Artworks · William Roberts

Study for ‘Discs’

1978 · Graphite and watercolour on paper

172 x 127 mm

Tate

Study for ‘Guarding the Masterpiece’

1978 · Graphite and watercolour on paper

support: 133 x 178 mm

Tate

Study for ‘Don’t e know Jarge, tha be no Resurrection’

1977 · Graphite and watercoulour on paper

222 x 159 mm

Tate

Study for ‘The Barber’s Shop’

1976 · Graphite and watercolour on paper

191 x 152 mm

Tate

Study for ‘Boule Players at Etretat’

1976 · Graphite on paper

152 x 184 mm

Tate

Coffin making

1976 · Graphite on paper

support: 152 x 178 mm

Tate

Sending-in Day

1975 · Graphite and watercolour on paper

381 x 451 mm

Tate

Study for ‘Auction’

1975 · Graphite on paper

203 x 146 mm

Tate

Study for ‘Sending-in Day’

1975 · Graphite on paper

127 x 172 mm

Tate

Model on a mattress

1975 · Graphite and watercolour on paper

197 x 152 mm

Tate

The Art Gallery

1973 · Oil paint on canvas

support: 489 x 591 mm

Tate

Study for ‘On the Wire’

1972 · Graphite on paper

191 x 146 mm

Tate

The Family

1971 · Graphite on paper

470 x 279 mm

Tate

Study for ‘By the Seaside’

1970 · Graphite on paper

1147.5 x 191 mm

Tate

Study fro ‘Parallel Bars’

1970 · Graphite on paper

191 x 133 mm

Tate

The Isle of Lesbos

1970 · Graphite and watercolour on paper

502 x 349 mm

Tate

Which is the Way to Barcelona

1970 · Graphite and watercolour on paper

470 x 340 mm

Tate

Study for ‘Moving Day’

1968 · Graphite and watercolour on paper

191 x 172 mm

Tate

Poster design for ‘Royal Academy Summer Exhibition 1967’

1967 · Graphite on paper

152 x 121 mm

Tate

Beauty queens: Study for ‘The Dressing Room’

1966 · Graphite on paper

146 x 187 mm

Tate

Distinguished Visitors at the Tate

1965 · Graphite on paper

102 x 178 mm

Tate

Study for ‘The Seaside’

1965 · Graphite and watercolour on paper

support: 146 x 187 mm

Tate

Study for ‘Guarding the Masterpiece’

1964 · Graphite on paper

178 x 127 mm

Tate

The Lake

1964 · Oil paint on canvas

support: 1905 x 1295 mm

Tate

Study for ‘La Lucertola’

1963 · Graphite on paper

184 x 127 mm

Tate

L’Algérienne

1962 · Oil paint on canvas

support: 511 x 410 mm

Tate

Study for ‘The Vorticists at the Restaurant de la Tour Eiffel - Spring 1915’

1961 · Graphite on paper

support: 159 x 184 mm

Tate

The Vorticists at the Restaurant de la Tour Eiffel: Spring, 1915

1961 · Oil paint on canvas

support: 1829 x 2134 mm frame: 2020 x 2325 x 97 mm

Tate

Study for ‘The Swimming Bath’

1959 · Graphite on paper

172 x 76 mm

Tate

Study for ‘The Hostesses’

1959 · Graphite on paper

146 x 191 mm

Tate

Study for the cover of ‘A Vorticist at the Hotel de la Tour Eiffel’ by William Roberts

1958 · Graphite on paper

175 x 133 mm

Tate

Illustration for ‘Vorticism and the Politics of Belles - Lettres - ism’ by William Roberts

1958 · Ink on paper

support: 178 x 133 mm

Tate

Study for ‘Trooping the Colour’

1958 · Graphite on paper

203 x 305 mm

Tate

Trooping the Colour

1958 · Oil paint on canvas

support: 1829 x 2743 mm

Tate

The Cockatoos

1958 · Oil paint on canvas

support: 813 x 508 mm frame: 950 x 646 x 60 mm

Tate

Study for ‘Bus Stop’

1957 · Graphite on paper

178 x 89 mm

Tate

Study for ‘The Drums’

1957 · Graphite on paper

178 x 121 mm

Tate

Study for ‘Window Dressing’

1957 · Graphite on paper

152 x 178 mm

Tate

Study for frontispiece to ‘A Press View at teh Tate Gallery’ by William Roberts

1956 · Ink and graphite on paper

support: 191 x 124 mm

Tate

Study for ‘Under the Trees’

1956 · Graphite on paper

support: 178 x 121 mm

Tate

Study for ‘The Vorticist Whale’ frontispiece to ‘The Resurrection of Vorticism’ by William Roberts

1956 · Ink on paper

support: 184 x 114 mm

Tate

Study for ‘The Broken Vortex’ for the back cover of ‘Cometism and Vorticism: A Tate Gallery Catalogue Revised’ by William Roberts

1956 · Ink and graphite on paper

70 x 114 mm

Tate

The Horse Dealers

1955 · Watercolour and crayon on paper

support: 508 x 343 mm

Tate

Study for ‘The Birth of Venus’

1954 · Graphite on paper

178 x 127 mm

Tate

Setting the Pose

1952 · Graphite on paper

191 x 140 mm

Tate

Study for ‘The Revolt in the Desert’

1952 · Graphite on paper

203 x 121 mm

Tate

Study for ‘Hampstead Fair’

1951 · Graphite on paper

1976 x 121 mm

Tate

Study for ‘The Temptation of St Anthony’

1950 · Graphite on paper

178 x 127 mm

Tate