Public Supply

Max Neuhaus was an American sound artist and composer who pioneered the use of site-specific audio as a sculptural medium. Beginning in the 1960s, he created immersive sound installations that transformed architectural and public spaces into perceptual environments, often using frequencies and resonances invisible to conventional listening. His practice bridged experimental music, installation art, and urban intervention, establishing sound as a material with the same spatial and phenomenological weight as paint or stone. Neuhaus's work fundamentally expanded the postwar avant-garde's engagement with perception and environment.