Artworks · John Baldessari

Heaven and Hell

1988 · Aqautint, rouletté and photoetching on two sheets

Museum of Modern Art

Untitled

1988 · Cut-and-taped printed paper with crayon, and ink and crayon on graph paper

8 1/8 x 16 1/4" (20.6 x 41.3 cm)

Museum of Modern Art

The Life and Opinions of Tristram Shandy, Gentleman

1988 · Illustrated book of three volumes including accordion-folded artist's book with fifty-eight photolithographs

page: 10 1/4 x 6 11/16" (26 x 17 cm)

Museum of Modern Art

The Life and Opinions of Tristram Shandy, Gentleman

1988 · photolithograph

Cleveland Museum of Art

Laurence Sterne and Tristram Shandy

1988 · photolithograph

Cleveland Museum of Art

Soul (Rare View)

1987 · Gelatin silver prints with applied oil tint

123.5 x 209.2 cm. (48 5/8 x 82 3/8 in.)

The Metropolitan Museum of Art

Yellow (with Onlookers)

1986 · Gelatin silver prints, with applied color

99.5 × 69.3 cm (39 3/16 × 27 5/16 in.)

Art Institute of Chicago

Spaces Between (One Risky)

1986 · Gelatin silver prints

148 × 90.8 cm (58 5/16 × 35 3/4 in.)

Art Institute of Chicago

High Flight

1986 · Gelatin silver prints with oil tint and synthetic polymer paint, mounted and framed in four parts

Overall 8' 7 3/8" x 64 5/8" (263.9 x 164.8 cm)

Museum of Modern Art

Two Boats from the portfolio Hegel's Cellar

1986 · Photoetching and aquatint

composition 19 1/4 x 26 3/16" (48.9 x 66.5 cm)

Museum of Modern Art

Boat (With Figure Standing) from the portfolio Hegel's Cellar

1986 · Photoetching and aquatint

composition 27 11/16 x 19 13/16" (70.3 x 50.4 cm)

Museum of Modern Art

Two Figures (With One Shadow) from the portfolio Hegel's Cellar

1986 · Photogravure and aquatint

plate 19 15/16 x 19 9/16" (50.7 x 49.7 cm) sheet 20 1/4 x 19 13/16" (51.4 x 50.4 cm)

Museum of Modern Art

Untitled

1986 · Pencil on cut-and-taped graph paper with colored crayon on gelatin silver print

6 3/4 x 9 3/8" (17.1 x 23.8 cm)

Museum of Modern Art

Untitled

1986 · Crayon and pressure-sensitive stickers on synthetic polymer sheet overlay on gelatin silver print

9 3/4 x 7 3/8" (24.8 x 18.7 cm)

Museum of Modern Art

Buildings=Guns=People: Desire, Knowledge, and Hope (with Smog). Study for Mural, Carnegie International

1985 · Cut-and-pasted paper with pencil and colored pencil on paper

13 x 20 1/4" (33 x 54.4 cm)

Museum of Modern Art

Untitled

1985 · Crayon on printed paper taped to graph paper

6 3/4 x 9 3/8" (17.1 x 23.8 cm)

Museum of Modern Art

[no title]

1982 · Photograph, black and white, on paper

image: 178 x 222 mm

Tate

[no title]

1982 · Etching and aquatint on paper

image: 162 x 203 mm

Tate

Fitcher's Bird

1982 · Twelve gelatin silver prints and one chromogenic print

Installed: 217.2 × 182.9 cm (85 9/16 × 72 1/16 in.); 217.2 × 182.9 cm (85 1/2 × 72 in.)

Art Institute of Chicago

Black Dice

1982 · Portfolio of nine etching, drypoint, aquatint, and photo-etchings

plate (each): 6 7/16 x 7 15/16" (16.3 x 20.1 cm); sheet (each approx.): 16 3/4 x 19 3/4" (42.5 x 50.2 cm)

Museum of Modern Art

Fable–A Sentence of Thirteen Parts (With Twelve Alternate Verbs) Ending in FABLE

1977 · Cruciform concertina foldout, black and white photographs; printed sleeve

folded: 3 9/16 × 5 1/16 × 3/8" (9.1 × 12.9 × 1 cm); unfolded: 45 1/16 × 65" (114.4 × 165.1 cm)

Museum of Modern Art

Six Colorful Inside Jobs

1977 · 16mm film transferred to video (color, silent)

32:53 min.

Museum of Modern Art

Raw Prints

1976 · Lithograph with embossing and hand-tipped color photograph on paper

See individual object records

Whitney Museum of American Art

Raw Prints (Red)

1976 · Lithograph with embossing and hand-tipped color photograph on paper

Sheet: 18 3/4 × 24 1/2 in. (47.6 × 62.2 cm) Plate: 14 11/16 × 20 1/2 in. (37.3 × 52.1 cm)

Whitney Museum of American Art

Raw Prints (Violet) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 5/8 x 20 1/2" (37.2 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints (Orange) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 3/4 x 20 1/2" (37.5 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints (Red) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 5/8 x 20 1/2" (37.2 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints (Blue) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 5/8 x 20 1/2" (37.2 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints (Yellow) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 3/4 x 20 1/2" (37.5 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints (Green) from Raw Prints

1976 · One from a portfolio of six lithographs with collage additions

composition: 14 5/8 x 20 1/2" (37.2 x 52 cm); sheet: 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Raw Prints

1976 · Portfolio of six lithographs with collage additions

composition (each approx.): 14 5/8 x 20 1/2" (37.2 x 52 cm); sheet (each): 18 3/4 x 24 1/2" (47.6 x 62.2 cm)

Museum of Modern Art

Five Pickles (with Fingerprints) in The Shape of a Hand

1975 · Chromogenic color prints (5) mounted on paper; from the portfolio "Artists & Photographs" (1975)

Each image/paper: 12.6 × 8.8 cm (5 × 3 1/2 in.); Mount: 50.8 × 61 cm (20 × 24 1/16 in.)

Art Institute of Chicago

Five Pickles (with Fingerprints) in the Shape of a Hand

1975 · Chromogenic prints mounted to paper with pencil

20 1/16 × 23 7/8" (51 × 60.6 cm)

Museum of Modern Art

Ed Henderson Suggests Sound Tracks for Photographs

1974 · Video (black and white, sound)

27:51 min.

Museum of Modern Art

Haste Makes Waste

1973 · Video (black and white, silent)

4 min.

Museum of Modern Art

Untitled

1973 · Typewriting and pencil on paper on paperboard

Museum of Modern Art

Baldessari Sings LeWitt

1972 · Video, black-and-white, sound, 12:38 min.

Whitney Museum of American Art

Inventory

1972 · Video (black and white, sound)

23:50 min.

Museum of Modern Art

Baldessari Sings Lewitt

1972 · Single-channel digital video, transferred from video tape, black-and-white, sound, 12 min., 38 sec.

The Metropolitan Museum of Art

Art & Project Bulletin #41

1971 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

I Will Not Make Any More Boring Art

1971 · Video (black and white, sound)

13:06 min.

Museum of Modern Art

I am Making Art

1971 · Video (black and white, sound)

18:40 min.

Museum of Modern Art

I Will Not Make Any More Boring Art

1971 · Lithograph

composition: 22 3/8 x 29 9/16" (56.8 x 75.1 cm); sheet: 22 7/16 x 30 1/16" (57 x 76.4 cm)

Museum of Modern Art

I Will Not Make Any More Boring Art

1971 · Single-channel digital video, transferred from video tape, black-and-white, sound, 31 min., 17 sec.

Variable

The Metropolitan Museum of Art

Walking Forward-Running Past

1971 · Single-channel digital video, transferred from video tape, black-and-white, sound, 12 min., 45 sec.

The Metropolitan Museum of Art

Hands Framing New York Harbor

1971 · Gelatin silver print

25.4 x 18.0 cm (10 x 7 1/16 in.)

The Metropolitan Museum of Art

I am Making Art

1971 · Single-channel digital video, transferred from video tape, black-and-white, sound, 18 min., 40 sec.

Variable

The Metropolitan Museum of Art

What Is Painting

1966 · Acrylic on canvas

67 3/4 x 56 3/4" (172.1 x 144.1 cm)

Museum of Modern Art