Artworks · Leon Kossoff

The Triumph of Pan (#1), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

1998 · Etching

22 7/16 × 29 3/4 in. (57 × 75.5 cm)

The Metropolitan Museum of Art

Cephalus and Aurora (#2), from ¦The Poussin Project: A Suite of Prints after Nicolas Poussin¦

1998 · Etching and aquatint

22 7/16 × 29 3/4 in. (57 × 75.5 cm)

The Metropolitan Museum of Art

Bacchanal Before a Herm, from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

1998 · Etching

22 1/2 × 29 13/16 in. (57.1 × 75.7 cm)

The Metropolitan Museum of Art

The Triumph of Pan (#2), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

1998 · Etching

22 5/8 × 29 13/16 in. (57.4 × 75.8 cm)

The Metropolitan Museum of Art

The Testament of Eudamidas, from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

1998 · Etching

22 1/2 × 29 3/4 in. (57.2 × 75.6 cm)

The Metropolitan Museum of Art

The Judgement of Solomon (#1), from ¦The Poussin Project: A Series of Prints after Nicolas Poussin¦

1998 · Etching

22 7/16 × 29 3/4 in. (57 × 75.5 cm)

The Metropolitan Museum of Art

From Constable: Salisbury Cathedral from the Meadows (plate 2)

1996 · Etching and aquatint on paper

427 x 554 mm

Tate

From Constable: Salisbury Cathedral from the Meadows (plate 1)

1996 · Etching on paper

452 x 550 mm

Tate

The Flower and Fruit Stalls, Embankment 1995

1995 · Oil paint on hardboard

support: 1828 x 2031 mm

Tate

Portrait of Anne

1993 · Oil paint on hardboard

support: 775 x 580 mm

Tate

From Constable: Stoke-by-Nayland (plate 2)

1991 · Etching on paper

450 x 555 mm

Tate

Christ Church Spitalfields, Friday Evening

1991 · oil and newspaper on pressboard panel

Framed: 187 x 127 x 6.5 cm (73 5/8 x 50 x 2 9/16 in.); Unframed: 182.2 x 122.1 cm (71 3/4 x 48 1/16 in.)

Cleveland Museum of Art

Christ Church, Spitalfields

1990 · Charcoal and gouache on paper

unconfirmed: 757 x 660 mm

Tate

Christ Church, Spitalfields, Morning

1990 · Oil paint on board

support: 1986 x 1892 mm

Tate

From Rembrandt: The Lamentation over the Dead Christ

1990 · Etching on paper

480 x 443 mm

Tate

The Syndics

1990 · Etching on paper

Tate

The Family of Darius before Alexander (3) (from Veronese)

1990 · Etching on paper

Tate

Booking Hall, Kilburn Underground

1987 · Oil paint on board

support: 1982 x 1827 mm

Tate

Outside Kilburn Underground

1984 · Drypoint, etching and aquatint on paper

image: 405 x 511 mm

Tate

Going Home

1984 · Drypoint, etching and aquatint on paper

image: 404 x 514 mm

Tate

Going Home [stage proof]

1984 · Drypoint, etching and aquatint on paper

image: 404 x 514 mm

Tate

Going Home [stage proof]

1984 · Drypoint, etching and aquatint on paper

image: 403 x 512 mm

Tate

Outside Kilburn Underground [stage proof]

1984 · Drypoint, etching and aquatint on paper

image: 405 x 512 mm

Tate

Going Home [stage proof]

1984 · Drypoint, etching and aquatint on paper

image: 405 x 511 mm

Tate

Going Home [stage proof]

1984 · Drypoint and etching on paper

image: 403 x 512 mm

Tate

The Window

1984 · etching and aquatint

Sheet: 57.1 x 63.7 cm (22 1/2 x 25 1/16 in.); Platemark: 27.9 x 37.8 cm (11 x 14 7/8 in.)

Cleveland Museum of Art

Outside Kilburn Underground [stage proof]

1983 · Drypoint, etching and aquatint on paper

image: 403 x 510 mm

Tate

Outside Kilburn Underground [stage proof]

1981 · Drypoint, etching and aquatint on paper

image: 405 x 511 mm

Tate

Two Seated Figures No. 2

1980 · Oil paint on board

support: 2438 x 1828 mm

Tate

Outside Kilburn Underground [stage proof]

1980 · Drypoint, etching and aquatint on paper

image: 405 x 511 mm

Tate

Outside Kilburn Underground [stage proof]

1979 · Drypoint and etching on paper

image: 405 x 511 mm

Tate

Demolition of the Old House, Dalston Junction, Summer 1974

1974 · Oil paint on board

support: 1600 x 2184 mm frame: 1646 x 2190 x 66 mm

Tate

Drawing for ‘Children’s Swimming Pool’

1971 · Crayon on paper

support: 419 x 591 mm

Tate

Drawing for ‘Children’s Swimming Pool’

1971 · Crayon on paper

support: 419 x 591 mm

Tate

Children’s Swimming Pool, Autumn Afternoon

1971 · Oil paint on board

support: 1680 x 2140 x 56 mm frame: 1785 x 2240 x 97 mm

Tate

Self-Portrait. Verso: Untitled (Two Figures)

1967 · Charcoal on paper. Verso: charcoal on paper

support: 763 x 556 mm

Tate

Drawing for ‘Woman Ill in Bed Surrounded by Family (Rosalind)’

1965 · Crayon on paper

support: 356 x 254 mm

Tate

Drawing for ‘Woman Ill in Bed Surrounded by Family’

1965 · Graphite on paper

support: 254 x 197 mm

Tate

Drawing for ‘Woman Ill in Bed Surrounded by Family (Dürer)’

1965 · Ink on paper

support: 298 x 222 mm

Tate

Woman Ill in Bed, Surrounded by Family

1965 · Oil paint on board

support: 1854 x 1245 mm

Tate

Family Group no. 3

1962 · Charcoal with oil on white wove paper

55.9 × 76.2 cm (22 1/16 × 30 in.)

Art Institute of Chicago

Man in a Wheelchair

1959 · Oil paint on wood

support: 2134 x 1232 mm frame: 2290 x 1385 x 75 mm

Tate

Head

1957 · Charcoal on paper

unconfirmed: 790 x 570 mm

Tate

Railway Bridge, Mornington Crescent

1954 · Lithograph on paper

image: 468 x 595 mm

Tate

Building Site, Oxford Street

1952 · Crayon, charcoal and gouache on paper

unconfirmed: 1120 x 1335 mm

Tate

Self-Portrait

1952 · Oil paint on canvas

support: 560 x 405 mm frame: 762 x 606 x 50 mm

Tate

Saturday Morning Class, St Martin’s

1943 · Ink and crayon on paper

support: 386 x 522 mm

Tate