Artworks · Thomas Girtin

The Rivers of England (‘River Scenery’): Ripon Minster on the Rivers Ure and Skell, engraved by T. Lupton

1825 · Mezzotint on paper

image: 147 x 224 mm

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Bolton Abbey on the River Wharfe, engraved by J. Bromley

1825 · Mezzotint on paper

image: 139 x 229 mm

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York Minster on the River Foss, engraved by T. Lupton

1824 · Mezzotint on paper

image: 147 x 229 mm

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Kirkstall Abbey on the River Aire, engraved by W. Say

1824 · Mezzotint on paper

image: 145 x 213 mm

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Chelsea Reach, Looking towards Battersea, engraved by T. Lupton

1823 · Engraving on paper

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Bolton Abbey, Yorkshire, etched by Letitia Byrne

1809 · Etching on paper

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Holyrood Abbey

1805 · Engraving on paper

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Dunkeld Cathedral

1805 · Engraving on paper

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Kelso Abbey

1805 · Engraving on paper

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Boyne Castle

1805 · Engraving on paper

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St Andrew’s Cathedral

1805 · Engraving on paper

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Pluscardine Abbey

1805 · Engraving on paper

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St Andrew’s Cathedral

1805 · Engraving on paper

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The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)

1803 · Soft-ground etching and aquatint

Plate: 8 7/8 × 21 1/4 in. (22.5 × 54 cm) Sheet: 18 1/2 × 26 1/16 in. (47 × 66.2 cm)

The Metropolitan Museum of Art

A Selection of Twenty of the Most Picturesque Views in Paris: The Water Works at Marli, and St. Germain en Laye seen in the distance

1803 · softground etching and aquatint printed in brown, hand-colored with watercolor

Sheet: 45.3 x 63.2 cm (17 13/16 x 24 7/8 in.); Platemark: 22.7 x 54.5 cm (8 15/16 x 21 7/16 in.)

Cleveland Museum of Art

A View of the Pont Neuf, the Mint, etc.: pl.8

1802 · retouched etching

sheet: 20 × 57.8 cm (7 7/8 × 22 3/4 in.)

National Gallery of Art

View of the Village of Chaillot from the Pont de la Concorde: pl.17

1802 · soft-ground etching retouched with pencil and brown and ochre washes

sheet: 11.7 × 46.2 cm (4 5/8 × 18 3/16 in.)

National Gallery of Art

View of Pont de la Tournelle and Notre Dame Taken from the Arsnel: pl.11

1802 · soft-ground etching retouched with brown and ochre washes

sheet: 14 × 43.7 cm (5 1/2 × 17 3/16 in.)

National Gallery of Art

La Rue St Denis

1802 · Watercolour and etching on paper

support: 229 x 489 mm

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A Thatched Cottage among Trees

1802 · Pen and ink on paper

support: 88 x 115 mm

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A Selection of Twenty of the Most Picturesque Views in Paris: The Watermill above the Bridge at Charenton

1802 · soft-ground etching with bistre wash

Cleveland Museum of Art

A Selection of Twenty of the Most Picturesque Views in Paris: View of the Gate of St. Denis taken from the Suburbs

1802 · soft-ground etching with bistre wash

Cleveland Museum of Art

A Selection of Twenty of the Most Picturesque Views in Paris: On the Banks of the Marne below the Bridge at Charenton

1802 · soft-ground etching with bistre wash

Cleveland Museum of Art

A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont de la Tournelle & Notre Dame taken from the Arsenal

1802 · softground etching and aquatint printed in brown

Sheet: 19.9 x 48.7 cm (7 13/16 x 19 3/16 in.); Image: 15.1 x 44.5 cm (5 15/16 x 17 1/2 in.)

Cleveland Museum of Art

A Selection of Twenty of the Most Picturesque Views in Paris: View of Pont Neuf, and the Mint

1802 · soft-ground etching with bistre wash

Cleveland Museum of Art

The Ruins of the Emperor Julian’s Baths, Hôtel de Cluny, Paris

1801 · Watercolour on paper

support: 314 x 232 mm

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Guisborough Priory, Yorkshire

1801 · Watercolour on paper

support: 629 x 508 mm

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Pont-y-Pair, Bettws-y-Coed, North Wales

1801 · Graphite on paper

support: 162 x 225 mm

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Conwy Castle, North Wales

1800 · watercolor over graphite on cartridge paper

overall: 31 x 47.9 cm (12 3/16 x 18 7/8 in.)

National Gallery of Art

In Mr Whitbread’s Park. The Doric Temple at Southill, Bedfordshire, Built Circa 1795

1800 · Watercolour on paper

support: 221 x 329 mm

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Landscape

1800 · Watercolour on paper

support: 70 x 241 mm

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The White House at Chelsea

1800 · Watercolour on paper

support: 298 x 514 mm

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The River Tweed near Kelso

1800 · Watercolour on paper

support: 267 x 324 mm

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Buildings at Aylesbury

1800 · Graphite and watercolour on paper

support: 153 x 243 mm

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Horton Church, Northumberland

1800 · Graphite on paper

support: 145 x 203 mm

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River at Norwich

1800 · Watercolor

Sheet: 12 3/4 × 18 3/4 in. (32.4 × 47.6 cm)

The Metropolitan Museum of Art

Rhyddlan Castle and Bridge

1799 · Watercolour, graphite and ink on paper

support: 202 x 333 mm

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Trees in a Park

1798 · Graphite, chalk and watercolour on paper

support: 244 x 441 mm

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Pont-y-Pair

1798 · Watercolour on paper

support: 381 x 581 mm

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A Winding Estuary

1798 · Watercolour on paper

support: 117 x 533 mm

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A Street in Conway, with Plas Mawr

1798 · Graphite on paper

support: 183 x 236 mm

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Bristol Cathedral from College Green

1797 · graphite on wove paper

sheet: 20.96 × 24.45 cm (8 1/4 × 9 5/8 in.)

National Gallery of Art

Village along a River Estuary in Devon

1797 · watercolor over graphite on oatmeal paper

Overall: 29.3 x 51.6 cm (11 9/16 x 20 5/16 in.) mat: 55.9 x 71.1 cm (22 x 28 in.)

National Gallery of Art

Croyland Abbey, engraved by B. Howlett

1797 · Engraving on paper

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Marlow Bridge, Buckinghamshire, engraved by J. Walker

1797 · Engraving on paper

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Bamburgh Castle, Northumberland

1797 · Watercolour, gouache and graphite on paper

support: 549 x 451 mm

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A Lake and Mountains ?in Westmorland

1797 · Gouache, graphite and watercolour on paper

support: 78 x 121 mm

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Raby Castle, Co. Durham

1797 · Graphite and watercolour on paper

support: 78 x 122 mm

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