Virgin’s sandaled foot anchors the pyramidal group on what would otherwise be an insubstantial wisp of cloud. This print may reproduce a painting by the artist that has long since been lost.</p>
Catalogue
- Year
- 1546
- Dimensions
- Plate/sheet: 15.5 × 10.8 cm (6 1/8 × 4 5/16 in.)
- Collection
- Art Institute of Chicago
- Artist
- Federico Barocci
Artist

Printmaking
Federico Barocci was an Italian painter of the late Renaissance whose luminous, emotionally direct religious works helped establish the visual language of the Counter-Reformation. Working primarily in the Duchy of Urbino, he developed a distinctive approach to narrative painting through soft modeling, warm color harmonies, and carefully orchestrated compositions that drew viewers into intimate spiritual encounters. His altarpieces and devotional scenes, rendered in oil and sometimes preparatory chalk studies of remarkable delicacy, influenced Baroque painters across Europe. Barocci's commitment to his provincial workshop and his experimental approach to light and emotion mark him as a pivotal figure between Renaissance tradition and Baroque sensibility.
Full artist profile →More
More by Federico Barocci
Rest on the Flight into Egypt (recto); Madonna of the Rosary (verso)
1700 · Oil paint (recto) and pen and black ink with off-set blue oil paint (verso) on tan laid paper
Quintilia Fischieri
1600 · oil on canvas
Kneeling Magdalene and Tomb Attendant
1600 · Black chalk and brush and black and gray wash, heightened with touches of white chalk, on gray-green laid paper, laid down on tan wove paper, drum mounted on ivory wove paper
Grove of Trees
1600 · Black chalk, on ivory laid paper
Aeneas and His Family Fleeing Troy
1595 · engraving
Studies for a Servant in "The Last Supper"
1590 · black, red, and yellow chalk heightened with white chalk on blue tinted paper
Record
Verified by WattsOS- Artist
- Federico Barocci
- Year
- 1546
- Dimensions
- Plate/sheet: 15.5 × 10.8 cm (6 1/8 × 4 5/16 in.)
- Watts ID
- WW-1546-110791
Source
- Collection
- Art Institute of Chicago
- Source
- aic
- Reference
- View at source
- Status
- verified




