Artworks · John Singer Sargent

Studies of a Soldier Drinking, for Gassed (recto); Studies of a Male Nude (verso)

1918 · charcoal (stumped in places) (left figures) and graphite (right figure); squared in graphite (right figure)

Sheet: 48.1 x 62.6 cm (18 15/16 x 24 5/8 in.); Overall: 48.1 x 62.5 cm (18 15/16 x 24 5/8 in.)

Cleveland Museum of Art

Studies of a Male Nude (verso)

1918 · charcoal

Sheet: 48 x 62.5 cm (18 7/8 x 24 5/8 in.); Overall: 48.1 x 62.5 cm (18 15/16 x 24 5/8 in.)

Cleveland Museum of Art

Studies of a Soldier Drinking, for Gassed (recto)

1918 · charcoal (stumped in places) (left figures) and graphite (right figure); squared in graphite (right

Studies of a Male Nude (verso)

1918 · charcoal

Studies of a Soldier Drinking, for Gassed (recto); Studies of a Male Nude (verso)

1918 · charcoal (stumped in places) (left figures) and graphite (right figure); squared in graphite (right

Sketches of Legs and Feet

1917 · Charcoal with stumping and graphite on cream laid paper

47.3 × 62.4 cm (18 5/8 × 24 5/8 in.)

Art Institute of Chicago

Seated Male Nude, Arms Uplifted

1917 · Charcoal with stumping on ivory laid paper

47.4 × 62.7 cm (18 11/16 × 24 11/16 in.)

Art Institute of Chicago

Seated Male Nude with Extended Leg (recto); Sketch of Kneeling Male Nude and Divided Circle (verso)

1917 · Charcoal (recto and verso) with stumping on ivory laid paper

47.3 × 62.3 cm (18 5/8 × 24 9/16 in.)

Art Institute of Chicago

Red Cross Our Day 1917

1917 · Lithograph in red on cream wove paper laid down on linen

75.6 × 50.3 cm (29 13/16 × 19 13/16 in.)

Art Institute of Chicago

Seated Male Nude

1917 · Charcoal with stumping on cream laid paper

47.3 × 62.5 cm (18 5/8 × 24 5/8 in.)

Art Institute of Chicago

Bound Man (recto); Sketch of Bound Man (verso)

1917 · Charcoal with stumping and graphite (recto and verso) on cream laid paper

47.3 × 62.4 cm (18 5/8 × 24 5/8 in.)

Art Institute of Chicago

The Patio, Vizcaya

1917 · Watercolor over graphite on ivory wove paper

40 × 53.2 cm (15 3/4 × 21 in.)

Art Institute of Chicago

The Terrace, Vizcaya

1917 · Watercolor and opaque watercolor with wax resist and scraping on ivory wove paper

34.8 × 53.4 cm (13 3/4 × 21 1/16 in.)

Art Institute of Chicago

The Basin, Vizcaya

1917 · Watercolor with touches of opaque watercolor and wax resist over graphite on ivory wove paper

34.8 × 53.3 cm (13 3/4 × 21 in.)

Art Institute of Chicago

Portrait of Charles Deering

1917 · Oil on canvas

72.4 × 53.3 cm (28 1/2 × 21 in.)

Art Institute of Chicago

The Loggia, Vizcaya

1917 · Watercolor and opaque watercolor with wax resist over graphite on ivory wove paper

40.2 × 53.1 cm (15 7/8 × 20 7/8 in.)

Art Institute of Chicago

Apollo and Daphne

1916 · oil on canvas

overall: 82.55 × 73.34 cm (32 1/2 × 28 7/8 in.) framed: 88.27 × 78.11 × 7.62 cm (34 3/4 × 30 3/4 × 3 in.)

National Gallery of Art

Study of Apollo for "Apollo and the Muses"

1916 · charcoal and graphite on laid paper

sheet: 63.18 × 48.58 cm (24 7/8 × 19 1/8 in.)

National Gallery of Art

Study for "Astronomy"

1916 · charcoal and graphite on laid paper

sheet: 47.94 × 63.34 cm (18 7/8 × 24 15/16 in.)

National Gallery of Art

Studies for "Apollo and the Muses"

1916 · charcoal on laid paper

sheet: 47.78 × 62.39 cm (18 13/16 × 24 9/16 in.)

National Gallery of Art

Study for "Astronomy"

1916 · charcoal on laid paper

sheet: 47.94 × 63.18 cm (18 7/8 × 24 7/8 in.)

National Gallery of Art

Studies for "Astronomy"

1916 · charcoal and graphite on laid paper

sheet: 48.1 × 63.34 cm (18 15/16 × 24 15/16 in.)

National Gallery of Art

Studies for "Classic and Romantic Art"

1916 · charcoal and graphite on laid paper

sheet: 47.78 × 62.71 cm (18 13/16 × 24 11/16 in.)

National Gallery of Art

Study of Apollo for "Apollo and the Muses"

1916 · charcoal on laid paper

sheet: 62.71 × 47.47 cm (24 11/16 × 18 11/16 in.)

National Gallery of Art

Study for "Apollo and the Muses"

1916 · graphite on laid paper

sheet (irregular): 37.31 × 55.72 cm (14 11/16 × 21 15/16 in.)

National Gallery of Art

Study for "Classic and Romantic Art"

1916 · charcoal and graphite on laid paper

sheet (irregular): 36.67 × 55.09 cm (14 7/16 × 21 11/16 in.)

National Gallery of Art

Study of Orpheus for "Classic and Romantic Art"

1916 · charcoal on laid paper

sheet: 63.18 × 48.1 cm (24 7/8 × 18 15/16 in.)

National Gallery of Art

The Rt. Reverend William Lawrence

1916 · charcoal on laid paper

sheet: 63.9 × 48.1 cm (25 3/16 × 18 15/16 in.)

National Gallery of Art

Woodsheds, Tyrol

1914 · Watercolor with scraping and wax resist over graphite on ivory wove paper

40 × 53.6 cm (15 3/4 × 21 1/8 in.)

Art Institute of Chicago

An Artist at His Easel

1914 · Watercolor over traces of graphite on ivory wove paper

40 × 53.4 cm (15 3/4 × 21 1/16 in.)

Art Institute of Chicago

Two Shattered Trees; and Study for "The Road" [verso]

1913 · graphite on wove paper

sheet: 25.4 × 36.83 cm (10 × 14 1/2 in.)

National Gallery of Art

Studies for "Entering the War" [recto]

1913 · graphite on wove paper

sheet: 25.4 × 36.83 cm (10 × 14 1/2 in.)

National Gallery of Art

Study of Apollo for "Apollo and Daphne"

1913 · charcoal and graphite on laid paper

sheet: 63.5 × 48.1 cm (25 × 18 15/16 in.)

National Gallery of Art

Study for "Apollo and Daphne"

1913 · charcoal on laid paper

sheet: 63.5 × 48.1 cm (25 × 18 15/16 in.)

National Gallery of Art

Turkey

1913 · bronze

overall without base: 47.63 × 48.58 × 46.36 cm (18 3/4 × 19 1/8 × 18 1/4 in.) base: 33.66 × 43.18 cm (13 1/4 × 17 in.)

National Gallery of Art

Portrait of Robert Mathias

1913 · Oil paint on canvas

support: 1017 x 760 mm

Tate

San Vigilio, Lago di Garda

1913 · Watercolour on paper

support: 362 x 533 mm

Tate

Fountain, with Girl Sketching

1913 · Watercolour on paper

support: 270 x 375 mm

Tate

Three Boats in Harbor, San Vigilio

1913 · Oil on canvas

55.9 × 71.1 cm (22 × 28 in.)

Art Institute of Chicago

Gondolier, Venice

1912 · graphite on wove paper

sheet: 28.26 × 20 cm (11 1/8 × 7 7/8 in.)

National Gallery of Art

Capilla Real Entablature, Granada

1912 · graphite on wove paper

sheet: 25.3 × 36.9 cm (9 15/16 × 14 1/2 in.)

National Gallery of Art

In the Generalife

1912 · Watercolor, wax crayon, and graphite on white wove paper

Simplon Pass

1911 · oil on canvas

overall: 71.8 × 92.6 cm (28 1/4 × 36 7/16 in.) framed: 92.1 × 112.7 × 8.9 cm (36 1/4 × 44 3/8 × 3 1/2 in.)

National Gallery of Art

Nonchaloir (Repose)

1911 · oil on canvas

overall: 63.8 × 76.2 cm (25 1/8 × 30 in.) framed: 82.87 × 96.2 × 6.99 cm (32 5/8 × 37 7/8 × 2 3/4 in.)

National Gallery of Art

Oxen, Carrara

1911 · Graphite and watercolour on paper

support: 400 x 527 mm

Tate

Workmen at Carrara

1911 · Watercolor with touches of opaque watercolor and scraping over graphite on ivory wove paper

40.4 × 53.4 cm (15 15/16 × 21 1/16 in.)

Art Institute of Chicago

Harriett Pullman Carolan

1911 · Charcoal on cream laid paper

63.3 × 48.5 cm (24 15/16 × 19 1/8 in.)

Art Institute of Chicago

In Austrian Tyrol

1911 · watercolor with traces of graphite

Sheet: 29.9 x 45.2 cm (11 3/4 x 17 13/16 in.)

Cleveland Museum of Art