Artworks · Paul Nash

Genesis

1924 · Artist's book of twelve wood engravings

irreg. page 10 7/16 x 7 1/2" (26 x 19 cm)

Museum of Modern Art

THE SUN AND MOON, plate VII (folio 18) from GENESIS

1924

composition 4 7/16 x 3 7/16" (11.3 x 8.8 cm)

Museum of Modern Art

THE FISH AND THE FOWL, plate IX (folio 22) from GENESIS

1924

irreg. composition 4 7/16 x 3 7/16" (11.3 x 8.7 cm)

Museum of Modern Art

THE DIVISION OF THE LIGHT FROM THE DARKNESS, plate III (folio 10) from GENESIS

1924

composition 4 7/16 x 3 7/16" (11.3 x 8.8 cm)

Museum of Modern Art

MAN AND WOMAN, plate XI (folio 26) from GENESIS

1924

irreg. composition 4 7/16 x 3 7/16" (11.3 x 8.8 cm)

Museum of Modern Art

CREATION OF THE FIRMAMENT, plate IV (folio 12) from GENESIS

1924

irreg. composition 4 7/16 x 3 7/16" (11.3 x 8.8 cm)

Museum of Modern Art

VEGETATION, plate VI (folio 16) from GENESIS

1924

irreg. composition 4 7/16 x 3 7/16" (11.3 x 8.8 cm)

Museum of Modern Art

The Wall, Dymchurch

1923 · Engraving on paper

image: 127 x 203 mm

Tate

A Road, Perhaps Over a Moor

1923 · Wood engraving on decorative paper

Image: 2 1/4 × 4 5/8 in. (5.7 × 11.7 cm) Sheet: 5 11/16 × 9 1/4 in. (14.5 × 23.5 cm)

The Metropolitan Museum of Art

Dyke by the Road

1922 · wood engraving

Cleveland Museum of Art

Tench Pond in a Gale

1921 · Ink, graphite and watercolour on paper

support: 577 x 399 mm frame: 800 x 625 x 20 mm

Tate

Promenade II

1920 · Wood engraving on paper

image: 137 x 156 mm

Tate

Promenade No. 1

1920 · Wood engraving

Sheet: 11 1/8 in. × 7 in. (28.3 × 17.8 cm) Image: 4 1/2 × 5 3/4 in. (11.4 × 14.6 cm)

The Metropolitan Museum of Art

Promenade No.1

1920 · Wood engraving on Japanese paper

Sheet: 5 1/4 × 6 1/4 in. (13.3 × 15.8 cm) Image: 4 1/2 × 5 3/4 in. (11.4 × 14.6 cm)

The Metropolitan Museum of Art

Behind the Inn

1919 · Oil paint on canvas

support: 635 x 762 mm frame: 752 x 883 x 76 mm

Tate

Mine Crater, Hill 60, Ypres Salient

1917 · Lithograph on cream laid paper

Image: 35.4 × 45.4 cm (13 15/16 × 17 7/8 in.); Sheet: 46.2 × 59.4 cm (18 1/4 × 23 7/16 in.)

Art Institute of Chicago

The Orchard

1914 · Watercolour, ink and graphite on paper

support: 575 x 482 mm

Tate

The Pyramids in the Sea

1912 · Ink and watercolour on paper

support: 336 x 298 mm frame: 550 x 488 x 15 mm

Tate

Lavengro and Isopel in the Dingle

1912 · Ink, graphite and gouache on paper

support: 464 x 370 mm frame: 742 x 635 x 58 mm

Tate

Sketch for ‘Lavengro and Isopel in the Dingle’

1911 · Gouache on paper

support: 267 x 216 mm

Tate