Artworks · Taddeo Zuccaro, Italian

Agony in the Garden

1598 · Pen and brown ink, with brush and brown wash, heightened with lead white (oxidized), on gray laid paper, laid down on ivory wove paper

23.8 × 30.5 cm (9 3/8 × 12 1/16 in.)

Art Institute of Chicago

Standing Soldiers and Kneeling Figures

1580 · Pen and brown ink, with brush and brown wash, and red chalk, on ivory laid paper, laid down on ivory card

18.9 × 13.3 cm (7 1/2 × 5 1/4 in.)

Art Institute of Chicago

Adoration of the Shepherds

1567 · engraving

Image: 42.8 x 29 cm (16 7/8 x 11 7/16 in.)

Cleveland Museum of Art

Soldier Running :Study for Figure in Left Foreground, "Betrayal of Christ," Rome, S. Maria della Consolazione, Matttei Chapel; Separate Studies of Two Heads

1566 · Pen and brown ink, brown wash, black chalk on gray paper

36.8 × 21.6 cm (14 1/2 × 8 1/2 in.)

Cooper Hewitt, Smithsonian Design Museum

Standing Prophet with a Book and Scroll

1562 · Pen and brown ink and brush and brown wash, over red chalk, on ivory laid paper, squared in black chalk

26.2 × 14.1 cm (10 3/8 × 5 9/16 in.)

Art Institute of Chicago

Un Hebreo, from Christ Shown to the People (recto)

1556 · Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk

Sheet: 36.6 x 22.5 cm (14 7/16 x 8 7/8 in.); Page: 46 x 34.1 cm (18 1/8 x 13 7/16 in.)

Cleveland Museum of Art

Un Hebreo, from Christ Shown to the People (recto); Design for a Wall Decoration with Pasted-in Sketches after Raphael (verso)

1556 · Brown wash with outlining in pen and brown ink and red chalk, with traces of black chalk (recto); Pen and brown ink with brown wash over red chalk and traces of pencil, the three pasted-in compositional sketches in black chalk laid down on an album sheet

Sheet: 33.4 x 43.5 cm (13 1/8 x 17 1/8 in.); Page: 34.1 x 46 cm (13 7/16 x 18 1/8 in.); Sheet 4: 7.9 x 3.9 cm (3 1/8 x 1 9/16 in.); Sheet 3: 13.7 x 7.3 cm (5 3/8 x 2 7/8 in.); Sheet 1: 7.9 x 3.7 cm (3 1/8 x 1 7/16 in.)

Cleveland Museum of Art

Sheet of Studies for the Blinding of Elymas, Sacrifice at Lystra, and a Holy Family

1556 · Pen and brown ink, and brush and red chalk and brown wash, on ivory laid paper

38.6 × 27.4 cm (15 1/4 × 10 13/16 in.)

Art Institute of Chicago

Three Figures Supporting a Man, Smaller Sketch of the Same, and Studies for the Blinding of Elymas

1556 · Pen and brown ink, and brush and red chalk and brown wash, with touches of red chalk, and black chalk, on ivory laid paper

38.6 × 27.4 cm (15 1/4 × 10 13/16 in.)

Art Institute of Chicago

A Miracle of Saint Philip Benizzi: The Healing of a Demoniac Woman

1552 · brush and point of brush and red chalk wash, with red chalk; traces of framing lines in brown ink

Sheet: 29 x 22 cm (11 7/16 x 8 11/16 in.); Secondary Support: 29 x 22 cm (11 7/16 x 8 11/16 in.)

Cleveland Museum of Art

Sketches of Two Winged Putti and an Urn

1550 · Black and white chalk on blue laid paper

38.4 x 24.3 cm (15 1/8 x 9 9/16 in. )

Cooper Hewitt, Smithsonian Design Museum

Study for Male Allegorical Figure

1549 · Pen and brown ink, with brush and brown wash, heightened with lead white (partly oxidized), on cream laid paper prepared with light-brown wash

26.7 × 17.1 cm (10 9/16 × 6 3/4 in.)

Art Institute of Chicago