Artworks · Jean-Emile Laboureur

The Entomologist

1932 · Etching on ivory wove paper

Image: 34.5 × 40 cm (13 5/8 × 15 3/4 in.); Sheet: 44 × 55.5 cm (17 3/8 × 21 7/8 in.)

Art Institute of Chicago

Chatting Villager

1924 · Engraving on ivory laid paper

Image: 11 × 12.2 cm (4 3/8 × 4 13/16 in.); Plate: 12.1 × 13.2 cm (4 13/16 × 5 1/4 in.); Sheet: 22.5 × 28.5 cm (8 7/8 × 11 1/4 in.)

Art Institute of Chicago

Laundry Woman

1922 · Engraving on gray-green laid paper

Plate: 25.3 × 18.2 cm (10 × 7 3/16 in.); Sheet: 33.8 × 22 cm (13 5/16 × 8 11/16 in.)

Art Institute of Chicago

THE NEWSPAPER KIOSK (plate, page 41) from ARCHITECTURES

1921 · Engraving, printed in black

plate 11 13/16 x 8 1/16" (30 x 20.5 cm)

Museum of Modern Art

CHERRIES (plate, page 50) from ALMANACH DE COCAGNE: Pour l'an 1921

1920 · Woodcut, printed in black

irreg. composition 4 11/16 x 3 3/16" (11.9 x 8.1 cm)

Museum of Modern Art

Plate (folio 5) from QUELQUES BOIS

1918 · Woodcut, printed in black

irreg. composition 6 5/8 x 4 3/4" (16.9 x 12.1 cm)

Museum of Modern Art

Types de l'armée américaine en France; suite de dix images traillées sur bois

1918

The Metropolitan Museum of Art

The Canadian Window (La fenêtre canadienne)

1914 · Etching

plate 6 7/16 x 7 9/16" (16.4 x 19.3 cm)

Museum of Modern Art

Ernest

1902 · Woodcut in black, with lithographic tint in yellow and orange, on ivory wove paper

Image: 44 × 27.9 cm (17 3/8 × 11 in.); Sheet: 50 × 32.5 cm (19 11/16 × 12 13/16 in.)

Art Institute of Chicago

Landscape Painter

1897 · Graphite on ivory wove paper, laid down on off-white wove paper

19.2 × 13.4 cm (7 9/16 × 5 5/16 in.)

Art Institute of Chicago

Exiting the Church

1897 · Engraving in black on ivory wove paper, tipped at top to cardboard mat

Image: 24.3 × 29.5 cm (9 5/8 × 11 5/8 in.); Plate: 26 × 31.1 cm (10 1/4 × 12 1/4 in.); Primary support: 32.8 × 45.5 cm (12 15/16 × 17 15/16 in.); Secondary support: 35.7 × 45.7 cm (14 1/16 × 18 in.)

Art Institute of Chicago