Artworks · Maurice de Vlaminck

106 artworks · page 2 of 3

📷 With images only (16)

Tailpiece (page 96) from LES HOMMES ABANDONNÉS

1927 · Lithograph, printed in black

irreg. composition 5 5/16 x 6 11/16" (13.5 x 17 cm)

Museum of Modern Art

Headpiece (page 19) from LES HOMMES ABANDONNÉS

1927 · Lithograph, printed in black

irreg. composition 3 13/16 x 6 3/8" (9.7 x 16.2 cm)

Museum of Modern Art

Plate (facing page 32) from LES HOMMES ABANDONNÉS

1927 · Lithograph, printed in black

irreg. composition 7 7/16 x 5 15/16" (18.9 x 15.2 cm)

Museum of Modern Art

LES HOMMES ABANDONNÉS

1927 · 1 etching and drypoint; and 24 lithographs, printed in black

irreg. page 11 7/16 x 9 7/16" (29 x 24 cm)

Museum of Modern Art

Plate (facing page 52) from LES HOMMES ABANDONNÉS

1927 · Lithograph, printed in black

irreg. composition 7 7/16 x 5 11/16" (18.9 x 14.4 cm)

Museum of Modern Art

Plate (facing page 104) from LES HOMMES ABANDONNÉES

1927 · Lithograph, printed in black

irreg. composition 7 1/2 x 5 3/4" (19.1 x 14.6 cm)

Museum of Modern Art

Tailpiece (page 180) from LES HOMMES ABANDONNÉS

1927 · Lithograph, printed in black

irreg. composition 3 1/8 x 6 7/16" (8 x 16.3 cm)

Museum of Modern Art

Plate (facing page 196) from LES HOMMES ABANDONNÉES

1927 · Lithograph, printed in black

irreg. composition 7 9/16 x 5 3/4" (19.3 x 14.6 cm)

Museum of Modern Art

Duhamel: Maurice de Vlaminck

1927 · Four etchings

plate: 3 15/16 x 5 3/8" (10 x 13.6 cm); page: 8 7/8 x 6 5/16" (22.6 x 16 cm)

Museum of Modern Art

The Bridge Over the Oise at Méry

1925 · Color lithograph on ivory laid paper

Image, sight: 24 × 33.7 cm (9 1/2 × 13 5/16 in.); Sheet, sight: 26.5 × 35.7 cm (10 7/16 × 14 1/16 in.)

Art Institute of Chicago

Rue Soufflot (plate, preceding page 41) from Tableaux de Paris

1925 · Lithograph from an illustrated book with nine etchings (three with drypoint, one with aquatint), six lithographs, and five drypoints (one with roulette)

irreg. composition 7 7/8 x 6" (20 x 15.3 cm)

Museum of Modern Art

The Mill on the Naze (Le Moulin de la Naze) from Essai dur l'histoire de la lithographie en France. Les Peintures lithographes de Manet à Matisse. Album de lithographies originales.

1924 · Lithograph from a portfolio of 16 lithographs

composition: 6 15/16 × 10 1/2" (17.6 × 26.7 cm); sheet: 10 13/16 × 14 3/8" (27.4 × 36.5 cm)

Museum of Modern Art

La Plaine de Boissy-les-perches

1923 · Etching, engraving, and drypoint

Museum of Modern Art

Head of a Woman (Tête de femme)

1922 · Woodcut

composition 13 3/16 x 10 1/8" (33.5 x 25.8 cm)

Museum of Modern Art

Communications

1921 · Book with woodcuts in black on ivory laid paper

32.7 × 23.2 × 0.4 cm (12 7/8 × 9 3/16 × 3/16 in.)

Art Institute of Chicago

Old Mill

1921 · Lithograph on ivory wove paper

Image: 50 × 64.8 cm (19 11/16 × 25 9/16 in.); Sheet: 56 × 76.3 cm (22 1/16 × 30 1/16 in.)

Art Institute of Chicago

Verville

1921 · Drypoint and lithograph

Comp. 15 1/8 x 18 3/8" (38.3 x 46.5 cm)

Museum of Modern Art

STILL-BORN I and II (headpiece and tailpiece, folio 14) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 9 7/8 x 7 7/8" (25.1 x 20.0 cm) Tailpiece (comp.irreg.): 1 5/16 x 3 3/16" (3.4 x 8.1 cm)

Museum of Modern Art

MARIE II and III (headpiece and tailpiece, folio 5) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 7 7/8 x 7 13/16" (20.0 x 19.8 cm) Tailpiece (comp.irreg.): 3 1/16 x 2 1/16" (7.8 x 5.2 cm)

Museum of Modern Art

PERFUMERY I and II (headpiece and tailpiece, folio 6) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 9 5/16 x 7 15/16" (23.6 x 20.1 cm) Tailpiece (comp.irreg.): 1 5/8 x 2 13/16" (4.1 x 7.2 cm)

Museum of Modern Art

PERSPECTIVE (headpiece, folio 8) from COMMUNICATIONS

1921

irreg. composition 8 9/16 x 7 15/16" (21.7 x 20.2 cm)

Museum of Modern Art

COMMUNICATIONS

1921 · 19 woodcuts (including front cover), printed in black

page 12 9/16 x 9 1/16" (32 x 23 cm)

Museum of Modern Art

NOVELTIES (border, folio 11) from COMMUNICATIONS

1921

irreg. composition 12 1/16 x 7 15/16" (30.7 x 20.1 cm)

Museum of Modern Art

Front cover from COMMUNICATIONS

1921 · Woodcut, printed in black

irreg. composition 5 13/16 x 3 3/4" (14.8 x 9.6 cm)

Museum of Modern Art

REVERSE THE ENGINES (headpiece, folio 7) from COMMUNICATIONS

1921

irreg. composition 8 11/16 x 7 7/8" (22 x 20 cm)

Museum of Modern Art

Headpiece (folio 15) from COMMUNICATIONS

1921

composition 5 3/4 x 6 7/16" (14.6 x 16.4 cm)

Museum of Modern Art

MARIE I (plate, folio 4 verso) from COMMUNICATIONS

1921

irreg. composition 9 7/8 x 7 15/16" (25.1 x 20.1 cm)

Museum of Modern Art

FRESH EGGS OF THE DAY I and II (headpiece and tailpiece, folio 9) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 8 1/16 x 7 15/16" (20.5 x 20.1 cm) Tailpiece (comp.irreg.): 3 1/2 x 4 5/16" (8.9 x 11.0 cm)

Museum of Modern Art

VERTIGO (tailpiece, folio 12) from COMMUNICATIONS

1921

irreg. composition 8 3/16 x 7 7/8" (20.8 x 20 cm)

Museum of Modern Art

DANCING I and II (headpiece and tailpiece, folio 10) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 9 5/16 x 7 13/16" (23.7 x 19.9 cm) Tailpiece (comp.irreg.): 4 11/16 x 3 1/8" (11.9 x 7.9 cm)

Museum of Modern Art

HORSE BUTCHER I and II (headpiece and tailpiece, folio 13) from COMMUNICATIONS

1921

Headpiece (comp.irreg.): 9 1/4 x 7 15/16" (23.5 x 20.2 cm) Tailpiece (comp.irreg.): 1 5/16 x 7 15/16" (3.4 x 20.1 cm)

Museum of Modern Art

Frontispiece from TROIS JOURNÉES DE LA TRIBU

1921 · Lithograph, printed in black

irreg. composition 6 7/16 x 4 15/16" (16.4 x 12.5 cm)

Museum of Modern Art

THE BENGALI (tailpiece, page 41) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in black

irreg. composition 2 x 2 3/8" (5.1 x 6.1 cm)

Museum of Modern Art

THE BENGALI (headpiece and pictorial initial D, page 31) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcuts, printed in black

Headpiece (comp.): 3 11/16 x 4 15/16" (9.4 x 12.5 cm) Initial (comp.irreg.): 1 1/2 x 1 1/8" (3.8 x 2.8 cm)

Museum of Modern Art

Title page from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in black

irreg. composition 1 9/16 x 3 1/2" (4 x 8.9 cm)

Museum of Modern Art

THE BENGALI (plate, page 30) from TROIS JOURNÉES DE LA TRIBU

1921 · Lithograph

irreg. composition 6 7/16 x 4 7/8" (16.4 x 12.4 cm)

Museum of Modern Art

THE WRECK (tailpiece, page 28) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in black

irreg. composition 1 7/8 x 2 3/8" (4.8 x 6.1 cm)

Museum of Modern Art

THE WRECK (headpiece and pictorial initial L, page 9) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcuts, printed in black

Headpiece (comp.irreg.): 2 11/16 x 4 7/8" (6.9 x 12.4 cm) Initial (comp.irreg.): 1 3/4 x 1 3/4" (4.4 x 4.5 cm)

Museum of Modern Art

AN EXPEDITION (headpiece and pictorial initial N, page 45) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcuts, printed in black

Headpiece (comp.): 2 5/8 x 4 15/16" (6.7 x 12.5 cm) Initial (comp.): 1 3/4 x 1 3/4" (4.5 x 4.5 cm)

Museum of Modern Art

AN EXPEDITION (tailpiece, page 79) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in black

irreg. composition 2 x 2 3/8" (5.1 x 6 cm)

Museum of Modern Art

Front cover (variant of title page) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in color

irreg. composition 1 9/16 x 3 1/2" (4 x 8.9 cm)

Museum of Modern Art

Back cover (variant of tailpiece from page 28) from TROIS JOURNÉES DE LA TRIBU

1921 · Woodcut, printed in color

irreg. composition 1 7/8 x 2 3/8" (4.8 x 6.1 cm)

Museum of Modern Art

TROIS JOURNÉES DE LA TRIBU

1921 · 4 transfer lithographs and 10 woodcuts, printed in black; and variant woodcuts (cover), printed in color

irreg. page 9 7/16 x 7 1/2" (24 x 19 cm)

Museum of Modern Art

AN EXPEDITION (plate, page 44) from TROIS JOURNÉES DE LA TRIBU

1921 · Lithograph

irreg. composition 6 1/2 x 5" (16.6 x 12.7 cm)

Museum of Modern Art

THE WRECK (plate, page 8) from TROIS JOURNÉES DE LA TRIBU

1921 · Lithograph

irreg. composition 6 9/16 x 4 15/16" (16.7 x 12.6 cm)

Museum of Modern Art

St. Adrien

1914 · Woodcut in black on white laid paper

Block: 25.5 × 33.7 cm (10 1/16 × 13 5/16 in.); Sheet: 44 × 48.5 cm (17 3/8 × 19 1/8 in.)

Art Institute of Chicago

Landscape near Martigues

1913 · Oil paint on canvas

support: 651 x 819 mm frame: 760 x 910 x 70 mm

Tate

Near Pontoise

1913 · Oil on canvas

81 × 99.7 cm (31 7/8 × 39 1/4 in.)

Art Institute of Chicago

← Prev2 / 3Next →