Artworks · Warrington Colescott

Picasso at Mougins: the etchings

2002 · color etching, aquatint and softground etching

Sheet: 57.6 x 76.1 cm (22 11/16 x 29 15/16 in.); Platemark: 45.1 x 60.6 cm (17 3/4 x 23 7/8 in.)

Cleveland Museum of Art

To Your Good Health

1986 · Watercolor on paper

131 × 101 cm (51 5/8 × 39 13/16 in.)

Art Institute of Chicago

History of Printmaking: S. W. Hayter Discovers Viscosity Printing

1976 · intaglio

Image: 55.5 x 70.3 cm (21 7/8 x 27 11/16 in.)

Cleveland Museum of Art

S. W. Hayter Discovers Viscosity Printing, from The History of Printmaking

1976 · Color soft ground etching and aquatint, with vibrograver, relief rolls through stencils on cream wove paper

Image/plate: 55.6 × 75.6 cm (21 15/16 × 29 13/16 in.); Sheet: 63.1 × 91.1 cm (24 7/8 × 35 7/8 in.)

Art Institute of Chicago

Lasansky Reaches Iowa City, from The History of Printmaking

1976 · Color lithograph on paper

Image: 29 × 39.5 cm (11 7/16 × 15 9/16 in.); Sheet: 51.2 × 66.2 cm (20 3/16 × 26 1/8 in.)

Art Institute of Chicago

Portfolio box, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio

1975 · Clamshell box wrapped in linen with embossed cream wove paper addition

Art Institute of Chicago

Title Page, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio

1975 · Letterpress in brown on cream wove paper

Art Institute of Chicago

A Brief History of Flight, from the University of Wisconsin-Madison Print Seminar, March 1975 Portfolio

1975 · Color soft ground etching, with vibrograver, and viscosity inking on paper

Art Institute of Chicago

The First Thanksgiving

1973 · Etching, aquatint, and drypoint

plate: 30 1/16 × 22 1/4" (76.3 × 56.5 cm); sheet: 30 1/16 × 22 1/4" (76.3 × 56.5 cm)

Museum of Modern Art

III: From La Brea (folio 11) from The Mariposa Suite Nos. I-VI

1970 · Etching and photogravure with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate: 11 15/16 × 9 15/16" (30.3 × 25.3 cm); sheet: 14 15/16 × 12 11/16" (37.9 × 32.2 cm)

Museum of Modern Art

The Mariposa Suite Nos. I-VI

1970 · Illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

sheet (each approx.): 14 15/16 × 12 13/16" (37.9 × 32.5 cm); overall (closed): 16 5/16 × 14 1/4 × 1 1/4" (41.5 × 36.2 × 3.1 cm)

Museum of Modern Art

V: Catalina View (folio 17) from The Mariposa Suite Nos. I-VI

1970 · Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate (irreg.): 11 9/16 × 10" (29.4 × 25.4 cm); sheet: 14 15/16 × 12 11/16" (38 × 32.2 cm)

Museum of Modern Art

I: Mariposa Street (folio 5) from The Mariposa Suite Nos. I-VI

1970 · Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate: 11 7/8 × 9 15/16" (30.2 × 25.2 cm); sheet: 15 × 12 13/16" (38.1 × 32.5 cm)

Museum of Modern Art

IV: Cisco Kid (folio 14) from The Mariposa Suite Nos. I-VI

1970 · Etching, aquatint, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate (irreg.): 11 3/4 × 10" (29.9 × 25.4 cm); sheet: 14 7/8 × 12 11/16" (37.8 × 32.2 cm)

Museum of Modern Art

Frontispiece (folio 2) from The Mariposa Suite Nos. I-VI

1970 · Etching and aquatint from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate (irreg.): 8 1/8 × 6 3/4" (20.6 × 17.1 cm); sheet: 14 7/8 × 12 5/8" (37.8 × 32.1 cm)

Museum of Modern Art

VI: A Club in My Ribs (folio 20) from The Mariposa Suite Nos. I-VI

1970 · Etching, aquatint, photogravure, and drypoint with roulette from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate: 11 7/8 × 9 15/16" (30.2 × 25.2 cm); sheet: 14 15/16 × 12 11/16" (37.9 × 32.2 cm)

Museum of Modern Art

II: Butterflies Are May Winds (folio 8) from The Mariposa Suite Nos. I-VI

1970 · Etching and aquatint from an illustrated book with seven etchings (six with aquatint, five with drypoint, five with roulette, and two with photogravure)

plate: 11 7/8 × 9 15/16" (30.2 × 25.2 cm); sheet: 14 15/16 × 12 13/16" (37.9 × 32.5 cm)

Museum of Modern Art

5. Home on the Range

1968 · Lithograph on paper

image: 791 x 588 mm

Tate

6. Custard’s Last Stand

1968 · Lithograph on paper

image: 647 x 510 mm

Tate

1. High Noon for Hoot Gibson

1968 · Lithograph on paper

image: 590 x 793 mm

Tate

3. Dodge City

1968 · Lithograph on paper

image: 604 x 446 mm

Tate

2. Wagon Train

1968 · Lithograph on paper

image: 595 x 788 mm

Tate

4. Cowboys and Indians

1968 · Lithograph on paper

image: 605 x 435 mm

Tate

Attack and Defense at Little Bohemia, from Dillinger

1966 · Hard and soft ground etching, drypoint and open-bite etching, with a la poupee inking, and relief rolls through stencils, printed in color on white wove paper

Image/plate: 52.5 × 55.5 cm (20 11/16 × 21 7/8 in.); Sheet: 63.9 × 75.7 cm (25 3/16 × 29 13/16 in.)

Art Institute of Chicago

Breakout from the Indiana Pen, from Dillinger

1966 · Color hard and soft ground etching, drypoint and aquatint, with vibrograver, and relief rolls through stencils on heavy white wove paper

Image/plate: 81 × 56 cm (31 15/16 × 22 1/16 in.); Sheet: 90 × 67.1 cm (35 7/16 × 26 7/16 in.)

Art Institute of Chicago

The Hideout

1966 · Lithograph in warm black on ivory wove paper

Image: 40 × 56.3 cm (15 3/4 × 22 3/16 in.); Sheet: 50.6 × 67 cm (19 15/16 × 26 7/16 in.)

Art Institute of Chicago

Stock Exchange

1966 · Drypoint, etching, and aquatint

plate: 17 13/16 × 17 15/16" (45.3 × 45.6 cm); sheet: 22 1/4 × 29 7/8" (56.5 × 75.9 cm)

Museum of Modern Art

The Great Mason City Raid, from Dillinger

1965 · Color etching, drypoint, dust ground, soft ground aquatint, with vibrograver, found letterpress and photogravure on ivory wove paper

Image/plate: 51.5 × 65.5 cm (20 5/16 × 25 13/16 in.); Sheet: 57.2 × 75.5 cm (22 9/16 × 29 3/4 in.)

Art Institute of Chicago

Christmas with Ziggy

1965 · Color etching, drypoint, hard and soft ground etching, with roulette and vibrograver on ivory laid paper

Image/plate: 40.5 × 55.4 cm (16 × 21 13/16 in.); Sheet: 56 × 71.8 cm (22 1/16 × 28 5/16 in.)

Art Institute of Chicago

The Battle at Little Bohemia, from Dillinger

1965 · Color etching, drypoint, with vibrograver, found letterpress plates and photogravure on ivory wove paper

Image/plate: 48.4 × 69.6 cm (19 1/16 × 27 7/16 in.); Sheet: 56 × 77 cm (22 1/16 × 30 3/8 in.)

Art Institute of Chicago

The Death of Dillinger, from Dillinger

1964 · Color hard and soft ground etching, aquatint, drypoint, with relief rolls through stencils in brown, red, orange, blue and black, and found object(toy motorcycle) on white wove paper

Image/plate: 66.5 × 44.7 cm (26 3/16 × 17 5/8 in.); Sheet: 77.5 × 53.5 cm (30 9/16 × 21 1/8 in.)

Art Institute of Chicago

In Birmingham Jail

1963 · Etching, aquatint, and drypoint with roulette and found letterpress

plate: 17 3/4 x 23 11/16" (45.1 x 60.1 cm); sheet: 21 7/16 x 28 9/16" (54.4 x 72.5 cm)

Museum of Modern Art

Triumph of St. Valentine

1963 · Drypoint, etching, aquatint, engraving, and stencil

plate: 17 7/8 × 23 3/4" (45.4 × 60.3 cm); sheet: 20 3/8 × 27 9/16" (51.7 × 70 cm)

Museum of Modern Art

Triumph of St. Valentine

1963 · Drypoint, etching, aquatint, and engraving

plate: 17 7/8 × 23 3/4" (45.4 × 60.3 cm); sheet: 21 5/8 × 28 3/4" (55 × 73.1 cm)

Museum of Modern Art