Artworks · William T. Wiley

41 of 65 artworks · page 1 of 1

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Yes But Is it Torture?

2009 · Etching in black and watercolor on white wove paper

61 × 56.5 cm (24 1/16 × 22 1/4 in.)

Art Institute of Chicago

Hommage to Allan Ginsburg

1998 · Lithograph on tan Japanese paper, laid down on white wove paper (chine collé)

Primary support: 76.2 × 72.3 cm (30 × 28 1/2 in.); Secondary support: 76.8 × 72.3 cm (30 1/4 × 28 1/2 in.)

Art Institute of Chicago

Rhoom for Error

1983 · Soft ground etching and monotype on white wove paper

Plate: 52.7 × 73 cm (20 3/4 × 28 3/4 in.); Sheet: 66.7 × 93.5 cm (26 5/16 × 36 13/16 in.)

Art Institute of Chicago

Three Mile Island/Three Years Later

1983 · Color lithograph in four colors on white wove paper

96.5 × 68.6 cm (38 × 27 1/16 in.)

Art Institute of Chicago

Mr. Unpopular

1980 · Color lithograph on white wove paper

Image, max: 90.5 × 70 cm (35 11/16 × 27 9/16 in.); Sheet: 96.5 × 71.1 cm (38 × 28 in.)

Art Institute of Chicago

Spooky on the Line, from N.A.M.E portfolio

1979 · Lithograph on white wove paper

76 × 56 cm (29 15/16 × 22 1/16 in.)

Art Institute of Chicago

Three Mile Island

1979 · Color lithograph in three colors on tan laid paper laid down on white wove paper

96.5 × 66 cm (38 × 26 in.)

Art Institute of Chicago

Thank-You Palette for New York

1978 · Watercolor, pencil, and colored chalk on paper

30 3/8 x 22 3/4" (77.1 x 57.6 cm)

Museum of Modern Art

Green Shoes

1977 · Color soft ground etching and aquatint on cream wove paper

Plate: 54.5 × 60.4 cm (21 1/2 × 23 13/16 in.); Sheet: 55.8 × 76 cm (22 × 29 15/16 in.)

Art Institute of Chicago

Mr. Unnatural

1976 · Color lithograph on white wove paper

92 × 63.6 cm (36 1/4 × 25 1/16 in.)

Art Institute of Chicago

Mr. Unatural

1976 · Lithograph

Museum of Modern Art

Self-Portrait in New York

1976 · Crayon, charcoal, felt-tip pen, ink, and pencil on paper

26 1/2 x 23 3/8" (67.3 x 59.1 cm)

Museum of Modern Art

Seasonall Gate

1975 · Etching and color lithograph on ivory wove paper

Image/plate: 60.2 × 45.1 cm (23 3/4 × 17 13/16 in.); Sheet: 71.9 × 57.1 cm (28 5/16 × 22 1/2 in.)

Art Institute of Chicago

C. D. Self-Portrait

1975 · Drypoint on white wove paper (Uriuchi)

Plate: 26.2 × 26.3 cm (10 3/8 × 10 3/8 in.); Sheet: 56.6 × 51.7 cm (22 5/16 × 20 3/8 in.)

Art Institute of Chicago

Hope You Learned Your Lesson

1975 · Color etching, aquatint, and sugar lift, with burnishing, on white wove paper

Plate: 26.5 × 32.2 cm (10 7/16 × 12 11/16 in.); Sheet: 71.7 × 56.5 cm (28 1/4 × 22 1/4 in.)

Art Institute of Chicago

Farmers and All Men Act

1975 · Colored pencil and crayon, with gouache, over traces of graphite, on tan wove paper

91.8 × 71 cm (36 3/16 × 28 in.)

Art Institute of Chicago

1973 · Lithograph printed on chamois with additions of acrylic paint on paper

55.5 × 71 cm (21 7/8 × 28 in.)

Art Institute of Chicago

Banjo for G.D.

1973 · Pencil and colored pencil on paper

15 × 10 3/4" (38.1 × 27.3 cm)

Museum of Modern Art

Victory Guardians

1973 · Watercolor, felt-tip pen, ink, and pencil on paper

22 3/8 x 30" (56.9 x 76.1 cm)

Museum of Modern Art

Capitol Losses and Gains

1972 · Watercolor and black fiber-tipped pen on white wove paper

25.4 × 35.5 cm (10 × 14 in.)

Art Institute of Chicago

Checking It All Out

1972 · Lithograph on white wove paper

55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

Feel Stoned

1972 · Lithograph on white wove paper

Image: 50.1 × 70.3 cm (19 3/4 × 27 11/16 in.); Sheet: 55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

Field Stone

1972 · Lithograph on white wove paper

Image: 50.1 × 70 cm (19 3/4 × 27 9/16 in.); Sheet: 55.5 × 76 cm (21 7/8 × 29 15/16 in.)

Art Institute of Chicago

Feels Tone

1972 · Lithograph on white wove paper

Image: 50.1 × 69.8 cm (19 3/4 × 27 1/2 in.); Sheet: 55.5 × 76.4 cm (21 7/8 × 30 1/8 in.)

Art Institute of Chicago

Coast Reverse

1972 · Color lthograph in two colors on white wove paper

Image: 77.5 × 110 cm (30 9/16 × 43 5/16 in.); Sheet: 83.7 × 116.5 cm (33 × 45 7/8 in.)

Art Institute of Chicago

Moon Mullings

1972 · Color lithograph on white wove paper

Image: 70.5 × 50.3 cm (27 13/16 × 19 13/16 in.); Sheet: 77.3 × 56 cm (30 7/16 × 22 1/16 in.)

Art Institute of Chicago

Wash Doubt

1972 · Color lithograph on white wove paper

Image: 51.5 × 70 cm (20 5/16 × 27 9/16 in.); Sheet: 56 × 75 cm (22 1/16 × 29 9/16 in.)

Art Institute of Chicago

Thank Yute Rubble

1972 · Lithograph in yellow and black on white wove paper

Image: 45.8 × 65 cm (18 1/16 × 25 5/8 in.); Sheet: 57 × 76.3 cm (22 1/2 × 30 1/16 in.)

Art Institute of Chicago

Thank You Hide

1972 · Color lithograph in five colors on white wove paper

Image: 78.7 × 114.3 cm (31 × 45 in.); Sheet: 88.9 × 121.9 cm (35 × 48 in.)

Art Institute of Chicago

Coast Reverse

1972 · Lithograph on chamois with gouache and ball-point pen additions on chamois

Max: 69 × 80 cm (27 3/16 × 31 1/2 in.)

Art Institute of Chicago

Little Hide

1972 · Lithograph with acrylic additions on chamois hide

Museum of Modern Art

Tales from the Dirty Rat and Other Tails

1971 · Pen and black ink on paper

43.2 × 35.6 cm (17 1/16 × 14 1/16 in.)

Art Institute of Chicago

The Dirty Rat

1971 · Acrylic on canvas

289.6 × 320 cm (114 × 126 in.)

Art Institute of Chicago

The Full Moon Crawled Through the Trees

1971 · Watercolor and black, blue, and brown fiber-tipped pens on white wove paper

57 × 76.9 cm (22 1/2 × 30 5/16 in.)

Art Institute of Chicago

Peacock Gap

1970 · Watercolor and ink on paper

28 7/8 x 20 7/8" (73.5 x 53.3 cm)

Museum of Modern Art

Pale Calm Low and Attractive

1969 · Watercolor with black fiber-tipped pen, over graphite, on ivory wove paper

50.7 × 37.9 cm (20 × 14 15/16 in.)

Art Institute of Chicago

The Iron Passage

1968 · Watercolor with black fiber-tipped pen, over graphite, on ivory wove paper

50.7 × 37.9 cm (20 × 14 15/16 in.)

Art Institute of Chicago

Support for Flagstone Anti-Form and Plow-Boy

1968 · Watercolor and black fiber-tipped pen on cream wove paper

60.8 × 47.9 cm (23 15/16 × 18 7/8 in.)

Art Institute of Chicago

Pushing It Like He Said, But Not Like He Wanted

1967 · Watercolor and black fiber-tipped pen on ivory wove paper

60.7 × 45.6 cm (23 15/16 × 18 in.)

Art Institute of Chicago

Suite of Daze

1937 · Bound edition of etchings, soft ground and spit bite on tan wove paper, bound together.

Portfolio: 43.2 × 34 × 2.8 cm (17 1/16 × 13 7/16 × 1 1/8 in.); Sheet: 41.3 × 31.7 cm (16 5/16 × 12 1/2 in.)

Art Institute of Chicago