Artworks · Samuel Palmer

Twee personen rusten uit terwijl hun kudde graast

1880 · etching on paper

height: 134 cm, width: 188 cm

Rijksmuseum

The Lonely Tower

1880 · Etching on paper

Image: 16.7 × 23.5 cm (6 5/8 × 9 5/16 in.); Plate: 18.9 × 25.3 cm (7 1/2 × 10 in.); Sheet: 28.8 × 41.2 cm (11 3/8 × 16 1/4 in.)

Art Institute of Chicago

Early Morning

1880 · Etching in black on paper

Image: 11.8 × 17.5 cm (4 11/16 × 6 15/16 in.); Plate: 17 × 23 cm (6 3/4 × 9 1/16 in.); Sheet: 33.6 × 47 cm (13 1/4 × 18 9/16 in.)

Art Institute of Chicago

The Herdsman's Cottage, or Sunset

1880 · Etching; second state of two

plate: 4 7/8 x 4 5/8 in. (12.4 x 11.7 cm)

The Metropolitan Museum of Art

Opening the Fold, or Early Morning

1880 · Etching; third state of ten

plate: 6 7/16 x 9 1/8 in. (16.3 x 23.1 cm)

The Metropolitan Museum of Art

Opening the Fold, or Early Morning

1880 · Etching; third state of ten, retouched in graphite

plate: 6 3/8 x 9 1/16 in. (16.2 x 23 cm)

The Metropolitan Museum of Art

The Lonely Tower

1879 · etching in black on laid paper

plate: 19.2 x 25.3 cm (7 9/16 x 9 15/16 in.) sheet: 26.6 x 35.9 cm (10 1/2 x 14 1/8 in.)

National Gallery of Art

The Bellman

1879 · etching on japan paper, pasted to board

plate: 19.4 x 25.3 cm (7 5/8 x 9 15/16 in.) sheet: 29.1 x 40.1 cm (11 7/16 x 15 13/16 in.)

National Gallery of Art

The Bellman

1879 · etching on laid paper

plate: 19 x 25.1 cm (7 1/2 x 9 7/8 in.) sheet: 23 x 36 cm (9 1/16 x 14 3/16 in.) overall (mat): 40.6 x 55.9 cm (16 x 22 in.)

National Gallery of Art

The Lonely Tower

1879 · Etching on paper

image: 168 x 233 mm

Tate

The Lonely Tower

1879 · Etching on paper

support: 316 x 414 mm image: 167 x 232 mm

Tate

The Lonely Tower

1879 · Etching on paper

image: 168 x 233 mm

Tate

The Bellman

1879 · Etching on paper

Image: 16.7 × 23.5 cm (6 5/8 × 9 5/16 in.); Plate: 19 × 25.2 cm (7 1/2 × 9 15/16 in.); Sheet: 27.2 × 38 cm (10 3/4 × 15 in.)

Art Institute of Chicago

The Lonely Tower

1879 · Etching on paper

Image: 16.8 × 23.4 cm (6 5/8 × 9 1/4 in.); Plate: 19.1 × 25.3 cm (7 9/16 × 10 in.); Sheet: 33.7 × 44.2 cm (13 5/16 × 17 7/16 in.)

Art Institute of Chicago

The Lonely Tower

1879 · Etching; fourth state of seven

sheet: 14 5/16 x 19 11/16 in. (36.3 x 50 cm)

The Metropolitan Museum of Art

The Curfew (of: The Wide Water'd Shore)

1870 · brush on pencil, deck paint, cardboard, watercolor (paint), gum (material)

height: 510 cm, width: 96 cm, height: 76.5 cm, width: 710 cm, depth: 3.3 cm

Rijksmuseum

The Golden Hour

1865 · watercolor and gouache with graphite and scraping

Sheet: 25.6 x 35.4 cm (10 1/16 x 13 15/16 in.)

Cleveland Museum of Art

A Dream in the Apennine

1864 · Watercolour and gouache on paper on wood

support: 660 x 1016 mm frame: 940 x 1295 x 75 mm

Tate

The Early Ploughman

1861 · etching on laid paper

plate: 14.2 x 21.2 cm (5 9/16 x 8 3/8 in.) sheet: 17.7 x 26.8 cm (6 15/16 x 10 9/16 in.)

National Gallery of Art

The Early Ploughman

1861 · etching on laid paper

plate: 17.6 x 24.5 cm (6 15/16 x 9 5/8 in.) sheet: 18.6 x 25.9 cm (7 5/16 x 10 3/16 in.)

National Gallery of Art

The Early Ploughman

1861 · etching

National Gallery of Art

The Early Ploughman

1861 · Etching; fifth state of nine (probably)

plate: 5 5/8 x 8 1/8 in. (14.3 x 20.6 cm)

The Metropolitan Museum of Art

The Early Ploughman

1860 · etching on laid paper

plate: 17.5 x 25 cm (6 7/8 x 9 13/16 in.) sheet: 18.4 x 26.5 cm (7 1/4 x 10 7/16 in.)

National Gallery of Art

The Morning of Life

1860 · etching

National Gallery of Art

The Morning of Life

1860 · Etching in black on paper

Image: 13.5 × 21 cm (5 3/8 × 8 5/16 in.); Plate: 18 × 25 cm (7 1/8 × 9 7/8 in.); Sheet: 22.2 × 30 cm (8 3/4 × 11 13/16 in.)

Art Institute of Chicago

The Morning of Life

1860 · Etching in black on paper

Image: 13.5 × 20.7 cm (5 3/8 × 8 3/16 in.); Plate: 14.5 × 21.5 cm (5 3/4 × 8 1/2 in.); Sheet: 22.5 × 27 cm (8 7/8 × 10 11/16 in.)

Art Institute of Chicago

The Morning of Life

1860 · Etching; fourth state of seven

sheet: 9 1/4 x 12 11/16 in. (23.5 x 32.3 cm), irreg.

The Metropolitan Museum of Art

The Weary Ploughman

1858 · etching on chine collé

plate: 19.3 x 26.4 cm (7 5/8 x 10 3/8 in.) sheet: 32 x 44.6 cm (12 5/8 x 17 9/16 in.)

National Gallery of Art

The Weary Ploughman

1858 · etching on wove paper

plate: 19 × 26.3 cm (7 1/2 × 10 3/8 in.) sheet: 30.8 × 43.9 cm (12 1/8 × 17 5/16 in.)

National Gallery of Art

The Weary Ploughman

1858 · Etching on paper

image: 133 x 203 mm

Tate

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus

1858 · Etching; eighth state of eight

sheet: 9 5/16 x 12 5/16 in. (23.7 x 31.2 cm)

The Metropolitan Museum of Art

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus

1858 · Etching; seventh or eighth state of eight

sheet: 5 5/16 x 8 1/8 in. (13.5 x 20.6 cm)

The Metropolitan Museum of Art

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus

1858 · Etching; second or fourth state of eight, working proof

sheet: 10 3/8 x 13 3/4 in. (26.4 x 35 cm)

The Metropolitan Museum of Art

The Weary Ploughman, or The Herdsman, or Tardus Bubulcus

1858 · Etching; eighth state of eight

sheet: 6 1/4 x 7 15/16 in. (15.8 x 20.2 cm)

The Metropolitan Museum of Art

The Sleeping Shepherd

1857 · etching on chine collé

plate: 12.3 × 10.4 cm (4 13/16 × 4 1/8 in.) sheet: 33.7 × 24.9 cm (13 1/4 × 9 13/16 in.)

National Gallery of Art

The Rising Moon

1857 · etching on chine collé

plate: 14.6 x 22.1 cm (5 3/4 x 8 11/16 in.) sheet: 26.5 x 33.5 cm (10 7/16 x 13 3/16 in.)

National Gallery of Art

The Sleeping Shepherd; Early Morning

1857 · etching on chine collé

plate: 12.5 × 10.3 cm (4 15/16 × 4 1/16 in.) sheet: 36.5 × 26 cm (14 3/8 × 10 1/4 in.)

National Gallery of Art

The Rising Moon, or An English Pastoral

1857 · etching

plate: 17.8 x 25.2 cm (7 x 9 15/16 in.) sheet: 29 x 40.4 cm (11 7/16 x 15 7/8 in.) overall: 40.6 x 55.9 cm (16 x 22 in.)

National Gallery of Art

The Rising Moon, or An English Pastoral

1857 · etching

sheet (trimmed to plate): 12.5 × 19.6 cm (4 15/16 × 7 11/16 in.)

National Gallery of Art

The Sleeping Shepherd; Early Morning

1857 · etching, hand-colored with watercolor and opaque white with gold highlights

plate: 9.5 x 7.8 cm (3 3/4 x 3 1/16 in.) overall (mat size): 27.9 x 35.6 cm (11 x 14 in.)

National Gallery of Art

The Sleeping Shepherd, Early Morning

1857 · Etching on chine collé; fourth state of four

plate: 4 15/16 x 4 in. (12.5 x 10.2 cm)

The Metropolitan Museum of Art

The Sleeping Shepherd; Early Morning

1857 · Etching on chine collé; third state of four

sheet: 8 3/8 x 7 7/16 in. (21.2 x 18.9 cm)

The Metropolitan Museum of Art

The Early Ploughman

1856 · Etching on paper

Image: 13.1 × 19.8 cm (5 3/16 × 7 13/16 in.); Sheet: 16.8 × 24.4 cm (6 5/8 × 9 5/8 in.)

Art Institute of Chicago

Sabrina

1856 · Watercolor and gouache (bodycolor) over graphite, with reductive techniques, shell gold and gum arabic

Sheet: 21 15/16 × 30 1/8 in. (55.7 × 76.5 cm)

The Metropolitan Museum of Art

The Early Plowman

1855 · etching

Cleveland Museum of Art

The Vine

1852 · etching

Sheet: 30 x 22 cm (11 13/16 x 8 11/16 in.)

Cleveland Museum of Art

Harvesting

1851 · watercolor and gouache over graphite with scratching-out and touches of gum arabic on paperboard

Overall: 37.8 x 51.5 cm (14 7/8 x 20 1/4 in.) mat: 55.9 x 71.1 cm (22 x 28 in.)

National Gallery of Art

A Woodland Study

1851 · Brush and black and brown washes, with white gouache and scraping, ruled in graphite, on ivory paperboard

22.5 × 17.2 cm (8 7/8 × 6 13/16 in.)

Art Institute of Chicago