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← León Ferrari
Artworks · León Ferrari
415 artworks · page 3 of 9
📷 With images only (361)
The Frigate ‘Escuela Libertad’ + Massera (Photo: Public Records Office) + Articles from the Newspapers ‘La Razón’ 6/9/76, ‘La Opinión’ 29/5 and 11/5/76 and ‘La Prensa’ 3/5/76
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Nuncio Pío Larghi Greets Massera, Videla and Agosti on 9/7/77 (Photo: Public Records Office) + El Nuncio Torregrossa greets Hitler
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Deluge’ by Doré + Army Officer’s Cap
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Giotto’s ‘Inferno’ + Massera
1995 · Digital print on paper
support: 297 x 420 mm
Tate
News Articles Published in 1976
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Scilingo’s Account to Horacio Verbitsky + The Frigate ‘Escuela Libertad’
1995 · Digital print on paper
support: 297 x 420 mm
Tate
‘Justice’ by Rogelio Irurtia + ‘The Seven Apocalyptical Trumpets’ by Dürer
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Hitler with Christian Dignitaries + Galtieri, Lambruschini and Viola with Nuncio Calabresi and Cardinal Aramburu
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Galtieri, Lambruschini and Graffigna in the Cathedral + Article from ‘La Prensa’ 1/7/76
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Inferno’ by P. de Limbourg + Jorge Videla and Cardinal Aramburu
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Hitler with Children + Videla and Massera with Children
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Entrance to the Military Headquarters + Military Decoration from the Third Reich
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Engraving by Jan Luy Ken from the Series ‘Religious Persecutions’, 17th Century + Photograph of the Police Doctor Jorge Bergés + ‘Never Again’, p. 139
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Souvenir Ashtray from the Frigate ‘Libertad’ + Article from ‘La Opinión’ 25/5/76
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Hitler Greets the Catholic Abbot Schachteitner and Muller, Reich Bishop + Jorge Videla Greets Cardinal Aramburu
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Logo of the Municipality of Buenos Aires + ‘Witches’ by Goya
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘Infernal Tortures’ from the Book ‘Grant Kalendrier des Bergieres’ + Officer Saluting (Photo: Tony Valdez)
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Videla, Massera and Agosti + ‘Clarín’ 21/8/76
1995 · Digital print on paper
Tate
Third Reich Concentration Camp + Emblem of the Armed Forces
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Videla, Massera and Agosti with Monsignor Tortolo, Vicar of the Armed Forces (Photo: A. Kacero) + ‘The Last Judgment’ by Giotto, Capella degli Scrovegni, Padua 1306
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Monument to the Fallen in the Malvinas + F. Galtieri, Jorge Videla and Lambruschini (Photo: Public Records Office)
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Attack Against the AMIA (Photo: Tony Valdez) + ‘Never Again’, p. 48
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Nuncio Monsignor Calabresi with Galtieri (Photo: NA) + ‘The Lady of the Witches’ Sabbath’ from ‘Histoire de la Magie’ by P. Christian, Paris 1870
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Lieutenant Antonio Pernía (Photo: M. Cuchi) + Engraving from the Book ‘Enchiridion’ by Joost Damhourdert, 1554
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Videla, Massera, Agosti and Cardinal Aramburu (Photo: Loiácono) + ‘Dante’s Inferno’ by Doré, 1860
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Nuncio Monsignor Calabresi, Cardinal Aramburu, Viola, Lambruschini and Galtieri (Photo: Loiácono) + ‘Banner of the Spanish Inquisition’, Etching by Bembard Picart
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Statue of Liberty’ by Dubourdieu + ‘Demons Torturing Sorceresses’ by Thomas Darling, 1597
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Disasters of War’, Goya, 1810 + ‘The Apocalypse of St John’, Dürer, c. 1500
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Four Avenging Angels of Euphrates’, Dürer, c. 1500 + ‘The Departure of the Warrior’, by Amo Broker, Sculptor from the Third Reich, c. 1939
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Entrance to the Naval Headquarters + ‘Vulture’, Engraving from the Nouveau Larousse Illustré, c. 1900
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Alfredo Astiz (Photo: AFP, file Grinberg) + Drawing by Leonardo da Vinci, 1489
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘Hell’, Drawing by Yaparí, Guaraní Aborigine + Set of Scales
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Buenos Aires Court Palace + ‘Devil with Witch’, engraving from the book ‘Nuremberg Chronicles’, 15th Century
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Martínez de Hoz (Photo: ILA Agency, 29/4/88) + Boots (Photo: Alejandro Elías)
1995 · Digital print on paper
support: 420 x 297 mm
Tate
The Army Mechanical School + Detail of ‘The Last Judgment’ by Memling
1995 · Digital print on paper
Tate
Military College (Photo: Jorge Saenz) + Nazi Insignia + ‘Trumpet of the Apocalypse’, Anonymous Engraving from the Wittenberg Bible, 1535
1995 · Digital print on paper
support: 420 x 297 mm
Tate
‘The Deluge’ by Doré, 1860 + Military Junta (Photo: Public Records Office)
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Flag of the ‘Frigate Libertad’, 1995 + Silhouette of a ‘Disappeared’ Person (Photo: Guillermo Kexel, 1983)
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Cardinal Antonio Quarracino (Photo: Tony Valdez) + Jorge Videla
1995 · Digital print on paper
support: 420 x 297 mm
Tate
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
Untitled from Nunca más (Never Again)
1995 · One from a series of forty-six photocopies
composition and sheet: 16 9/16 × 11 3/4" (42 × 29.8 cm)
Museum of Modern Art
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