Artworks · William Blake

The Dance of Albion (Glad Day)

1803 · engraving

image: 27 x 19.4 cm (10 5/8 x 7 5/8 in.) sheet: 30.8 x 23.2 cm (12 1/8 x 9 1/8 in.)

National Gallery of Art

Joseph of Arimathea Among the Rocks of Albion

1803 · engraving

National Gallery of Art

War (The Accusers of Theft, Adultery, Murder)

1803 · engraving

image: 21.6 x 12.1 cm (8 1/2 x 4 3/4 in.) sheet: 31.1 x 23.5 cm (12 1/4 x 9 1/4 in.)

National Gallery of Art

Judas Betrays Him

1803 · Ink, graphite and watercolour on paper

support: 367 x 303 mm

Tate

The Four and Twenty Elders Casting their Crowns before the Divine Throne

1803 · Graphite and watercolour on paper

support: 354 x 293 mm

Tate

The Death of the Virgin

1803 · Watercolour on paper

support: 378 x 371 mm

Tate

Sketch for ‘The Four and Twenty Elders Casting their Crowns before the Divine Throne’. Verso: Standing Figure with Arms at his Side

1803 · Graphite on paper. Verso: graphite on paper

support: 488 x 389 mm

Tate

The Ghost of Samuel Appearing to Saul

1800 · pen and ink with watercolor over graphite

Overall: 32 x 34.4 cm (12 5/8 x 13 9/16 in.) support: 55.6 x 44.4 cm (21 7/8 x 17 1/2 in.)

National Gallery of Art

The Blasphemer

1800 · Ink, graphite and watercolour on paper

support: 384 x 340 mm

Tate

Composition Sketch, Possibly a Subject from Dante. Verso: A Man Standing over a Figure Reclining on a Bed

1800 · Graphite on paper. Verso: graphite on paper

support: 454 x 339 mm

Tate

Landscape near Felpham

1800 · Graphite and watercolour on paper

support: 237 x 343 mm

Tate

The Last Supper

1799 · tempera on canvas

overall: 30.5 x 48.2 cm (12 x 19 in.) framed: 38.1 x 55.3 x 3.8 cm (15 x 21 3/4 x 1 1/2 in.)

National Gallery of Art

Job and His Daughters

1799 · pen and tempera on canvas

overall: 27.3 x 38.4 cm (10 3/4 x 15 1/8 in.) framed: 40.6 x 51.4 cm (16 x 20 1/4 in.)

National Gallery of Art

Moses Indignant at the Golden Calf

1799 · Tempera on canvas

support: 380 x 266 mm frame: 473 x 360 x 48 mm

Tate

The Agony in the Garden

1799 · Tempera on iron

support: 270 x 380 mm

Tate

Christ Blessing the Little Children

1799 · Tempera on canvas

support: 260 x 375 mm

Tate

Bathsheba at the Bath

1799 · Tempera on canvas

support: 263 x 376 mm frame: 370 x 479 x 50 mm

Tate

The Body of Christ Borne to the Tomb

1799 · Tempera on canvas mounted onto cardboard

support: 267 x 378 mm frame: 390 x 497 x 63 mm

Tate

The Angel Appearing to Zacharias

1799 · Pen and black ink, tempera, and glue size on canvas

10 1/2 x 15 in. (26.7 x 38.1 cm)

The Metropolitan Museum of Art

The Angel Appearing to Zacharias

1799 · Pen and black ink, tempera, and glue size on canvas

10 1/2 x 15 in. (26.7 x 38.1 cm)

The Metropolitan Museum of Art

Angel of the Revelation (Book of Revelation, chapter 10)

1798 · Watercolor, pen and black ink, brush and wash, over traces of graphite

Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)

The Metropolitan Museum of Art

Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)

1798 · Watercolor, pen and black ink, over graphite

Sheet: 16 3/8 × 13 1/16 in. (41.6 × 33.2 cm)

The Metropolitan Museum of Art

Angel of the Revelation (Book of Revelation, chapter 10)

1798 · Watercolor, pen and black ink, brush and wash, over traces of graphite

Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)

The Metropolitan Museum of Art

Queen Elizabeth and Essex (after Henry Fuseli)

1797 · Engraving on paper

image: 145 x 79 mm

Tate

King John Absolved by Pandulph (after Henry Fuseli)

1797 · Line engraving and etching on paper

image: 145 x 82 mm

Tate

Wat Tyler and the Tax-Gatherer (after Henry Fuseli)

1797 · Line engraving and etching on paper

image: 147 x 82 mm

Tate

Alfred and the Neat-Herd’s Wife (after Henry Fuseli)

1797 · Line engraving and etching on paper

image: 147 x 80 mm

Tate

The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]

1796 · relief etching, color-printed

image: 4.2 × 10.1 cm (1 5/8 × 4 in.) sheet: 12.5 × 18.8 cm (4 15/16 × 7 3/8 in.)

National Gallery of Art

First Book of Urizen pl. 11

1796 · Etching with paint, watercolour and ink on paper

support: 257 x 184 mm

Tate

The Marriage of Heaven and Hell pl. 16

1796 · Etching with paint, watercolour and ink on paper

support: 259 x 187 mm

Tate

First Book of Urizen pl. 10

1796 · Etching with paint, watercolour and ink on paper

support: 266 x 185 mm

Tate

First Book of Urizen pl. 6

1796 · Etching with paint, watercolour and ink on paper

support: 250 x 187 mm

Tate

First Book of Urizen pl. 17

1796 · Etching with paint, watercolour and ink on paper

support: 265 x 185 mm

Tate

The Book of Thel pl. 6

1796 · Etching with paint, watercolour and ink on paper

support: 260 x 186 mm

Tate

First Book of Urizen pl. 21

1796 · Etching with paint, watercolour and ink on paper

support: 270 x 184 mm

Tate

First Book of Urizen pl. 15

1796 · Etching with paint, watercolour and ink on paper

support: 259 x 182 mm

Tate

Plate 2 of ‘Urizen’: ‘Teach these Souls to Fly’

1796 · Relief etching, ink and watercolour on paper

support: 109 x 102 mm

Tate

Christ Appearing to His Disciples After the Resurrection

1795 · color print (monotype), hand-colored with watercolor and tempera

overall: 43.2 x 57.5 cm (17 x 22 5/8 in.)

National Gallery of Art

Satan Exulting over Eve

1795 · Colour print, ink and watercolour on paper mounted on canvas

unconfirmed: 432 x 534 mm

Tate

Christ Appearing to the Apostles after the Resurrection

1795 · Print, ink, watercolour and varnish on paper

support: 406 x 499 mm

Tate

God Judging Adam

1795 · Relief etching, ink and watercolour on paper

support: 432 x 535 mm

Tate

Pity

1795 · Colour print, ink and watercolour on paper

support: 425 x 539 mm

Tate

Nebuchadnezzar

1795 · Colour print, ink and watercolour on paper

support: 543 x 725 mm frame: 661 x 829 x 50 mm

Tate

Lamech and his Two Wives

1795 · Colour print, ink and watercolour on paper

support: 431 x 608 mm

Tate

The House of Death

1795 · Colour print, ink and watercolour on paper

support: 485 x 610 mm

Tate

Newton

1795 · Colour print, ink and watercolour on paper

support: 460 x 600 mm

Tate

The Night of Enitharmon’s Joy (formerly called ‘Hecate’)

1795 · Colour print, ink, tempera and watercolour on paper

support: 439 x 581 mm

Tate

The Good and Evil Angels

1795 · Colour print, ink and watercolour on paper

support: 445 x 594 mm

Tate