Artworks · Leonard Baskin

Blake, after a Drawing by John Linnell (plate, folio 9) from Blake and the Youthful Ancients

1956 · Wood engraving

composition: 3 5/8 x 2 3/8" (9.2 x 6.1cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

A Visionary Portrait of Henry Walker (plate, folio 29) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 11/16 x 1 5/16" (1.8 x 3.4cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

George Richmond in his Engraving Costume (plate, folio 41) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 1 7/8 x 1 1/16" (4.7 x 2.7cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

George Richmond Engraving "The Shepherd" (plate, folio 39) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 1 7/8 x 1 7/16" (4.8 x 3.6cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Blake, from Life Mask by Deville (plate, folio 17) from Blake and the Youthful Ancients

1956 · Wood engraving

composition: 3 15/16 x 2 7/8" (10 x 7.3cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Francis Finch (plate, folio 43) from Blake and the Youthful Ancients

1956 · Wood engraving

composition: 1 x 11/16" (2.5 x 1.8cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Frederick Tathem, from a Little-Known Photograph (plate, folio 37) from Blake and the Youthful Ancients

1956 · Wood engraving

composition: 7/8 x 1" (2.3 x 2.6cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

An Adamite Vision of Blake (plate, folio 13) from Blake and the Youthful Ancients

1956 · Wood engraving

composition: 2 5/8 x 13/16" (6.6 x 2cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Samuel Palmer when he First Met William Blake (plate, folio 21) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 1 1/8 x 3/4" (2.8 x 1.9cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Blake: An Imagined Death Mask (plate, folio 19) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 3 1/16 x 1 3/4" (7.7 x 4.4cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

Samuel Palmer, after the Watercolor by Walter (plate, folio 23) from Blake and the Youthful Ancients

1956 · Wood engraving

composition (irreg.): 2 5/16 x 1 7/8" (5.8 x 4.8cm); page: 6 11/16 × 5 9/16" (17 × 14.2 cm)

Museum of Modern Art

EDWARD CALVERT AFTER A PORTRAIT BY HIS THIRD SON, plate 115, EDWARD CALVERT, plate 116, FREDERICK TATHEM FROM A LITTLE KNOWN PHOTOGRAPH, plate 117

1956 · 5 wood engravings, printed in black

EDWARD CALVERT AFTER A PORTRAIT BY HIS THIRD SON (comp.irreg.): 3 3/4 x 2 15/16" (9.6 x 7.5 cm) EDWARD CALVERT (comp.): 1 1/16 x 11/16" (2.7 x 1.7 cm) FREDERICK TATHEM FROM A LITTLE KNOWN PHOTOGRAPH (comp.): 7/8 x 1" (2.3 x 2.6 cm) FRANCIS FINCH (comp.irreg.): 1 x 3/4" (2.6 x 1.9 cm) SAMUEL PALMER AFTER THE WATER COLOR BY WALTER (comp.irreg.): 2 5/16 x 1 15/16" (5.9 x 4.9 cm)

Museum of Modern Art

GEORGE RICHMOND ENGRAVING "THE SHEPHERD," plate 120, GEORGE RICHMOND IN HIS ENGRAVING COSTUME, plate 121, SAMUEL PALMER, plate 122, A VISIONARY

1956 · 6 wood engravings, printed in black

GEORGE RICHMOND ENGRAVING "THE SHEPHERD" (comp irreg): 1 7/8 x 1 7/16" (4.8 x 3.7 cm) GEORGE RICHMOND IN HIS ENGRAVING COSTUME (comp.irreg.): 1 7/8 x 1 1/16" (4.7 x 2.7 cm) SAMUEL PALMER (comp.irreg.): 1 1/2 x 1 7/16" (3.8 x 3.7 cm) A VISIONARY PORTRAIT OF HENRY WALTER (comp. irreg): 3/4 x 1 3/8" (1.9 x 3.5 cm) CALVERT PREPARING TO SACRIFICE A LAMB (comp.):1 5/8 x 3/4" (4.2 x 1.9 cm) SAMUEL PALMER WHEN HE FIRST MET BLAKE (comp.irreg.): 1 1/8 x 3/4" (2.9 x 1.9 cm)

Museum of Modern Art

PORTRAIT OF WILFRED OWEN, plate 126 (folio 46) from THE WOOD ENGRAVINGS OF LEONARD BASKIN 1948-1959

1956 · Wood engraving, printed in black

irreg composition 8 1/16 x 3 15/16" (20.5 x 10 cm)

Museum of Modern Art

THE LEPER, plate 127, and THE FUNERAL, plate 128 (folio 47) from THE WOOD ENGRAVINGS OF LEONARD BASKIN 1948-1959

1956 · 2 wood engravings, printed in black

THE LEPER (comp.irreg.): 9 1/16 x 3 1/2" (23.1 x 8.9 cm) THE FUNERAL (comp.irreg.): 2 1/8 x 9 1/4" (5.4 x 23.5 cm)

Museum of Modern Art

WINTER GRASSES, plate 102, OPEN POMEGRANATE, plate 103, MARK FOR BORIS MIRSKI, plate 104, MARK FOR RICHARD WARREN, plate 105, and DOG SKELETON

1956 · 5 wood engravings, printed in black

WINTER GRASSES (comp.irreg.): 1 5/8 x 5 1/8" (4.2 x 13.1 cm) OPEN POMEGRANATE (comp.irreg.): 11/16 x 3/4" (1.7 x 2.0 cm) MARK FOR BORIS MIRSKI (comp.irreg.diameter): 1 1/2" (3.9 cm) MARK FOR RICHARD WARREN (comp.irreg.): 1 1/8 x 15/16" (2.8 x 2.4 cm) DOG (comp.irreg.): 5 x 7 1/16" (12.7 x 18.0 cm)

Museum of Modern Art

BLAKE AFTER HIS VISIONARY SELF-PORTRAIT, plate 111, SAMUEL PALMER AFTER A PHOTOGRAPH, plate 112, BLAKE: A FRAGMENT, plate 113 and AN ADAMITE VISION

1956 · 4 wood engravings, printed in black

BLAKE AFTER HIS VISIONARY SELF-PORTRAIT (comp. irreg): 1 7/8 x 1 5/16" (4.7 x 3.4 cm) SAMUEL PALMER AFTER A PHOTOGRAPH (comp.): 4 1/16 x 2 3/4" (10.3 x 7.0 cm) BLAKE: A FRAGMENT (comp.irreg.): 1 5/16 x 1 11/16" (3.4 x 4.3 cm) AN ADAMITE VISION OF BLAKE (comp): 2 5/8 x 3/4" (6.7 x 1.9 cm)

Museum of Modern Art

PORTRAIT OF W. BLAKE, plate 108, BLAKE: AN IMAGINED DEATH MASK, plate 109, and BLAKE AFTER A DRAWING BY JOHN LINNELL, plate 110 (folio 42) from

1956 · 3 wood engravings, printed in black

PORTRAIT OF W. BLAKE (comp.irreg.): 3 x 2 5/16" (7.7 x 5.9 cm) BLAKE: AN IMAGINED DEATH MASK (comp.irreg.): 3 x 1 3/4" (7.7 x 4.5 cm) BLAKE AFTER A DRAWING BY JOHN LINNELL (comp. irreg.): 3 11/16 x 2 3/8" (9.3 x 6.1 cm)

Museum of Modern Art

BLAKE FROM THE LIFE MASK BY DEVILLE, plate 107 (folio 41) from THE WOOD ENGRAVINGS OF LEONARD BASKIN 1948-1959

1956 · Wood engraving, printed in black

composition 3 15/16 x 2 15/16" (10 x 7.4 cm)

Museum of Modern Art

BLAKE, AN IMAGINED DEATH MASK (plate, folio 11) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 x 1 3/4" (7.7 x 4.5 cm)

Museum of Modern Art

PORTRAIT OF WILLIAM BLAKE (plate, folio 9) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 x 2 1/4" (7.7 x 5.8 cm)

Museum of Modern Art

A LETTER FROM WILLIAM BLAKE

1956 · 6 wood engravings, printed in black on various papers; wood engraved publisher's device; and supplementary suite on cream Japanese vellum

irreg. page 5 15/16 x 4 7/16" (15 x 11.3 cm)

Museum of Modern Art

Duplicate of PORTRAIT OF WILLIAM BLAKE (supplementary suite, plate 4) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 x 2 1/4" (7.7 x 5.8 cm)

Museum of Modern Art

Duplicate of BLAKE, AN IMAGINED DEATH MASK (supplementary suite, plate 5) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 x 1 3/4" (7.7 x 4.5 cm)

Museum of Modern Art

Duplicate of BLAKE, AFTER HIS VISIONARY SELF PORTRAIT (supplementary suite, plate 6) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 1 7/8 x 1 3/8" (4.8 x 3.5 cm)

Museum of Modern Art

BLAKE, AFTER A DRAWING BY JOHN LINNELL (plate, folio 6) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

composition 3 11/16 x 2 3/8" (9.3 x 6.1 cm)

Museum of Modern Art

BLAKE, AFTER HIS VISIONARY SELF PORTRAIT (plate, folio 13) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 1 7/8 x 1 3/8" (4.8 x 3.5 cm)

Museum of Modern Art

Duplicate of title page (supplementary suite, plate 1) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 11/16 x 1 7/16" (9.3 x 3.7 cm)

Museum of Modern Art

Duplicate of BLAKE AFTER A DRAWING BY JOHN LINNELL (supplementary suite, plate 3) from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

composition 3 11/16 x 2 3/8" (9.3 x 6.1 cm)

Museum of Modern Art

Title page from A LETTER FROM WILLIAM BLAKE

1956 · Wood engraving, printed in black

irreg composition 3 11/16 x 1 7/16" (9.3 x 3.7 cm)

Museum of Modern Art

Children and Still Life

1956 · Woodcut

Block: 12 in. (30.5 cm) Sheet: 14 7/8 in. × 18 in. (37.8 × 45.7 cm)

The Metropolitan Museum of Art

Walt Whitman, plate 100 from The Wood Engravings of Leonard Baskin

1955 · Wood engraving on cream wove Japanese paper

Image: 35.4 × 9.8 cm (13 15/16 × 3 7/8 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

Beattitude, plate 101 from The Wood Engravings of Leonard Baskin

1955 · Wood engraving on cream wove Japanese paper

Image: 23 × 38.4 cm (9 1/16 × 15 1/8 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

Fantastic Creature, Mark for Louis Smith, Ex-Libris for Max Kahn, Angel, plates 96-99 from The Wood Engravings of Leonard Baskin

1955 · Wood engraving on cream wove Japanese paper

View of all images: 30.5 × 25.5 cm (12 1/16 × 10 1/16 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

Haman

1955 · Woodcut

composition 47 7/8 x 23" (121.6 x 58.5 cm)

Museum of Modern Art

The Poet Laureate

1955 · Woodcut

composition (irreg.): 23 1/8 x 48" (58.7 x 121.9cm); sheet: 33 1/16 x 55" (84 x 139.7cm)

Museum of Modern Art

The Hanged Man

1955 · Woodcut

composition (irreg.): 66 15/16 x 20 1/4" (170.1 x 51.4cm); sheet: 76 3/4 x 42" (195 x 106.7cm)

Museum of Modern Art

The Strabismic Jew

1955 · Woodcut

composition: 40 7/16 x 22 3/4" (102.7 x 57.8cm); sheet: 50 x 35 1/4" (127 x 89.5cm)

Museum of Modern Art

Sorrrowing and Terrified Man

1955 · Woodcut

irreg. composition 33 15/16 x 34 5/16" (86.3 x 87.1 cm)

Museum of Modern Art

Walt Whitman

1955 · Wood engraving

composition: 15 3/8 x 15 3/8" (39.1 x 39.1cm); sheet: 18 7/8 x 19 7/16" (48 x 49.4cm)

Museum of Modern Art

BEATITUDE, plate 101 (folio 39) from THE WOOD ENGRAVINGS OF LEONARD BASKIN 1948-1959

1955 · Wood engraving, printed in color

irreg composition 10 x 14 15/16" (25.5 x 38 cm)

Museum of Modern Art

WALT WHITMAN, plate 100 (folio 38) from THE WOOD ENGRAVINGS OF LEONARD BASKIN 1948-1959

1955 · Wood engraving, printed in black

irreg composition 13 15/16 x 3 7/8" (35.4 x 9.8 cm)

Museum of Modern Art

Dog, Abundant Bird, Collector's Mark for E. & L. Baskin, plates 92-94 from The Wood Engravings of Leonard Baskin

1954 · Wood engraving on cream wove Japanese paper

View of all images: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

E. T. B. AET. 28, plate 95 from The Wood Engravings of Leonard Baskin

1954 · Linocut on cream wove Japanese paper

Image: 10 × 14.3 cm (3 15/16 × 5 11/16 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

Projected Ex-Libris for C. G., Ex-Libris for S. D. Lockshin, Projected Ex-Libris for C.G., plates 89-91 from The Wood Engravings of Leonard Baskin

1954 · Wood engraving on cream wove Japanese paper

View of all images: 7.2 × 29 cm (2 7/8 × 11 7/16 in.); Sheet: 43 × 44 cm (16 15/16 × 17 3/8 in.)

Art Institute of Chicago

The Hydrogen Man

1954 · Woodcut

composition: 61 5/8 x 24 3/8" (156.5 x 61.9cm); sheet: 72 3/8 x 41 15/16" (183.8 x 106.5cm)

Museum of Modern Art

Frightened Boy and His Dog

1954 · Woodblock, in three parts

Overall 11 15/16 x 14 1/16" (30.2 x 35.7 cm)a. Boy 11 15/16 x 14 1/16" (30.2 x 35.6 cm) b. Dog 9 1/8 x 9 1/ 4" (23.3 x 23.5 cm) C. Initial 1 x 1" (2.5 x 2.5 cm)

Museum of Modern Art

Frightened Boy and His Dog

1954 · Woodcut

composition: 11 15/16 x 13 5/16" (30.4 x 33.8cm); sheet: 15 3/4 x 20 1/16" (40 x 50.9cm)

Museum of Modern Art