Artworks · John Jackson

Portrait of James Ward, engraved by James Ward

1835 · Mezzotint on paper

image: 253 x 202 mm

Tate

Sir Francis Chantrey

1830 · Oil paint on wood

support: 1441 x 1099 mm

Tate

Sir Henry Webb

1825 · Oil paint on canvas

support: 915 x 710 mm

Tate

Portrait of a Young Man. ?E.M. Ward

1822 · Graphite on paper

support: 226 x 179 mm

Tate

Sir David Wilkie, R.A.

1815 · Chalk on paper

support: 273 x 213 mm

Tate

Portrait of the Artist

1815 · Oil on canvas

76.3 × 63 cm (30 × 23 3/4 in.); Framed: 97.2 × 83.9 × 8.9 cm (38 1/4 × 33 × 3 1/2 in.)

Art Institute of Chicago

James Northcote

1813 · Oil paint on canvas

support: 1321 x 965 mm

Tate

Portrait of a Gentleman

1805 · Oil on canvas

71 × 60 cm (27 15/16 × 23 5/8 in.); Framed: 92.1 × 80.7 × 7.7 cm (36 1/4 × 31 3/4 × 3 in.)

Art Institute of Chicago

Young Gentlemen in Conversation

1778 · pen and brown ink and graphite on wove paper

overall: 18.6 x 23.1 cm (7 5/16 x 9 1/8 in.)

National Gallery of Art

Melchisedech Blessing Abraham, from Opera Selectoria

1743 · Chiaroscuro woodcut in buff, light brown, dark brown, and dark gray on off-white laid paper

Image/block: 57 × 38 cm (22 1/2 × 15 in.); Sheet: 61.1 × 43 cm (24 1/16 × 16 15/16 in.)

Art Institute of Chicago

Crucifixion

1741 · chiaroscuro woodcut

Cleveland Museum of Art

Saint Mark Saving a Slave from Torture, from Opera Selectiora

1740 · Chiaroscuro woodcut printed in buff, warm gray, brown, and dark brown on off-white paper

Image/block: 56.6 × 44.5 cm (22 5/16 × 17 9/16 in.); Sheet: 62.2 × 46.4 cm (24 1/2 × 18 5/16 in.)

Art Institute of Chicago

Venetian Set: Entombment of Christ

1739 · chiaroscuro woodcut

Cleveland Museum of Art

The Massacre of the Innocents, from Opera Selectiora

1739 · Chiaroscuro woodcut in buff, violet-gray, light brown and dark violet-brown on off-white laid paper

Image/block: 40.5 × 54.2 cm (16 × 21 3/8 in.); Sheet: 42.6 × 58.6 cm (16 13/16 × 23 1/8 in.)

Art Institute of Chicago