Artworks · Jim Dine

Alan smoking at Syndey Close in the 90's from Alan Cristea Gallery Twentieth Anniversary Portfolio

2015 · Etching from a portfolio of three aquatints (one with carborundum relief), one carborundum relief, one chromogenic print, three digital prints, four etchings (two with chine collé, one with embossing), one linoleum cut, one lithograph, three screenprints, two woodcuts, and two polymer gravures (one with woodcut)

composition and sheet: 18 1/2 × 14 7/8" (47 × 37.8 cm)

Museum of Modern Art

Thin Red Lips

2008 · Charcoal and touches of white and red pastel, with wiping and erasing, on off-white wove paper

89 × 80.2 cm (35 1/16 × 31 5/8 in.)

Art Institute of Chicago

Walking With Me

1997 · Charcoal, pastel, acrylic paint, and brush and black wash, with shellac (synthetic), wiping, smudging, and touches of incising and scraping, on heavily textured white wove paper

171.3 × 76 cm (67 1/2 × 29 15/16 in.)

Art Institute of Chicago

Untitled

1996 · Pastel and charcoal, over oil paint, with scraping and wiping, on pieced white wove paper

47.7 × 37.8 cm (18 13/16 × 14 15/16 in.)

Art Institute of Chicago

Untitled

1993 · Graphite, charcoal, oil paint, and pastel, with scraping and gouging, on pieced, heavily textured, white wove paper, laid down on cardboard

39.5 × 29 cm (15 9/16 × 11 7/16 in.)

Art Institute of Chicago

Ape and Cat (Paris)

1991 · Graphite and black crayon, with incising, smudging, scraping, and touches of erasing, on ivory wove paper

31.8 × 23.8 cm (12 9/16 × 9 3/8 in.)

Art Institute of Chicago

The Little Heart in the Landscape

1991 · Drypoint and etching

plate: 10 1/8 × 12 3/8" (25.7 × 31.5 cm); sheet: 15 3/4 × 16 5/8" (40 × 42.2 cm)

Museum of Modern Art

Hiroshima Clock, first version

1984 · Etching and aquatint on paper

unconfirmed: 285 x 383 mm

Tate

Untitled from Self-Portrait in a Convex Mirror

1984 · Woodcut from an illustrated book with four lithographs, one offset lithograph, one woodcut, one etching with aquatint, one photogravure with hand additions, and one record

composition and sheet (diameter, approx.): 17 15/16" (45.5 cm)

Museum of Modern Art

The Jerusalem Plant #7

1983 · Etching, drypoint, gravure, and lithograph printed on two hinged sheets

composition (irreg.): 38 3/8 × 53 3/16" (97.5 × 135.1 cm); sheet: 40 × 53 3/16" (101.6 × 135.1 cm)

Museum of Modern Art

Cold Key West Winter

1983 · Charcoal and lithographic crayon on colored paper

22 7/8 x 16 3/8" (57.9 x 41.5 cm)

Museum of Modern Art

Jerusalem Plant #2

1982 · Woodblock

100.5 × 152.4 × 1 cm (39 5/8 × 60 × 7/16 in.)

Art Institute of Chicago

The Jerusalem Plant #3

1982 · Woodcut from one block on gray-yellow Japanese paper

98 × 64.5 cm (38 5/8 × 25 7/16 in.)

Art Institute of Chicago

The Jerusalem Plant #2

1982 · Woodcut from one block on cream Japanese paper

95 × 64 cm (37 7/16 × 25 1/4 in.)

Art Institute of Chicago

The Jerusalem Plant #2

1982 · Woodcut from one block on cream Japanese paper

95 × 64 cm (37 7/16 × 25 1/4 in.)

Art Institute of Chicago

The Jerusalem Plant #3

1982 · Woodcut from one block on gray-yellow Japanese paper

98 × 64.7 cm (38 5/8 × 25 1/2 in.)

Art Institute of Chicago

The Jerusalem Plant #1

1982 · Lithograph from one stone and one plate on black wove paper

102.6 × 66.3 cm (40 7/16 × 26 1/8 in.)

Art Institute of Chicago

The Jerusalem Plant #6

1982 · Lithograph

composition (irreg.): 38 5/16 × 56" (97.3 × 142.3 cm); sheet: 40 3/16 × 60 1/16" (102.1 × 152.5 cm)

Museum of Modern Art

Rancho Woodcut Heart

1982 · Woodcut

composition: 47 7/8 x 40 3/4" (121.6 x 103.5cm); sheet: 47 7/8 x 40 3/4" (121.6 x 103.5cm)

Museum of Modern Art

The Jerusalem Plant #3

1982 · Woodcut

composition (overall): 51 3/4 × 26" (131.5 × 66 cm); sheet (.a): 38 1/8 × 25 13/16" (96.8 × 65.6 cm); sheet (.b): 38 × 26" (96.5 × 66 cm)

Museum of Modern Art

The Jerusalem Plant #2

1982 · Woodcut

composition (overall): 37 7/16 × 50 11/16" (95.1 × 128.7 cm); sheet (.a): 37 3/8 × 25 1/4" (94.9 × 64.1 cm); sheet (.b): 37 1/2 × 25 7/16" (95.3 × 64.6 cm)

Museum of Modern Art

Two Hearts in a Forest

1981 · Woodcut and lithograph on paper

support: 915 x 1527 mm

Tate

The Big Black and White Woodcut Tree

1981 · Woodblock

124.2 × 92.5 × 1.7 cm (48 15/16 × 36 7/16 × 11/16 in.)

Art Institute of Chicago

Nancy Outside in July XIX: The Fish in the Wind

1981 · Hard and soft ground etching and aquatint from three copper plates in white ink on white wove paper, painted in black acrylic

Image/plate: 59.6 × 49.6 cm (23 1/2 × 19 9/16 in.); Sheet: 75.8 × 56.7 cm (29 7/8 × 22 3/8 in.)

Art Institute of Chicago

Nancy Outside in July XIII: Dissolving in Eden

1981 · Hard and soft ground etching and aquatint from four copper plates in black, pink, turquoise, and yellow inks on white wove paper

Image/plate: 59.9 × 49.6 cm (23 5/8 × 19 9/16 in.); Sheet: 76.3 × 57.6 cm (30 1/16 × 22 11/16 in.)

Art Institute of Chicago

Nancy Outside in July XVII: The Reddish One

1981 · Photogravure and aquatint from two copper plates in red ink on gray wove paper

Image/plate: 58.6 × 48.3 cm (23 1/8 × 19 1/16 in.); Sheet: 75.9 × 56.7 cm (29 15/16 × 22 3/8 in.)

Art Institute of Chicago

Nancy Outside in July XXV: Charcoal Cyclamen

1981 · Hard and soft ground etching and aquatint from two copper plates in black and cream inks, with charcoal on pinkish cream wove paper

Plate: 59.6 × 49.6 cm (23 1/2 × 19 9/16 in.); Sheet: 91.3 × 63.3 cm (36 × 24 15/16 in.)

Art Institute of Chicago

Nancy Outside in July XXI: The Red Frame

1981 · Photogravure and aquatint from two copper plates in black, blue, and red inks on pinkish cream wove paper

Image/plate: 59.6 × 49.8 cm (23 1/2 × 19 5/8 in.); Second plate: 62.2 × 52.5 cm (24 1/2 × 20 11/16 in.); Sheet: 91.5 × 63.3 cm (36 1/16 × 24 15/16 in.)

Art Institute of Chicago

Nancy Outside in July XXIII: Squeezed Out on Japanese Paper

1981 · Aquatint from one copper plate on light brown mulberry paper with flecks

Image/plate: 59.6 × 49.6 cm (23 1/2 × 19 9/16 in.); Sheet: 91.5 × 62.6 cm (36 1/16 × 24 11/16 in.)

Art Institute of Chicago

Nancy Outside in July XXII: Ten Layers of Gray

1981 · Hard and soft ground etching and aquatint from eight copper plates on white wove paper

Image/plate: 59.6 × 50 cm (23 1/2 × 19 11/16 in.); Sheet: 92 × 63.6 cm (36 1/4 × 25 1/16 in.)

Art Institute of Chicago

Nancy Outside in July XXIV: Brilliant Dutch Gloss

1981 · Hard and soft ground etching, drypoint, and aquatint from two copper plates in gray and black inks, with enamel paint on white wove paper

Image/plate: 60.7 × 50.9 cm (23 15/16 × 20 1/16 in.); Sheet: 92 × 63.3 cm (36 1/4 × 24 15/16 in.)

Art Institute of Chicago

Nancy Outside in July XX: Among French Plants

1981 · Photogravure and aquatint from three copper plates in black and orange on white wove paper

Image/plate: 59.6 × 49.8 cm (23 1/2 × 19 5/8 in.); Sheet: 91.7 × 63.5 cm (36 1/8 × 25 in.)

Art Institute of Chicago

Nancy Outside in July XVI: Japanese Bistre

1981 · Photogravure from one copper plate on ivory oatmeal paper

Image/plate: 59.9 × 49.6 cm (23 5/8 × 19 9/16 in.); Sheet: 92.6 × 68 cm (36 1/2 × 26 13/16 in.)

Art Institute of Chicago

Nancy Outside in July XII: Green Leaves

1981 · Hard and soft ground etching, aquatint, and spitbite on white wove paper

Image: 59.4 × 49.5 cm (23 7/16 × 19 1/2 in.); Plate: 59.7 × 49.8 cm (23 9/16 × 19 5/8 in.); Sheet: 106.8 × 75.4 cm (42 1/16 × 29 11/16 in.)

Art Institute of Chicago

Nancy Outside in July XV: Nancy Over the Trees

1981 · Etching, electric burnishing, drypoint, photogravure,white acrylic paint, white oil pastel on black wove paper

View: 103.6 × 87.8 cm (40 13/16 × 34 5/8 in.)

Art Institute of Chicago

Nancy Outside in July XVIII: Full of Expression

1981 · Photogravure, hard and soft ground etching, and aquatint from two copper plates, with pastel on white wove paper

Image/plate: 59.6 × 49.5 cm (23 1/2 × 19 1/2 in.); Sheet: 91.6 × 63.3 cm (36 1/8 × 24 15/16 in.)

Art Institute of Chicago

Nancy Outside in July XIV: Wrestling with Spirits

1981 · Hard and soft ground etching and aquatint from three copper plates, in blue, gray, and black inks on white wove paper

Image/plate: 60.5 × 50.7 cm (23 7/8 × 20 in.); Sheet: 91.8 × 63.5 cm (36 3/16 × 25 in.)

Art Institute of Chicago

The Tree in Soot

1981 · Etching and monotype

plate: 44 13/16 × 34 1/2" (113.8 × 87.7 cm); sheet: 45 11/16 × 35 1/4" (116 × 89.5 cm)

Museum of Modern Art

The Big Black and White Woodcut Tree

1981 · Woodcut

composition (irreg.): 48 13/16 × 36 3/4" (124 × 93.3 cm); sheet (irreg.): 59 1/16 × 42 1/2" (150 × 108 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 5/8 x 16 1/4" (57.2 x 41.7 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 5/8 x 16 1/4" (57.5 x 41.7 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 1/2 x 16 1/4" (57.2 x 41.3 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 5/8 x 16 1/2" (57.5 x 41.7 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 5/8 x 16 1/4" (57.3 x 41.2 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 3/4 x 16 1/4" (57.6 x 41.2 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 3/4 x 16 1/4" (57.6 x 41.4 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 3/4 x 16 1/2" (57.7 x 41.7 cm)

Museum of Modern Art

Cold Key West Winter

1981 · Charcoal and lithographic crayon on colored paper

22 3/4 x 16 3/8" (57.6 x 41.6 cm)

Museum of Modern Art