Artworks · Thomas Rowlandson

Doctor

1880 · pen and brown ink with watercolor wash

Sheet: 19.7 x 15.5 cm (7 3/4 x 6 1/8 in.)

Cleveland Museum of Art

A La Mode

1828 · Hand-colored etching on ivory wove paper

Art Institute of Chicago

Coach Changing Horses

1827 · Pen and brown ink with brush and watercolor, over traces of graphite, on ivory wove paper, laid down on board

15.6 × 24.1 cm (6 3/16 × 9 1/2 in.)

Art Institute of Chicago

Mr. Bullock's Exhibition of Laplanders

1822 · hand-colored etching and aquatint

sheet: 27.2 × 39.4 cm (10 11/16 × 15 1/2 in.)

National Gallery of Art

Lay Figure at Somerset House

1822 · Pen and brown ink with brush and watercolor over graphite, on ivory wove paper

18.4 × 28.3 cm (7 1/4 × 11 3/16 in.)

Art Institute of Chicago

View on the River Camel, Cornwall

1822 · Hand-colored etching

Plate: 7 5/16 × 9 5/16 in. (18.5 × 23.6 cm)

The Metropolitan Museum of Art

Rouler Moor, Cornwall

1822 · Hand-colored etching

Plate: 6 7/8 × 9 3/4 in. (17.4 × 24.8 cm)

The Metropolitan Museum of Art

Title page, from "Sketches from Nature"

1822 · Letterpress

Sheet: 9 7/8 × 7 13/16 in. (25.1 × 19.8 cm)

The Metropolitan Museum of Art

Prin

1822 · Hand-colored etching

Plate: 7 1/2 × 9 5/16 in. (19.1 × 23.7 cm)

The Metropolitan Museum of Art

Clearing a Wreck on the North Coast of Cornwall

1822 · Hand-colored etching

Sheet: 7 1/4 × 9 5/8 in. (18.4 × 24.5 cm)

The Metropolitan Museum of Art

West Loo, Cornwall

1822 · Hand-colored etching

Plate: 7 1/2 × 9 3/8 in. (19 × 23.8 cm)

The Metropolitan Museum of Art

Antique Figure

1821 · pen and black ink with brown watercolor and gray wash over graphite on wove paper

overall: 18.5 x 11.9 cm (7 5/16 x 4 11/16 in.)

National Gallery of Art

Study for Dr. Syntax at a Book Auction

1820 · Pen and brown and gray ink with brush and watercolor, on tan wove paper, laid down on card

12.2 × 20.9 cm (4 13/16 × 8 1/4 in.)

Art Institute of Chicago

Dr. Syntax and the Superannuated Fox Hunters

1820 · Graphite on tracing paper

Sheet: 5 3/16 × 8 1/4 in. (13.2 × 21 cm)

The Metropolitan Museum of Art

Dr. Syntax Loses His Wig

1820 · Graphite on tracing paper

Sheet: 4 1/2 × 7 5/8 in. (11.5 × 19.3 cm)

The Metropolitan Museum of Art

View near Bridport, Dorsetshire

1819 · Hand-colored etching

Plate: 6 7/8 × 9 5/8 in. (17.5 × 24.5 cm)

The Metropolitan Museum of Art

Tracing of scene from Dr. Syntax

1819 · Graphite

Sheet: 6 7/8 × 4 5/16 in. (17.5 × 11 cm)

The Metropolitan Museum of Art

Market Day at Richmond in Yorkshire

1818 · pen and brown and gray ink with watercolor over graphite on wove paper

overall: 22.2 x 31.9 cm (8 3/4 x 12 9/16 in.)

National Gallery of Art

Study for Dr. Syntax Entertained at College

1818 · Pen and brown ink with brush and watercolor on ivory laid paper

6.5 × 10.6 cm (2 9/16 × 4 3/16 in.)

Art Institute of Chicago

Solitude at Strawberry Hill

1817 · Pen and brown ink, with brush and watercolor, on cream wove paper, laid down on board

12.3 × 19.9 cm (4 7/8 × 7 7/8 in.)

Art Institute of Chicago

An Old Maid's Delight

1817 · Hand-colored etching

Sheet: 12 13/16 × 8 3/4 in. (32.5 × 22.2 cm)

The Metropolitan Museum of Art

Familie in een paardenstal

1816 · etching on paper

height: 150 cm, width: 244 cm

Rijksmuseum

Fiddler, Sailor, Two Women and a Pig by a Cottage

1816 · Etching

Sheet (trimmed): 5 7/8 × 8 1/4 in. (15 × 21 cm)

The Metropolitan Museum of Art

Pleasure of a Poste aux Anes, from Sentimental Travels

1816 · Watercolor, pen and ink

sheet: 4 3/8 x 7 3/4 in. (11.1 x 19.7 cm)

The Metropolitan Museum of Art

A Soldier's Widow

1815 · watercolor with pen and brown and gray ink over sanguine wash over graphite on wove paper

sheet: 23.7 x 19.3 cm (9 5/16 x 7 5/8 in.)

National Gallery of Art

Nancy Cock - Clear Starcher

1815 · pen and gray ink with watercolor over graphite on wove paper

overall: 21 x 15.4 cm (8 1/4 x 6 1/16 in.)

National Gallery of Art

Boney's Trial, Sentence, and Dying Speech

1815 · hand-colored etching

sheet: 26.7 × 35.4 cm (10 1/2 × 13 15/16 in.)

National Gallery of Art

Stealing the Preserves

1815 · Pen and red and black ink, with brush and watercolor, over traces of graphite, on ivory wove paper tipped onto cream wove paper

27.5 × 22 cm (10 7/8 × 8 11/16 in.)

Art Institute of Chicago

Neighbourly Refreshment

1815 · Hand-colored etching

Sheet: 13 9/16 × 9 3/4 in. (34.4 × 24.7 cm)

The Metropolitan Museum of Art

Vicar and Moses

1815 · Hand-colored etching

Sheet (Trimmed): 11 15/16 × 1 1/8 in. (30.3 × 2.8 cm)

The Metropolitan Museum of Art

Hug-mug-gin

1815 · Etching

Sheet: 12 5/16 × 8 7/8 in. (31.3 × 22.6 cm)

The Metropolitan Museum of Art

Slap-Bang Shop

1815 · Hand-colored etching

Plate: 13 11/16 × 9 11/16 in. (34.8 × 24.6 cm)

The Metropolitan Museum of Art

An Eating House

1815 · Hand-colored etching

Sheet: 6 1/2 × 9 3/4 in. (16.5 × 24.7 cm)

The Metropolitan Museum of Art

Defrauding the Customs, or Shipping the Goods Not Fairly Entered

1815 · Hand-colored etching

Plate: 9 5/8 × 13 9/16 in. (24.5 × 34.5 cm)

The Metropolitan Museum of Art

An Eating House

1815 · Hand-colored etching; reprint

Plate: 5 15/16 × 9 13/16 in. (15.1 × 24.9 cm)

The Metropolitan Museum of Art

Slap-Bang Shop

1815 · Hand-colored etching

Sheet: 12 7/8 × 9 9/16 in. (32.7 × 24.3 cm)

The Metropolitan Museum of Art

Measuring Substitutes for the Army of Reserve

1815 · Hand-colored etching

Sheet: 8 9/16 × 6 9/16 in. (21.7 × 16.6 cm)

The Metropolitan Museum of Art

Vicar and Moses

1815 · Hand-colored etching

Sheet (Trimmed): 11 15/16 × 1 1/8 in. (30.3 × 2.8 cm)

The Metropolitan Museum of Art

La Belle Limonaudiere au Cafe des Mille Colonnes, Palais Royal, Paris

1814 · hand-colored etching

sheet: 36.6 × 24.9 cm (14 7/16 × 9 13/16 in.) mount: 46.2 × 33.5 cm (18 3/16 × 13 3/16 in.)

National Gallery of Art

Madame Very Restaurateur, Palais Royal Paris

1814 · hand-colored etching

sheet: 36.6 × 24.9 cm (14 7/16 × 9 13/16 in.) mount: 46.2 × 33.5 cm (18 3/16 × 13 3/16 in.)

National Gallery of Art

The Four Seasons of Love

1814 · Hand-colored etching on ivory wove paper

Image: 22.5 × 33 cm (8 7/8 × 13 in.); Sheet, trimmed to platemark: 24.3 × 34 cm (9 5/8 × 13 7/16 in.)

Art Institute of Chicago

Portsmouth Point

1814 · Hand-colored etching on ivory wove paper

Image: 23 × 33.5 cm (9 1/16 × 13 1/4 in.); Plate: 24.5 × 35.3 cm (9 11/16 × 13 15/16 in.); Sheet: 26 × 39.3 cm (10 1/4 × 15 1/2 in.)

Art Institute of Chicago

The Naumacia to Commemorate a Peace

1814 · Hand-colored etching

Sheet: 12 3/8 × 16 11/16 in. (31.4 × 42.4 cm)

The Metropolitan Museum of Art

Miseries of London, or a Surly Saucy Hackney Coachman

1814 · Hand-colored etching; reprint

Plate: 13 3/4 × 9 13/16 in. (35 × 25 cm)

The Metropolitan Museum of Art

Miseries of London, or a Surly Saucy Hackney Coachman

1814 · Etching

Plate: 13 7/8 × 9 13/16 in. (35.3 × 25 cm)

The Metropolitan Museum of Art

Rural Sports, or a Pleasant Way of Making Hay

1814 · Hand-colored etching

Plate: 13 11/16 × 9 3/4 in. (34.8 × 24.7 cm)

The Metropolitan Museum of Art

Quarter Day, or Clearing the Premises without Consulting Your Landlord

1814 · Hand-colored etching

Sheet: 12 15/16 in. × 9 in. (32.8 × 22.9 cm)

The Metropolitan Museum of Art

Macassar Oil, An Oily Puff for Soft Heads

1814 · Hand-colored etching

Sheet: 13 11/16 × 9 5/8 in. (34.7 × 24.4 cm)

The Metropolitan Museum of Art