Artworks · Wifredo Lam

Untitled, from Pour Jorn

1976 · Color lithograph on ivory wove paper

Sheet: 75 × 54 cm (29 9/16 × 21 5/16 in.)

Art Institute of Chicago

Untitled from For Jorn (Pour Jorn)

1976 · One from a portfolio of fourteen lithographs

composition: 29 9/16 × 21 3/8" (75.1 × 54.3 cm); sheet: 29 9/16 × 21 3/8" (75.1 × 54.3 cm)

Museum of Modern Art

[no title]

1975 · Lithograph on paper

image: 749 x 546 mm

Tate

For Jorn (Pour Jorn)

1973 · Portfolio of fourteen lithographs

composition (see child records): dimensions vary; sheet (each approx.): 29 1/2 × 21 1/4" (75 × 54 cm)

Museum of Modern Art

Acide doux from Homage to Picasso (Hommage à Picasso)

1973 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition: 29 3/4 x 21 3/4" (75.6 x 55.3cm); sheet: 29 1/2 x 22 3/16" (75 x 56.4cm)

Museum of Modern Art

Flight

1971 · Portfolio of eleven lithographs and one screenprint

composition (see child records): dimensions vary; sheet (orientation varies, each approx.): 25 1/2 × 19 3/4" (64.8 × 50.2 cm) or 19 3/4 × 25 1/2" (50.2 × 64.8 cm)

Museum of Modern Art

Untitled (proof) from Flight

1969 · Lithograph from a portfolio of eleven lithographs and one screenprint

composition (irreg.): 25 3/16 × 18 3/4" (64 × 47.7 cm); sheet (irreg.): 25 5/8 × 20" (65.1 × 50.8 cm)

Museum of Modern Art

Untitled from Flight

1967 · Lithograph from a portfolio of eleven lithographs and one screenprint

composition (irreg.): 24 1/16 × 17 7/8" (61.1 × 45.4 cm); sheet: 25 7/8 × 19 7/8" (65.7 × 50.5 cm)

Museum of Modern Art

Night (Nuit) (plate, page 19) from Feuilles éparses

1965 · Etching and aquatint from an illustrated book with nine etchings (two with aquatint, one with aquatint and drypoint), two engravings, one aquatint, one drypoint, and one woodcut

plate: 8 1/4 × 6 7/8" (20.9 × 17.4 cm); page: 9 7/16 × 7 7/8" (24 × 20 cm)

Museum of Modern Art

Portrait of Iris Clert (Portrait d’Iris Clert)

1961 · Charcoal on paper

24 13/16 × 18 7/8" (63 × 47.9 cm)

Museum of Modern Art

Painted Words: Wolf

1959 · Etching and color aquatint

Image: 40 x 26 cm (15 3/4 x 10 1/4 in.)

Cleveland Museum of Art

Mother and Child

1957 · Charcoal and pastel on ivory wove paper

73.3 × 58.3 cm (28 7/8 × 23 in.)

Art Institute of Chicago

Personnages

1953 · Pen and black ink with brush and black wash with charcoal stumping over traces of graphite on tan laid paper with blue fibers

63.1 × 48 cm (24 7/8 × 18 15/16 in.)

Art Institute of Chicago

Untitled

1953 · Graphite on cream wove paper

50 × 64 cm (19 11/16 × 25 1/4 in.)

Art Institute of Chicago

Untitled

1953 · Lithograph

composition: 14 9/16 × 21 5/16" (37 × 54.2 cm); sheet: 17 3/8 × 22 13/16" (44.2 × 57.9 cm)

Museum of Modern Art

Plate (page 17) from Le Rempart de brindilles (The Rampart of Twigs)

1953 · Etching and aquatint from an illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

plate: 6 × 4 1/8" (15.3 × 10.5 cm); page: 8 1/4 × 6 1/8" (21 × 15.5 cm)

Museum of Modern Art

Le Rempart de brindilles (The Rampart of Twigs)

1953 · Illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

page (each approx.): 8 1/4 × 6 1/8" (21 × 15.5 cm); overall (closed): 8 9/16 × 6 5/16 × 9/16" (21.8 × 16 × 1.5 cm)

Museum of Modern Art

Plate (page 41) from Le Rempart de brindilles (The Rampart of Twigs)

1953 · Etching and aquatint from an illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

plate: 6 1/8 × 4 1/8" (15.5 × 10.5 cm); page: 8 3/16 × 6 1/16" (20.8 × 15.4 cm)

Museum of Modern Art

Wrapper from Le Rempart de brindilles (The Rampart of Twigs)

1953 · Etching and aquatint with watercolor and gouache additions from an illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

plate: 8 3/16 × 12 5/8" (20.8 × 32 cm); sheet (folded): 8 9/16 × 13 3/16" (21.8 × 33.5 cm)

Museum of Modern Art

Plate (page 25) from Le Rempart de brindilles (The Rampart of Twigs)

1953 · Etching and aquatint from an illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

plate: 6 1/8 × 4 1/8" (15.5 × 10.5 cm); page: 8 1/4 × 6 1/8" (21 × 15.5 cm)

Museum of Modern Art

Plate (page 33) from Le Rempart de Brindilles (The Rampart of Twigs)

1953 · Etching and aquatint from an illustrated book with five etching and aquatints (including wrapper with watercolor and gouache additions)

plate: 6 1/16 × 4 3/16" (15.4 × 10.6 cm); page: 8 1/4 × 6 1/8" (21 × 15.5 cm)

Museum of Modern Art

Emblem (Emblèm)

1952 · Lithograph

composition: 12 13/16 x 18 5/16" (32.5 x 46.5 cm); sheet: 14 7/8 x 22 3/8" (37.8 x 56.8 cm)

Museum of Modern Art

Ladder to the Light

1951 · Oil on linen

150.2 × 100.6 cm (59 1/8 × 39 13/16 in.)

Art Institute of Chicago

Ibaye

1950 · Oil paint on canvas

support: 1045 x 876 mm frame: 1116 x 949 x 50 mm

Tate

Caos-Caos

1950 · Oil on canvas

152.4 × 106.7 cm (60 × 42 in.)

Art Institute of Chicago

Grande Composition

1949 · Oil and charcoal on paper mounted on canvas

114 1/2 × 165 3/4" (291 × 421 cm)

Museum of Modern Art

Untitled

1947 · Pen and brush and black ink, and watercolor, on ivory wove paper

48 × 31.9 cm (18 15/16 × 12 9/16 in.)

Art Institute of Chicago

Quetzal from Brunidor Portfolio, No. 1

1947 · Lithograph from a portfolio of five etchings (one with engraving) and two lithographs

composition: 16 9/16 x 13 1/16" (42 x 33.1 cm); sheet: 16 9/16 x 13 1/16" (42 x 33.1 cm)

Museum of Modern Art

Plate from Le Surréalisme en 1947

1947 · Lithograph from an illustrated book with eighteen lithographs, four etchings (two with aquatint), two woodcuts, one photogravure, and one ready-made object

composition (irreg.): 9 5/16 × 6 7/16" (23.6 × 16.3 cm); page: 9 7/16 × 8" (24 × 20.3 cm)

Museum of Modern Art

Untitled (Tropical Fish)

1946 · Pen and black ink over traces of graphite on tan wove paper

48.9 × 61.3 cm (19 5/16 × 24 3/16 in.)

Art Institute of Chicago

Untitled

1946 · Ink and pencil on paper

12 3/8 x 9 1/2" (31.4 x 24.1 cm)

Museum of Modern Art

Untitled

1946 · Ink and pencil on paper

12 3/8 x 9 5/8" (31.4 x 24.5 cm)

Museum of Modern Art

Moths and Candles

1946 · Pencil and ink on paper

20 1/8 x 24 1/2" (51.0 x 62.1 cm)

Museum of Modern Art

Study for "The Jungle"

1942 · Tempera, with touches of pastel, on tan wove paper, laid down on canvas

177.4 × 121.9 cm (69 7/8 × 48 in.)

Art Institute of Chicago

Satan

1942 · Gouache on paper

41 7/8 x 34" (106.4 x 86.4 cm)

Museum of Modern Art

La jungla (The Jungle)

1942 · Oil and charcoal on paper mounted on canvas

94 1/4 x 90 1/2" (239.4 x 229.9 cm)

Museum of Modern Art

Untitled

1942 · watercolor and ink on paper

Sheet: 48.9 x 62 cm (19 1/4 x 24 7/16 in.)

Cleveland Museum of Art

Untitled (page 9) from Fata Morgana, \Untitled (page 9) from\ Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Untitled (page 12) from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Untitled (page 20) from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Untitled (page 27) from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Untitled (page 15) from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Title page from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Untitled (page 23) from Fata Morgana

1941 · Illustration from an unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

sheet (closed): 11 × 9" (28 × 22.8 cm)

Museum of Modern Art

Fata Morgana

1941 · Unbound proof of an illustrated book with letterpress text and seven line block illustrations with hand additions in colored pencil and annotations in ink

overall: 11 × 9" (28 × 22.9 cm)

Museum of Modern Art

Dessin collectif (Collective Drawing)

1940 · Colored pencil and ink on paper

9 1/16 × 11 3/4" (23 × 29.8 cm)

Museum of Modern Art

Mother and Child

1939 · Gouache on paper

41 x 29" (104.1 x 73.7 cm)

Museum of Modern Art

Untitled (from the Annunciation)

1922 · Etching and aquatint on white Japanese paper

Image/plate: 29.6 × 24.4 cm (11 11/16 × 9 5/8 in.); Sheet: 67 × 51 cm (26 7/16 × 20 1/8 in.)

Art Institute of Chicago