Artworks · William Kentridge

History of the Main Complaint

1996 · 35mm film transferred to video (color, sound). 5:50 min.

Museum of Modern Art

Felix in Exile

1994 · Film, 35 mm, shown as video, projection, black and white, and sound (stereo)

Duration: 8 min, 43 sec

Tate

Felix in Exile

1994 · 35mm film transferred to video (color, sound). 8:43 min.

Museum of Modern Art

General

1993 · Engraving and watercolor

composition and sheet: 47 5/8 x 31 7/16" (121 x 79.8 cm)

Museum of Modern Art

Sobriety, Obesity & Growing Old

1991 · 16mm color film, sound, transferred to digital video (projection); 8:15 min.

Art Institute of Chicago

Mine

1991 · 16mm color film (transferred to digital video, projection), sound; 5 min. 49 sec.

Art Institute of Chicago

Taking in the Landscape from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 7/16 x 12 13/16" (23.9 x 32.5 cm); sheet: 12 15/16 x 17 5/16" (32.8 x 43.9 cm)

Museum of Modern Art

Anti-Waste from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 1/8 x 12 5/8" (23.2 x 32 cm); sheet: 12 11/16 x 17 5/16" (32.2 x 44 cm)

Museum of Modern Art

Growing Old from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 1/8 x 12 5/8" (23.2 x 32 cm); sheet: 12 13/16 x 17 5/16" (32.6 x 44 cm)

Museum of Modern Art

Procession of the Delegates from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 1/8 x 12 1/2" (23.2 x 31.8 cm); sheet: 12 7/8 x 17 3/8" (32.7 x 44.2 cm)

Museum of Modern Art

Negotiations Begin from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 1/16 x 12 3/8" (23 x 31.4 cm); sheet: 12 13/16 x 16 3/16" (32.5 x 41.1 cm)

Museum of Modern Art

Reserve Army from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 7/16 x 14" (23.9 x 35.5 cm); sheet: 12 15/16 x 17 5/16" (32.8 x 43.9 cm)

Museum of Modern Art

Little Morals

1991 · Portfolio of eight aquatint, drypoint, engraving and etchings

plate (each approx.): 9 7/16 x 12 13/16" (23.9 x 32.5 cm); sheet (each approx.): 12 15/16 x 17 5/16" (32.8 x 43.9 cm)

Museum of Modern Art

Preparing for the Day from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 5/16 x 12 11/16" (23.6 x 32.3 cm); sheet: 12 15/16 x 17 3/8" (32.8 x 44.1 cm)

Museum of Modern Art

Practical Considerations from Little Morals

1991 · One from a portfolio of eight aquatint, drypoint, engraving and etchings

plate: 9 5/16 x 12 11/16" (23.7 x 32.3 cm); sheet: 12 7/8 x 17 3/8" (32.7 x 44.2 cm)

Museum of Modern Art

Arc/Procession: Develop, Catch Up, Even Surpass

1990 · Charcoal and pastel on paper

frame: 2700 x 7480 mm

Tate

Monument

1990 · 16mm color film, sound, transferred to digital video (projection); 3:11

Art Institute of Chicago

Casspirs Full of Love

1989 · Etching and drypoint on paper

image: 1485 x 812 mm

Tate

Johannesburg - 2nd Greatest City after Paris

1989 · 16mm color film, sound, transferred to digital video (projection); 8:02 min.

Art Institute of Chicago

Casspirs Full of Love

1989 · Drypoint and engraving with roulette

plate: 58 9/16 x 32" (148.8 x 81.3 cm); sheet: 65 3/8 x 38 7/16" (166 x 97.6 cm)

Museum of Modern Art

The Battle Between Yes and No

1989 · Screenprint

composition (irreg.): 59 1/16 x 38 1/4" (150 x 97.2 cm); sheet: 63 5/16 x 43 1/8" (160.8 x 109.6 cm)

Museum of Modern Art

Security

1980 · Screenprinted poster

composition (irreg.): 22 9/16 x 14 3/8" (57.3 x 36.5 cm); sheet: 32 7/8 x 17 15/16" (83.5 x 45.5 cm)

Museum of Modern Art