Artworks · Salvator Rosa

Apollo and the Cumean Sibyl

1780 · Etching on ivory laid paper

33.5 × 21.8 cm (13 1/4 × 8 5/8 in.)

Art Institute of Chicago

Saint William of Maleval

1780 · Etching in sanguine on ivory laid paper

Plate: 34.9 × 23.6 cm (13 3/4 × 9 5/16 in.); Sheet: 36.7 × 24.9 cm (14 1/2 × 9 13/16 in.)

Art Institute of Chicago

Plate

1728 · Faience (tin-glazed earthenware)

Diameter: 8 7/8 in. (22.5 cm)

The Metropolitan Museum of Art

Polycrates and the Fisherman

1664 · Oil on canvas

73 × 98.6 cm (28 1/2 × 38 13/16 in.); Framed: 87 × 112.4 × 7 cm (34 1/4 × 44 1/4 × 2 3/4 in.)

Art Institute of Chicago

Polycrates' Crucifixion

1664 · Oil on canvas

73.4 × 98.9 cm (28 7/8 × 38 15/16 in.); Framed: 87 × 112.4 × 7 cm (34 1/4 × 44 1/4 × 2 3/4 in.)

Art Institute of Chicago

The Rescue of the Infant Oedipus

1663 · etching with drypoint on laid paper

sheet: 72.7 × 47.8 cm (28 5/8 × 18 13/16 in.)

National Gallery of Art

Jason and the Dragon

1663 · etching and drypoint on laid paper

sheet (trimmed to plate mark): 34.5 x 21.8 cm (13 9/16 x 8 9/16 in.)

National Gallery of Art

Jason and the Dragon

1663 · etching and drypoint

National Gallery of Art

Dream of Aeneas

1663 · Etching on ivory laid paper

Plate: 35.3 × 23.1 cm (13 15/16 × 9 1/8 in.); sheet: 36.4 × 24 cm (14 3/8 × 9 1/2 in.)

Art Institute of Chicago

Jason and the Dragon

1663 · Etching and drypoint

Plate: 13 5/16 × 8 9/16 in. (33.8 × 21.8 cm)

The Metropolitan Museum of Art

The Fall of the Giants

1663 · Etching with drypoint

Plate: 28 3/8 × 18 9/16 in. (72 × 47.1 cm)

The Metropolitan Museum of Art

The Fall of the Giants

1663 · Etching with drypoint in black on ivory laid paper

72.8 × 47.4 cm (28 11/16 × 18 11/16 in.)

Art Institute of Chicago

Alexander in the Studio of Apelles

1662 · etching and drypoint on laid paper

sheet (trimmed to plate mark): 45.5 x 27.5 cm (17 15/16 x 10 13/16 in.)

National Gallery of Art

The Crucifixion of Polycrates

1662 · etching and drypoint on laid paper

plate: 47.5 x 72.3 cm (18 11/16 x 28 7/16 in.) sheet: 54.5 x 78 cm (21 7/16 x 30 11/16 in.)

National Gallery of Art

Diogenes Casting away his Bowl

1662 · etching on laid paper

sheet (trimmed to plate mark): 45.3 x 27.2 cm (17 13/16 x 10 11/16 in.)

National Gallery of Art

Democritus in Meditation

1662 · etching

National Gallery of Art

Landscape

1662 · pen and brown ink with gray wash on laid paper

Overall (approximate): 19.1 x 13.1 cm (7 1/2 x 5 3/16 in.) support: 32.8 x 25.7 cm (12 15/16 x 10 1/8 in.)

National Gallery of Art

Democritus in Meditation

1662 · Etching with drypoint

Sheet: 18 7/16 x 11 1/8 in. (46.8 x 28.2 cm)

The Metropolitan Museum of Art

Two ox skulls and a portion of a third, study for "Democritus in Meditation"

1662 · Etching

Sheet: 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm)

The Metropolitan Museum of Art

Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation"

1662 · Etching and drypoint

Sheet: 5 9/16 × 3 9/16 in. (14.2 × 9.1 cm)

The Metropolitan Museum of Art

Three human skulls, study for "Democritus in Meditation"

1662 · Etching

Sheet: 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm)

The Metropolitan Museum of Art

Three ox skulls, two horse skulls, and a grotesque head, study for "Democritus in Meditation"

1662 · Etching and drypoint

Sheet: 5 9/16 × 3 9/16 in. (14.2 × 9.1 cm)

The Metropolitan Museum of Art

Three human skulls, study for "Democritus in Meditation"

1662 · Etching

Sheet: 5 9/16 × 3 5/8 in. (14.2 × 9.2 cm)

The Metropolitan Museum of Art

Apollo and the Cumaean Sibyl

1661 · etching and drypoint on laid paper

plate: 33.7 x 21.7 cm (13 1/4 x 8 9/16 in.) sheet: 34.7 x 22.8 cm (13 11/16 x 9 in.)

National Gallery of Art

Diogenes Casting Away His Bowl

1661 · Etching and drypoint on dark cream laid paper

Plate: 46 × 27.6 cm (18 1/8 × 10 7/8 in.); Sheet, max: 46.8 × 28.7 cm (18 7/16 × 11 5/16 in.)

Art Institute of Chicago

Death of Atilius Regulus

1661 · Etching with drypoint on thick ivory laid paper

Plate: 46.2 × 72.6 cm (18 1/4 × 28 5/8 in.); Sheet: 52.7 × 76.3 cm (20 3/4 × 30 1/16 in.)

Art Institute of Chicago

Saint William of Maleval, hands tied with rope fastened to a tree

1661 · Etching and Drypoint

Sheet: 13 7/16 x 11 5/16 in. (34.2 x 28.8 cm)

The Metropolitan Museum of Art

Shepherd in a Landscape

1660 · etching and drypoint

plate: 10.8 x 16.4 cm (4 1/4 x 6 7/16 in.) sheet: 13.1 x 19.4 cm (5 3/16 x 7 5/8 in.)

National Gallery of Art

Raising of Lazarus

1660 · Pen and iron-gall ink, with red chalk, brush and iron-gall ink wash and traces of black and brown chalk, on grayish ivory laid paper, laid down on cream laid paper

42.4 × 28 cm (16 3/4 × 11 1/16 in.)

Art Institute of Chicago

The Dream of Aeneas

1660 · Oil on canvas

77 1/2 x 47 1/2 in. (196.9 x 120.7 cm)

The Metropolitan Museum of Art

The Dream of Aeneas

1660 · Oil on canvas

77 1/2 x 47 1/2 in. (196.9 x 120.7 cm)

The Metropolitan Museum of Art

Dream of Aeneas, Aeneas rests on his shield, while the river god Tiber points upward

1658 · Etching with drypoint

Sheet: 14 3/8 × 9 15/16 in. (36.5 × 25.3 cm)

The Metropolitan Museum of Art

Dream of Aeneas: Aeneas rests his head on his hands atop his shield, while the river god Tiber leans on a vessel and points upward with his left hand

1658 · Etching and drypoint

Sheet: 13 13/16 x 9 3/16 in. (35.1 x 23.3 cm)

The Metropolitan Museum of Art

The Fall of the Giants

1658 · Pen and brown ink, over charcoal

Sheet: 10 1/4 × 7 11/16 in. (26.1 × 19.5 cm)

The Metropolitan Museum of Art

Jason and the Dragon

1658 · Etching and drypoint

sheet: 13 7/16 x 8 1/2 in. (34.1 x 21.6 cm)

The Metropolitan Museum of Art

A Standing Man Leaning on a Stick

1657 · pen and brown ink with brown wash, laid down on laid paper

sheet: 16.9 × 9 cm (6 5/8 × 3 9/16 in.) (irregular) mount: 22.4 × 17.9 cm (8 13/16 × 7 1/16 in.)

National Gallery of Art

The Death of Atilius Regulus

1657 · etching with drypoint on laid paper

plate: 46.4 × 72.9 cm (18 1/4 × 28 11/16 in.) sheet: 53.4 × 75.7 cm (21 × 29 13/16 in.)

National Gallery of Art

Study for Polycrates’ Crucifixion

1657 · Pen and brown iron gall ink on tan laid paper, laid down on cream laid paper

13.2 × 6.7 cm (5 1/4 × 2 11/16 in.)

Art Institute of Chicago

Study for Polycrates’ Crucifixion

1657 · Pen and brown iron gall ink, with brush and brown wash, over traces of graphite on buff laid paper, laid down on cream laid paper

17.7 × 14.1 cm (7 × 5 9/16 in.)

Art Institute of Chicago

The Genius of Salvator Rosa

1657 · Etching and drypoint on ivory laid paper

Plate: 46 × 27.5 cm (18 1/8 × 10 7/8 in.); Sheet: 58 × 43.6 cm (22 7/8 × 17 3/16 in.)

Art Institute of Chicago

Alexander in the Studio of Apelles

1657 · Etching and drypoint on ivory laid paper

Plate: 45.5 × 27.3 cm (17 15/16 × 10 3/4 in.); Sheet: 46.7 × 28.5 cm (18 7/16 × 11 1/4 in.)

Art Institute of Chicago

Ceres and Phylactus

1657 · Etching on ivory laid paper

Plate: 35.3 × 23.5 cm (13 15/16 × 9 5/16 in.)

Art Institute of Chicago

Ceres and Phytalus

1657 · Etching with drypoint in black on ivory laid paper

Image/plate: 35.2 × 23.6 cm (13 7/8 × 9 5/16 in.); Sheet: 46.4 × 33.6 cm (18 5/16 × 13 1/4 in.)

Art Institute of Chicago

The Genius of Salvator Rosa

1657 · Etching with drypoint

Sheet: 17 15/16 x 10 7/8 in. (45.6 x 27.6 cm)

The Metropolitan Museum of Art

The crucifixion of Polycrates the tyrant after his capture by the Persians

1657 · Etching

sheet: 22 1/2 x 30 3/8 in. (57.1 x 77.1 cm)

The Metropolitan Museum of Art

Krijgslieden met lansen in een landschap

1657 · pen on ink, paper

height: 64 cm, width: 98 cm

Rijksmuseum

Youth Sitting on a Wall in Conversation with Two Men

1656 · pen and brown ink and black chalk with gray wash on laid paper

Overall (approximate): 14.8 x 9.6 cm (5 13/16 x 3 3/4 in.) support: 26.8 x 18.7 cm (10 9/16 x 7 3/8 in.)

National Gallery of Art

Three Soldiers Resting

1656 · Pen and brown ink with brush and brown and gray washes, over black chalk, on cream laid paper, laid down on off-white laid paper

15 × 9.4 cm (5 15/16 × 3 3/4 in.)

Art Institute of Chicago