Wittenberg Reliquary Book (Wittenberger Heiligthumsbuch)

<p>Lucas Cranach produced this souvenir catalogue to promote the prized collection of relics and reliquaries of his patron, Elector Frederick the Wise of Saxony. Copies were printed on paper and more luxurious vellum, although the paper printings are now scarcer. The sequence of woodcuts walks pilgrims through every stage of the yearly viewing; each relic offered a hundred days of indulgence. Pilgrims witnessing them all would have amassed an impressive 500,500 days (1,371 years) of respite from Purgatory. Yet Frederick’s protégé, the radical Martin Luther, would soon speak out against the practice of granting indulgences, and the relic collection would be shown for the last time in 1522. The pages visible here depict Mary Magdalene’s hair, nineteen particles of Saint Cecilia, and other relics.</p>

Catalogue

Year
1510
Dimensions
Folio: 19.3 × 14 cm (7 5/8 × 5 9/16 in.)

Artist

Lucas Cranach the Elder
Lucas Cranach the Elder

Painting

Lucas Cranach the Elder was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther, and eleven portraits of that reformer by him survive. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued to paint nude subjects from mythology and religion throughout his career.

Kronach, Germany

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More

More by Lucas Cranach the Elder

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Venus with Cupid the Honey Thief

Venus with Cupid the Honey Thief

1575 · Oil on oak panel

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The Apostles' Creed (Das Symbolum der Heiligen Aposteln)

The Apostles' Creed (Das Symbolum der Heiligen Aposteln)

1548 · Book with fifteen woodcuts with letterpress in black on cream laid paper, in eighteenth-century full brown sheepskin, sewn on raised bands, with gold tooled decoration on inner-edges of boards, blind lines and gold titling on the spine, hand-sewn silk headbands, marbled endsheets, and a purple silk page marker

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The Crucifixion

The Crucifixion

1538 · Oil on panel

WW-1538-005216
The Nymph of the Spring

The Nymph of the Spring

1537 · oil on panel

WW-1537-267700
The Crucifixion with the Converted Centurion

The Crucifixion with the Converted Centurion

1536 · oil on panel

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Madonna and Child

Madonna and Child

1535 · oil on panel

WW-1535-266878