The Death of the Virgin

<p>In this touching interpretation of the death of Jesus’s mother Mary, Martin Schongauer displays a painter’s sense of light and shadows. He outlines the figures and fabric folds with a continuous line, implying volume and depth through fine hatching, following the contours of his forms.<br>Schongauer was the first graphic artist from Germany originally trained as painter. When he decided to make engravings, a logical choice given that his father was a goldsmith, Schongauer was not constrained by traditional techniques. Executed with conviction and compositional clarity, Schongauer’s masterful engravings were widely distributed, influencing generations of printmakers.</p>