Artworks · Lawrence Weiner

ENOUGH

2021 · Offset lithograph

sheet: 31 1/8 × 44" (79 × 111.7 cm)

Museum of Modern Art

123

2020 · Cut and pasted white wove paper, with watercolor, colored pencil, graphite pencil, and metallic silver ink, on cream wove paper

60.2 × 69.8 cm (23 3/4 × 27 1/2 in.)

Art Institute of Chicago

Wir sind keine Enten auf dem Teich, wir sind Schiffe auf dem Meer from 25 Years of FUN

2015 · Offset lithograph from a boxed set of eight editions and multiples in various mediums

sheet: 11 13/16 × 11 13/16" (30 × 30 cm)

Museum of Modern Art

Water in Milk Exists

2008 · Video (color, sound)

22:52 min.

Museum of Modern Art

Turning Some Pages

2007 · Video (color, sound)

5 min.

Museum of Modern Art

A Bookcase for onestar press

2007 · Bookcase with set of 153 artist's books and digital files

overall: 14 1/8 x 77 13/16 x 8 7/16" (35.8 x 197.6 x 21.4 cm)

Museum of Modern Art

TAKEN TO AS DEEP AS THE SEA CAN BE

2005 · Vinyl wall text

overall display dimensions variable

Tate

Inherent in the Rhumb Line

2005 · Video (color, silent)

7:25 min.

Museum of Modern Art

Bremerhaven from the series Ex Libris

2005 · Artist's book with two bookplates

overall (closed): 6 5/8 x 4 5/16 x 11/16" (16.9 x 10.9 x 1.7 cm)

Museum of Modern Art

Sink or Swim

2003 · Video (color, sound)

18 min.

Museum of Modern Art

Deep Blue Sky

2002 · Video (color, silent)

6:35 min.

Museum of Modern Art

Wild Blue Yonder

2002 · Video (color, sound)

15:15 min.

Museum of Modern Art

Light Blue Sky

2002 · Video (color, sound)

4:45 min.

Museum of Modern Art

Blue Moon Over

2001 · Video (color, sound)

3 min.

Museum of Modern Art

Blue Moon #1

2001 · Typewriting on cut-and-pasted paper and printed paper with stamped ink, felt-tip pen, and synthetic polymer paint on paper

40 x 32" (101.6 x 81.3 cm)

Museum of Modern Art

Blue Moon #2

2001 · Typewriting on cut-and-pasted paper with stamped ink, felt-tip pen, and synthetic polymer paint on paper

40 x 32" (101.6 x 81.3 cm)

Museum of Modern Art

MADE FRAGILE AT THIS TIME ON THIS PLACE TO A POINT OF NO RETURN

2000 · Language + materials referred to

Dimensions variable

Art Institute of Chicago

With a Grain of Salt: Part Three of Hearts and Helicopters

2000 · Video (color, sound)

16 min.

Museum of Modern Art

Trailer for Mortal Sin (The Book)

2000 · Video (color, sound)

3:30 min.

Museum of Modern Art

Nothing to Lose (The Book)

2000 · Video (color, sound)

3:30 min.

Museum of Modern Art

Some Things History Don't Support

2000 · Video (color, sound)

3:30 min.

Museum of Modern Art

Wind and the Willows - What's Our Hero To Do

2000 · Video (color, sound)

3:30 min.

Museum of Modern Art

How Far is There: Part Two of Hearts and Helicopters

1999 · Video (color, sound)

17 min.

Museum of Modern Art

Eyes on the Prize: Part One of Hearts and Helicopters

1999 · Video (color, sound)

19:25 min.

Museum of Modern Art

Homeport Need to Know

1997 · Cut-and-pasted photocopies with metallic paint, pencil, and colored pencil on graph paper

10 × 17" (25.4 × 43.2 cm)

Museum of Modern Art

Reading Lips

1996 · 16mm film transferred to video (color, sound)

10 min.

Museum of Modern Art

Play Tic Tac Toe & Hope For The Best

1995 · Multiple of pin

diameter: 1 1/2" (3.8 cm)

Museum of Modern Art

With a Warm Embrace (Come What May)

1995 · Screenprint

composition: 11 5/16 x 12 1/2" (28.8 x 31.8 cm); sheet: 13 x 19 1/8" (33 x 48.5 cm)

Museum of Modern Art

As Long As It Lasts

1993 · Multiple of pin with enamel on metal

Overall (irreg.): 1 3/16 x 1 9/16" (3 x 3.9 cm)

Museum of Modern Art

As Time Goes By

1993 · Screeprint with invisible ink and pencil additions

composition: 21 1/8 x 17 5/8" (53.6 x 44.7 cm); sheet: 22 1/16 x 18 1/2" (56 x 47 cm)

Museum of Modern Art

SPHERES OF INFLUENCE

1991 · Lithograph on paper

image: 709 x 508 mm

Tate

SPHERES OF INFLUENCE

1991 · Lithograph on paper

image: 710 x 510 mm

Tate

Untitled

1991 · Felt-tip pen, transfer type, pencil, and correction fluid on paper

24 5/8 x 42 1/8" (62.5 x 107 cm)

Museum of Modern Art

Untitled

1991 · Typewriting and felt-tip pen on paper

18 3/4 x 23 3/4" (47.6 x 60.3 cm)

Museum of Modern Art

Movement without Visible Vector

1991 · Ink and pencil on four pieces of paper

Each: 19 x 23 7/8" (48.3 x 60.6 cm)

Museum of Modern Art

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 422 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

CROSSED OVER (&) JUST ON THE OTHER SIDE

1990 · Vinyl wall text

overall display dimensions variable

Tate

SPHERES OF INFLUENCE

1990 · Gouache, graphite, ink and type on paper

support: 435 x 355 mm

Tate

CROSSED OUT (&) AND JUST ON THE OTHER SIDE

1990 · Vinyl wall text

overall display dimensions variable

Tate

Untitled

1990 · Felt-tip pen, pencil, and watercolor on cut-and-pasted paper on paper

16 3/4 x 23 3/4" (42.5 x 60.3 cm)

Museum of Modern Art

Open Mind/Gesloten Circuits

1989 · Screenprint on fabric

Sheet: 16 1/8 x 16 9/16" (41 x 42 cm)

Museum of Modern Art

DAUBED WITH MUCK AND MIRE

1988 · Vinyl wall text

Overall display dimensions variable

Tate