Artworks · Pol Bury

Studies for Les Demoiselles d'Avignon (Études pour Les Demoiselles d'Avignon) from Homage to Picasso (Hommage à Picasso)

1973 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition and sheet: 27 15/16 x 20 1/8" (71 x 51.2 cm)

Museum of Modern Art

16 Balls, 16 Cubes in 8 Rows

1966 · Wood, nylon and motor

object: 800 x 400 x 200 mm

Tate

3069 White Dots on an Oval Background

1966 · Wood, nylon and motor

object: 673 x 1206 x 254 mm

Tate

Park Avenue

1966 · Color screenprint on canvas

Image: 102.3 × 77 cm (40 5/16 × 30 3/8 in.); Canvas: 112 × 88.2 cm (44 1/8 × 34 3/4 in.)

Art Institute of Chicago

Untitled from X Cinetizations

1966 · Screenprint

composition (irreg.): 18 5/16 x 9 5/16" (46.5 x 23.6 cm); sheet: 24 3/16 x 17 11/16" (61.5 x 45 cm)

Museum of Modern Art

1,914 White Points on Sapele Background

1964 · Plastic-tipped nylon wires with wood panel and motor

39 1/4 x 19 5/8 x 4 3/4" (99.6 x 49.7 x 12.1 cm)

Museum of Modern Art

Rods (62), Balls (31) and Boxes

1964 · Wood with cork, nylon wire and motor

39 3/4 x 19 1/2 x 6 1/2" (100.9 x 49.5 x 16.5 cm)

Museum of Modern Art

Erectile Entity

1962 · Metal wires and painted wood panel with motor

36 x 35 3/4 x 13 1/2" (91.2 x 90.6 x 34.2 cm)

Museum of Modern Art