Artworks · Luis Camnitzer

He wrapped it with reverence, envisioning his escape from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 5/8 × 11 7/16" (32 × 29 cm); sheet: 29 1/2 × 21 5/8" (75 × 55 cm)

Museum of Modern Art

The sense of order was seeping away from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition: 12 11/16 × 11 1/4" (32.3 × 28.6 cm); sheet: 29 1/2 × 21 7/8" (74.9 × 55.6 cm)

Museum of Modern Art

Memory spurted against his silence from Uruguayan Torture Series

1983 · Photoetching with chine collé from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 11/16 × 11 9/16" (32.2 × 29.3 cm); sheet: 29 1/2 × 22 1/16" (75 × 56 cm)

Museum of Modern Art

He feared thirst from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 14 13/16 × 9 7/16" (37.7 × 24 cm); sheet: 29 1/2 × 21 11/16" (75 × 55.1 cm)

Museum of Modern Art

He practiced every day from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition: 8 3/4 × 11 9/16" (22.3 × 29.3 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

Untitled from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 8 3/4 × 11 9/16" (22.3 × 29.3 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

His knee recorded each step from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 14 3/8 × 9 5/16" (36.5 × 23.7 cm); sheet: 29 9/16 × 21 11/16" (75.1 × 55.1 cm)

Museum of Modern Art

Her fragrance lingered on from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 3/8 × 11 7/16" (31.5 × 29 cm); sheet: 29 1/2 × 21 3/4" (75 × 55.3 cm)

Museum of Modern Art

Peeking became his craft for rendering place from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 1/2 × 11 5/16" (31.8 × 28.7 cm); sheet: 29 1/2 × 21 11/16" (75 × 55.1 cm)

Museum of Modern Art

He was known because of his precision from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 5/8 × 11 5/8" (32.1 × 29.5 cm); sheet: 29 1/2 × 21 11/16" (75 × 55.1 cm)

Museum of Modern Art

Time thickened in his veins from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 3/8 × 11 9/16" (31.4 × 29.3 cm); sheet: 29 1/2 × 21 5/8" (75 × 55 cm)

Museum of Modern Art

His breath came through the roots of his hair from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 14 7/8 × 9 7/16" (37.8 × 24 cm); sheet (irreg.): 29 1/2 × 21 15/16" (75 × 55.7 cm)

Museum of Modern Art

Gradually the tune became a razor from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 11 9/16 × 11 1/8" (29.4 × 28.3 cm); sheet: 29 1/2 × 22 1/16" (75 × 56 cm)

Museum of Modern Art

Measuring helped him appropriate the space from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 13/16 × 11 9/16" (32.5 × 29.3 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

He worked with forbidden symbols from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 11/16 × 11 7/16" (32.3 × 29 cm); sheet: 29 1/2 × 21 3/4" (75 × 55.2 cm)

Museum of Modern Art

He was losing his will to clarify from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 14 7/8 × 9 7/16" (37.8 × 23.9 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

He tried to count the stars from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 11 7/8 × 11 7/16" (30.1 × 29 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

He mailed his letter through a makeshift slot from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition: 12 11/16 × 11 1/4" (32.2 × 28.6 cm); sheet: 29 3/4 × 21 5/8" (75.5 × 55 cm)

Museum of Modern Art

Untitled from Uruguayan Torture Series

1983 · Photoetching with chine collé from a series of thirty-five photoetchings, three with chine collé

composition: 9 11/16 × 11 7/8" (24.6 × 30.2 cm); sheet: 29 1/2 × 21 3/4" (74.9 × 55.2 cm)

Museum of Modern Art

Untitled from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition: 7 5/8 × 11 1/2" (19.4 × 29.2 cm); sheet: 29 1/2 × 30 1/2" (75 × 77.5 cm)

Museum of Modern Art

Uruguayan Torture Series

1983 · Series of thirty-five photoetchings, three with chine collé

composition: dimensions vary; sheet (each): 29 1/2 × 21 3/4" (75 × 55.2 cm)

Museum of Modern Art

The weight drove his pulse into the wall from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 14 3/4 × 9 7/16" (37.4 × 24 cm); sheet: 29 1/2 × 21 7/8" (75 × 55.5 cm)

Museum of Modern Art

The tool pleased him from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 11/16 × 11 3/8" (32.2 × 28.9 cm); sheet (irreg.): 29 5/16 × 21 13/16" (74.5 × 55.4 cm)

Museum of Modern Art

They worked through the night from Uruguayan Torture Series

1983 · Photoetching from a series of thirty-five photoetchings, three with chine collé

composition (irreg.): 12 13/16 × 11 5/16" (32.5 × 28.8 cm); sheet: 29 1/2 × 21 5/8" (75 × 55 cm)

Museum of Modern Art

Sentence Reflecting the Sentence that States the Reflection

1975 · Wood, glass, and brass

13 7/8 x 9 3/4 x 2" (35.2 x 24.8 x 5.1 cm)

Museum of Modern Art

Restoration

1972 · Pencil on graph paper on board

14 1/8 x 10 1/8" (35.8 x 25.7 cm)

Museum of Modern Art

Leftovers

1970 · 80 cardboard boxes, gauze and polyvinyl acetate

object: 2032 x 3226 x 200 mm

Tate

Living Room (Living-Comedor), Living Room: Model for an Environment

1968 · Artist's book, offset printed

overall: 14 5/8 x 12 x 5/8" (37.1 x 30.5 x 1.6 cm); constructed: 14 5/8 x 22 3/8 x 5 1/8" (37.1 x 56.8 x 13 cm)

Museum of Modern Art

The Abolition of Cinema

1968 · Etching

plate: 17 3/4 x 18" (45.1 x 45.7 cm); sheet: 27 9/16 x 24 3/16" (70 x 61.4 cm)

Museum of Modern Art

Horizon

1968 · Etching

plate: 14 x 17 7/8" (35.6 x 45.4cm); sheet: 24 15/16 x 24 1/8" (63.4 x 61.2 cm)

Museum of Modern Art

Sentences

1966 · Steel

object, each: 51 x 51 x 51 mm

Tate

Emptiness on Emptiness

1965 · Woodcut with molded polyester areas, relief and intaglio, printed in color

Museum of Modern Art

Accordionist

1958 · Linoleum cut

composition: 23 1/16 x 16 11/16" (58.6 x 42.4 cm); sheet: 30 1/8 x 21 3/4" (76.5 x 55.3 cm)

Museum of Modern Art

Accordionist and Harmonica Players

1958 · Linoleum cut

composition: 25 1/16 x 19 7/16" (63.6 x 49.4 cm); sheet: 31 1/8 x 22 15/16" (79.1 x 58.3 cm)

Museum of Modern Art