Artworks · Lawrence Weiner

121 of 166 artworks · page 2 of 3

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CRUSHED BETWEEN COBBLESTONES

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TIED UP IN KNOTS

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TUCKED IN AT THE CORNERS

1988 · Vinyl wall text

Overall display dimensions variable

Tate

ROUGHLY RIPPED APART

1988 · Vinyl wall text

Overall display dimensions variable

Tate

TAKEN UP WITH

1988 · Vinyl wall text

Overall display dimensions variable

Tate

WIPED OFF THE FACE OF THE EARTH

1988 · Vinyl wall text

Overall display dimensions variable

Tate

SILVER THREADS ENTWINED IN THREADS OF GOLD

1988 · Vinyl wall text

Overall display dimensions variable

Tate

FIRE AND BRIMSTONE SET IN A HOLLOW FORMED BY HAND

1988 · Vinyl wall text

Overall display dimensions variable

Tate

STRAIGHT DOWN TO BELOW

1988 · Vinyl wall text

Overall display dimensions variable

Tate

Untitled

1988 · Cut-and-pasted paper with felt-tip pen, watercolor, and pencil on printed paper

11 5/8 x 16 1/2" (29.5 x 41.9 cm)

Museum of Modern Art

Untitled

1988 · Pencil, ink, and watercolor on lined notebook paper

8 1/2 x 5 3/8" (21.6 x 13.6 cm)

Museum of Modern Art

Untitled (Wat Op de Tafel Staat…)

1988 · Watercolor, gouache, felt-tip pen, ballpoint pen, pencil, and cut-and-taped printed paper on paper

16 1/2 x 23 1/4" (41.9 x 59.1 cm)

Museum of Modern Art

Untitled

1988 · Ink on paper

11 5/8 x 8 7/8" (29.6 x 22.5 cm)

Museum of Modern Art

ROCKS UPON THE BEACH SAND UPON THE ROCKS

1988 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

Untitled (Wij Zijn Schepen Of Zee…)

1985 · Watercolor, ballpoint pen, and colored pencil on paper

13 7/8 x 10" (35.2 x 25.4 cm)

Museum of Modern Art

We Are Ships at Sea Not Ducks on a Pond

1985 · Multiple of enamel on metal

overall (irreg.): 13/16 x 1" (2 x 2.5 cm)

Museum of Modern Art

SLOW CORROSION LEADING TO A LOSS OF INHERENT DIGNITY OF THE OBJECT AT HAND

1985 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

Niets aan Verloren/Nothing to Lose

1984 · Video (color, sound)

22 min.

Museum of Modern Art

Untitled

1984 · Watercolor, felt-tip pen, ballpoint pen, ink, and stamped ink on printed paper

6 1/4 x 8 5/8" (15.8 x 21.9 cm)

Museum of Modern Art

Factors in the Scope of Distance

1983 · Watercolor and pencil on paper

5 1/8 x 7 1/8" (13 x 18.1 cm)

Museum of Modern Art

Factors in the Scope of Distance

1983 · Watercolor and pencil on paper

5 1/8 x 7 1/8" (13 x 18.1 cm)

Museum of Modern Art

Trailer for Plowman's Lunch

1982 · Video (color, sound)

4 min., 30 sec.

Museum of Modern Art

Plowman's Lunch

1982 · 16mm film transferred to video (color, sound)

29:38

Museum of Modern Art

Passage to the North

1981 · 16mm film transferred to video (color, sound)

16 min.

Museum of Modern Art

TAKEN FROM HERE TO WHERE IT CAME FROM AND TAKEN TO A PLACE AND USED IN SUCH A MANNER THAT IT CAN ONLY REMAIN AS A REPRESENTATION OF WHAT IT WAS WHERE IT CAME FROM

1980 · Language + materials referred to

Dimensions vary with installation

Art Institute of Chicago

There But For

1980 · Video (color, sound)

20 min.

Museum of Modern Art

Untitled

1980 · Felt-tip pen, pencil, ballpoint pen, and cut-and-taped printed paper on paper

20 7/8 x 16 1/8" (53 x 41 cm)

Museum of Modern Art

Altered to Suit

1979 · 16mm film transferred to video (black and white, sound)

22:30 min.

Museum of Modern Art

Altered to Suit / A Film of Lawrence Weiner

1979 · Lithograph

composition: 10 1/2 x 10 1/2" (26.7 x 26.7 cm); sheet: 10 15/16 x 10 15/16" (27.8 x 27.8 cm)

Museum of Modern Art

Untitled (Drawn Over On…)

1978 · Typewriting and ink on printed paper

8 1/2 x 6 7/8" (21.6 x 17.5 cm)

Museum of Modern Art

For Example: Decorated

1977 · Video (color, sound)

23 min.

Museum of Modern Art

Niets Aan Verloren / Nothing to Lose

1976 · 12-inch vinyl record

cover: 12 1/4 × 12 1/4" (31.1 × 31.1 cm)

Museum of Modern Art

Do You Believe in Water?

1976 · Video (color, sound)

39 min.

Museum of Modern Art

Green As Well As Blue As Well As Red

1976 · Video (color, sound)

18 min.

Museum of Modern Art

A BIT OF MATTER AND A LITTLE BIT MORE

1976 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

A Bit of Matter and a Little Bit More

1976 · Video (color, sound)

23 min.

Museum of Modern Art

A Second Quarter

1975 · 16mm film transferred to video (color, sound)

88 min.

Museum of Modern Art

A First Quarter

1975 · 16mm film transferred to video (black and white, sound)

85 min.

Museum of Modern Art

Arranged As (To)

1974 · Synthetic polymer paint and pencil on transparentized paper on paper

13 1/4 x 22 1/8" (33.6 x 56.2 cm)

Museum of Modern Art

Affected and/or Effected

1974 · Video (color, sound)

20:37 min.

Museum of Modern Art

Done To

1974 · 16mm film transferred to video (color, sound)

3 min.

Museum of Modern Art

With a Relation to the Various Manners of Placement and/or Location

1974 · Lithograph

composition: 10 5/16 x 12 5/8" (26.2 x 32.1 cm); sheet: 14 x 14" (35.6 x 35.6 cm)

Museum of Modern Art

Broken Off / Abgebrochen

1974 · Lithographed poster, offset printed

composition (irreg.): 19 1/16 x 10 1/16" (48.4 x 25.5 cm); sheet: 21 1/4 x 11 13/16" (54 x 30 cm)

Museum of Modern Art

Having Been Done At / Having Been Done To - Essendo Stato Fatto A

1973 · 12-inch vinyl record

cover: 12 3/8 × 12 3/8" (31.4 × 31.4 cm)

Museum of Modern Art

5 Works of Lawrence Weiner

1973 · Lithographed poster, offset printed

composition (each): 30 1/2 x 24 13/16" (77.5 x 63 cm); sheet (each): 36 5/8 x 29 3/4" (93.1 x 75.6 cm)

Museum of Modern Art

With a Relation to the Various Manners with Various Things

1973 · Lithograph

composition: 12 13/16 x 10 13/16" (32.6 x 27.4 cm); sheet: 16 3/16 x 12 1/4" (41.1 x 31.1 cm)

Museum of Modern Art

IN RELATION TO AN INCREASE IN QUANTITY REGARDLESS OF QUALITY: , HAVING BEEN PLACED UPON A PLANE, ( ) UPON A PLANE, HAVING BEEN PLACED ( ), Cat. #373 (1974)

1973 · LANGUAGE + THE MATERIALS REFERRED TO

Dimensions variable

Museum of Modern Art

Made to Appear As ( )

1972 · Collage of typed elements and graphic arts letters with blue pencil, fiber-tipped pens, gouache and black ballpoint pen on cream tracing paper

47.8 × 49.5 cm (18 7/8 × 19 1/2 in.)

Art Institute of Chicago

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