Artworks · Mario Merz

Untitled (for Parkett no. 15)

1988 · Etching, drypoint, and aquatint, printed in color, bound into journal

composition 9 1/4 x 8 7/16" (23.5 x 21.5 cm)

Museum of Modern Art

Untitled

1988 · Aquatint and drypoint

plate: 27 1/2 x 19 1/2" (69.9 x 49.6cm); sheet: 31 1/2 x 24 1/8" (80 x 61.2cm)

Museum of Modern Art

Parkett no. 15

1988 · Journal

Page: 8 x 10" (20.3 x 25.4 cm)

Museum of Modern Art

Places with No Street

1987 · Aluminum, wire mesh, stones, twigs, neon tubing, and wires

Overall dimensions variable, approximately 6' 6 3/4" x 21' x 28' (200 x 640.5 x 854 cm)

Museum of Modern Art

Untitled 2

1985 · Lithograph

Museum of Modern Art

Untitled from Noi giriamo intorno alle case o girano intorno a noi?

1982 · Spray paint and charcoal on transparentized paper with bamboo and clothespins

48 x 161 1/4" (121.9 x 409.6 cm)

Museum of Modern Art

Blossom (Prehistoric Wind from Iced Mountains)

1982 · Oil, spray paint, charcoal, pastel, clay, branch, pushpins on burlap on brown paper on cardboard

52 7/8 x 75 5/8" (134.1 x 192 cm)

Museum of Modern Art

Prehistoric Wind from Iced Mountains

1981 · Ink and chalk on paper

9 x 8 3/4" (22.9 x 22.2 cm)

Museum of Modern Art

Prehistoric Wind from Iced Mountains

1981 · Ink and chalk on paper

8 3/4 x 17 1/2" (22.2 x 44.5 cm)

Museum of Modern Art

Prehistoric Wind from Iced Mountains

1981 · Ink and chalk on paper

17 3/8 x 17 3/8" (44.1 x 44.1 cm)

Museum of Modern Art

Prehistoric Wind from Iced Mountains

1981 · Ink and chalk on paper

8 3/4 x 8 3/4" (22.2 x 22.2 cm)

Museum of Modern Art

Prehistoric Wind from Iced Mountains

1981 · Ink and chalk on paper

Museum of Modern Art

Eyes

1979 · Oil, metallic paint, and charcoal on burlap with blue neon tube

213.3 × 237.4 cm (84 × 93 1/2 in.)

Art Institute of Chicago

Fall of the House of Usher

1979 · Oil, metallic paint and charcoal on canvas, with neon fixture and rock

Overall 11' 8 1/2" x 14' 3/4" (356.9 x 428.6 cm)

Museum of Modern Art

Igloo, Do We Go Around Houses, or Do Houses Go Around Us?

1977 · Steel, slate, glass, putty and lightbox

displayed: 2667 x 5003 x 10261 mm

Tate

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil, and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Berliner Tasse

1974 · Colored ink, ink, crayon, felt-tip pen, and pencil on yellow paper with cut-out holes

Museum of Modern Art

Berliner Tasse

1974 · Spray paint, ink, pencil and fat on paper

19 x 26 1/4" (48.3 x 66.7 cm)

Museum of Modern Art

Untitled

1973 · Red colored pencil, over diazo print, on tan wove paper

87 × 119 cm (34 5/16 × 46 7/8 in.)

Art Institute of Chicago

Untitled (A Real Sum is a Sum of People)

1972 · 10 photographs, gelatin silver print on paper and neon lights

image, each: 260 x 260 mm overall display dimensions variable

Tate

Untitled (A Real Sum Is a Sum of People)

1972 · Gelatin silver prints, neon tubing, transformer, and wire

Overall 24" x 16' 7 1/4" x 5 1/8" (60.9 x 506 x 13 cm)

Museum of Modern Art

Fibonacci Tables

1970 · Charcoal, acrylic paint, metallic paint and neon on canvas

support: 2667 x 3822 mm

Tate

Lingotto

1968 · Brush-wood, beeswax and steel

unconfirmed: 2620 x 3130 x 1140 mm

Tate

Che Fare?

1968 · Aluminium, wax and neon lights

displayed: 125 x 668 x 191 mm, 2.8 kg

Tate

Cone

1967 · Willow

object: 2210 x 1295 x 1295 mm

Tate