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← William Kentridge
Artworks · William Kentridge
166 artworks · page 4 of 4
📷 With images only (147)
History of the Main Complaint
1996 · 35mm film transferred to video (color, sound). 5:50 min.
Museum of Modern Art
Felix in Exile
1994 · Film, 35 mm, shown as video, projection, black and white, and sound (stereo)
Duration: 8 min, 43 sec
Tate
Felix in Exile
1994 · 35mm film transferred to video (color, sound). 8:43 min.
Museum of Modern Art
General
1993 · Engraving and watercolor
composition and sheet: 47 5/8 x 31 7/16" (121 x 79.8 cm)
Museum of Modern Art
Sobriety, Obesity & Growing Old
1991 · 16mm color film, sound, transferred to digital video (projection); 8:15 min.
Art Institute of Chicago
Mine
1991 · 16mm color film (transferred to digital video, projection), sound; 5 min. 49 sec.
Art Institute of Chicago
Taking in the Landscape from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 7/16 x 12 13/16" (23.9 x 32.5 cm); sheet: 12 15/16 x 17 5/16" (32.8 x 43.9 cm)
Museum of Modern Art
Anti-Waste from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 1/8 x 12 5/8" (23.2 x 32 cm); sheet: 12 11/16 x 17 5/16" (32.2 x 44 cm)
Museum of Modern Art
Growing Old from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 1/8 x 12 5/8" (23.2 x 32 cm); sheet: 12 13/16 x 17 5/16" (32.6 x 44 cm)
Museum of Modern Art
Procession of the Delegates from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 1/8 x 12 1/2" (23.2 x 31.8 cm); sheet: 12 7/8 x 17 3/8" (32.7 x 44.2 cm)
Museum of Modern Art
Negotiations Begin from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 1/16 x 12 3/8" (23 x 31.4 cm); sheet: 12 13/16 x 16 3/16" (32.5 x 41.1 cm)
Museum of Modern Art
Reserve Army from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 7/16 x 14" (23.9 x 35.5 cm); sheet: 12 15/16 x 17 5/16" (32.8 x 43.9 cm)
Museum of Modern Art
LM
Little Morals
1991 · Portfolio of eight aquatint, drypoint, engraving and etchings
plate (each approx.): 9 7/16 x 12 13/16" (23.9 x 32.5 cm); sheet (each approx.): 12 15/16 x 17 5/16" (32.8 x 43.9 cm)
Museum of Modern Art
Preparing for the Day from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 5/16 x 12 11/16" (23.6 x 32.3 cm); sheet: 12 15/16 x 17 3/8" (32.8 x 44.1 cm)
Museum of Modern Art
Practical Considerations from Little Morals
1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings
plate: 9 5/16 x 12 11/16" (23.7 x 32.3 cm); sheet: 12 7/8 x 17 3/8" (32.7 x 44.2 cm)
Museum of Modern Art
Arc/Procession: Develop, Catch Up, Even Surpass
1990 · Charcoal and pastel on paper
frame: 2700 x 7480 mm
Tate
Monument
1990 · 16mm color film, sound, transferred to digital video (projection); 3:11
Art Institute of Chicago
Casspirs Full of Love
1989 · Etching and drypoint on paper
image: 1485 x 812 mm
Tate
Johannesburg - 2nd Greatest City after Paris
1989 · 16mm color film, sound, transferred to digital video (projection); 8:02 min.
Art Institute of Chicago
Casspirs Full of Love
1989 · Drypoint and engraving with roulette
plate: 58 9/16 x 32" (148.8 x 81.3 cm); sheet: 65 3/8 x 38 7/16" (166 x 97.6 cm)
Museum of Modern Art
The Battle Between Yes and No
1989 · Screenprint
composition (irreg.): 59 1/16 x 38 1/4" (150 x 97.2 cm); sheet: 63 5/16 x 43 1/8" (160.8 x 109.6 cm)
Museum of Modern Art
Security
1980 · Screenprinted poster
composition (irreg.): 22 9/16 x 14 3/8" (57.3 x 36.5 cm); sheet: 32 7/8 x 17 15/16" (83.5 x 45.5 cm)
Museum of Modern Art
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