Artworks · James Ensor

THE FLAGELLATION, plate XX (folio 23) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 7/8 x 8 3/16" (15 x 20.8 cm)

Museum of Modern Art

CHRIST BETWEEN THE THIEVES, plate XXIII (folio 26) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 8 1/4 x 5 15/16" (21 x 15.2 cm)

Museum of Modern Art

CHRIST CHASING THE DEVIL FROM THE BODY OF ONE POSSESSED, plate XI (folio 14) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 3/4 x 8 5/16" (14.7 x 21.1 cm)

Museum of Modern Art

THE CRUCIFIXION, plate XXII (folio 25) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 1/16 x 8 7/16" (15.4 x 21.5 cm)

Museum of Modern Art

THE ENTRY INTO JERUSALEM plate XV (folio 18) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 15/16 x 8 5/16" (15.2 x 21.2 cm)

Museum of Modern Art

CHRIST AND THE ANGELS, plate XXVII (folio 30) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 7/8 x 8 1/4" (15 x 21 cm)

Museum of Modern Art

CHRIST WALKING THE WATER plate XIV (folio 17) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 x 8 1/4" (15.3 x 21 cm)

Museum of Modern Art

CHRIST CALMING THE TEMPEST plate XII (folio 15) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 1/8 x 8 1/4" (15.5 x 20.9 cm)

Museum of Modern Art

THE ASSUMPTION, plate XXX (folio 33) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 8 5/16 x 5 15/16" (21.1 x 15.2 cm)

Museum of Modern Art

THE SLAUGHTER OF THE INNOCENTS, plate III (folio 6) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 7/8 x 8 5/16" (14.9 x 21.1 cm)

Museum of Modern Art

THE JUDAS-KISS, plate XVII (folio 20) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 1/16 x 8 1/4" (15.4 x 21 cm)

Museum of Modern Art

THE HOLY FAMILY, plate V, (folio 8) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 x 8 1/4" (15.3 x 21 cm)

Museum of Modern Art

THE ADORATION OF THE MAGI, plate II (folio 5) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 5 15/16 x 8 3/16" (15.1 x 20.8 cm)

Museum of Modern Art

THE BAPTISM OF CHRIST, plate VII (folio 10) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 1/8 x 8 7/16" (15.6 x 21.5 cm)

Museum of Modern Art

CHRIST AND THE SCRIBES, plate VIII (folio 11) from SCÈNES DE LA VIE DU CHRIST

1913

irreg. composition 6 1/16 x 8 1/4" (15.4 x 21 cm)

Museum of Modern Art

Anger, from The Deadly Sins

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.3 × 14.4 cm (3 11/16 × 5 11/16 in.); Plate: 9.7 × 14.9 cm (3 7/8 × 5 7/8 in.); Sheet: 13.2 × 17.2 cm (5 1/4 × 6 13/16 in.)

Art Institute of Chicago

Gluttony, from The Deadly Sins

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.4 × 14.4 cm (3 3/4 × 5 11/16 in.); Plate: 9.9 × 15 cm (3 15/16 × 5 15/16 in.); Sheet, sight: 13.1 × 17.7 cm (5 3/16 × 7 in.)

Art Institute of Chicago

Envy, from The Deadly Sins

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.4 × 14.4 cm (3 3/4 × 5 11/16 in.); Plate: 9.8 × 14.9 cm (3 7/8 × 5 7/8 in.); Sheet, sight: 13.4 × 18.2 cm (5 5/16 × 7 3/16 in.)

Art Institute of Chicago

Avarice, from The Deadly Sins

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.3 × 14.6 cm (3 11/16 × 5 3/4 in.); Plate: 9.8 × 15 cm (3 7/8 × 5 15/16 in.); Sheet, sight: 12.3 × 18.2 cm (4 7/8 × 7 3/16 in.)

Art Institute of Chicago

Perplexed Masks

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 7.3 × 11.2 cm (2 7/8 × 4 7/16 in.); Plate: 7.8 × 11.8 cm (3 1/8 × 4 11/16 in.); Sheet: 14.2 × 16.8 cm (5 5/8 × 6 5/8 in.)

Art Institute of Chicago

Pride, from The Deadly Sins

1904 · Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.3 × 14.4 cm (3 11/16 × 5 11/16 in.); Plate: 9.8 × 14.8 cm (3 7/8 × 5 7/8 in.); Sheet: 13.6 × 17.3 cm (5 3/8 × 6 13/16 in.)

Art Institute of Chicago

The Deadly Sins Dominated by Death, from The Deadly Sins

1904 · Etching from a copper plate, with hand-coloring, on ivory wove paper

Image: 8.4 × 13.3 cm (3 5/16 × 5 1/4 in.); Plate: 9 × 14.9 cm (3 9/16 × 5 7/8 in.); Sheet: 14.3 × 17.9 cm (5 11/16 × 7 1/16 in.)

Art Institute of Chicago

The Deadly Sins Dominated by Death (Les Péchés capitaux dominés par la mort) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 1/4 x 5 1/4" (8.2 x 13.3 cm); plate: 3 1/2 x 5 1/4" (8.9 x 13.3 cm); sheet: 6 5/16 x 9 3/4" (16 x 24.7 cm)

Museum of Modern Art

Avarice (L'Avarice) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 11/16 x 5 5/8" (9.3 x 14.3 cm); plate: 3 13/16 x 5 13/16" (9.7 x 14.8 cm); sheet: 6 5/16 x 9 13/16" (16 x 24.9 cm)

Museum of Modern Art

Anger (La Colère) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 11/16 x 5 11/16" (9.3 x 14.4 cm); plate: 3 13/16 x 5 13/16" (9.7 x 14.8 cm); sheet: 6 3/16 x 9 13/16" (15.7 x 25 cm)

Museum of Modern Art

Gluttony (La Gourmandise) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 5/8 x 5 11/16" (9.2 x 14.4 cm); plate: 3 13/16 x 5 7/8" (9.7 x 14.9 cm); sheet: 6 1/4 x 9 13/16" (15.8 x 25 cm)

Museum of Modern Art

Envy (L'Envie) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 5/8 x 5 11/16" (9.2 x 14.4 cm); plate: 3 13/16 x 5 13/16" (9.7 x 14.8 cm); sheet: 6 1/4 x 9 13/16" (15.8 x 24.9 cm)

Museum of Modern Art

Pride (L'Orgeuil) from The Deadly Sins (Les Péchés capitaux)

1904 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 11/16 x 5 11/16" (9.3 x 14.4 cm); plate: 3 13/16 x 5 13/16" (9.7 x 14.8 cm); sheet: 5 15/16 x 9 3/4" (15.1 x 24.7 cm)

Museum of Modern Art

The Beach at La Panne

1904 · Etching

plate: 4 x 5 7/8" (10.1 x 14.9 cm); sheet: 5 5/8 x 7 13/16" (14.3 x 19.9 cm)

Museum of Modern Art

The Seven Deadly Sins: Gluttony

1904 · etching

Cleveland Museum of Art

Perplexed Masks

1904 · Etching

sheet: 2 15/16 x 4 1/2 in. (7.4 x 11.4 cm)

The Metropolitan Museum of Art

Sloth, from The Deadly Sins

1902 · Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper

Image: 9.3 × 13.4 cm (3 11/16 × 5 5/16 in.); Plate: 9.8 × 13.8 cm (3 7/8 × 5 7/16 in.); Sheet, sight: 13.1 × 16.9 cm (5 3/16 × 6 11/16 in.)

Art Institute of Chicago

Sloth (La Paresse) from The Deadly Sins (Les Péchés capitaux)

1902 · One from a portfolio of eight etchings with colored pencil and watercolor additions

composition: 3 11/16 x 5 1/4" (9.4 x 13.4 cm); plate: 3 7/8 x 5 7/16" (9.8 x 13.8 cm); sheet: 6 1/4 x 9 13/16" (15.8 x 24.9 cm)

Museum of Modern Art

Sloth (La Paresse)

1902 · Etching with colored pencil and watercolor additions

plate: 3 7/8 x 5 1/2" (9.8 x 13.9cm); sheet: 9 1/4 x 11 1/2" (23.5 x 29.2cm)

Museum of Modern Art

The Seven Deadly Sins

1902 · etching

Cleveland Museum of Art

The Seven Deadly Sins: Sloth

1902 · etching

Cleveland Museum of Art

Briefkaart aan Philip Zilcken

1901 · writing (processes) on cardboard, ink

width: 425 cm, height: 425 cm

Rijksmuseum

Brief aan Philip Zilcken

1901 · pen on ink, paper

width: 425 cm, height: 425 cm

Rijksmuseum

Small View of Mariakerke, second plate

1900 · Etching from a copper plate, on ivory wove paper

Image: 7.6 × 10.1 cm (3 × 4 in.); Plate: 10 × 14.9 cm (3 15/16 × 5 7/8 in.); Sheet: 20 × 28 cm (7 7/8 × 11 1/16 in.)

Art Institute of Chicago

The Queen Parysatis

1900 · Etching

plate: 6 11/16 x 4 3/4" (17 x 12 cm); sheet: 11 1/8 x 7 3/4" (28.3 x 19.7 cm)

Museum of Modern Art

Portrait of the Artist's Niece in Chinese Costume

1899 · Watercolor over graphite, retouched in pen and ink, on light tan wove paper

63.8 × 49.7 cm (25 1/8 × 19 5/8 in.)

Art Institute of Chicago

The Baths at Ostend

1899 · Etching on copper in black with hand-coloring on cream wove paper

Image: 21.2 × 26.8 cm (8 3/8 × 10 9/16 in.); Plate: 22.5 × 27.7 cm (8 7/8 × 10 15/16 in.); Sheet: 28.4 × 39.8 cm (11 3/16 × 15 11/16 in.)

Art Institute of Chicago

Queen Parysatis

1899 · Etching on copper in black with hand-coloring on cream wove paper

Image/plate: 12 × 17 cm (4 3/4 × 6 3/4 in.); Sheet: 22.5 × 29.5 cm (8 7/8 × 11 5/8 in.)

Art Institute of Chicago

Queen Parysatis

1899 · Etching in black on cream wove (simili-Japan) paper

Image/plate: 17.1 × 12.1 cm (6 3/4 × 4 13/16 in.); Sheet: 32.8 × 24 cm (12 15/16 × 9 1/2 in.)

Art Institute of Chicago

The Baths at Ostend (Les Bains à Ostende)

1899 · Etching

plate: 8 3/4 x 11" (22.3 x 28cm); sheet: 13 1/8 x 18 11/16" (33.3 x 47.5cm)

Museum of Modern Art

Still Life with Fish and Shells

1898 · Oil on canvas

81 × 100.5 cm (31 7/8 × 39 1/2 in.); Framed: 95.3 × 115 × 7.7 cm (37 1/2 × 45 1/4 × 3 in.)

Art Institute of Chicago

Poster for the Salon des Cent (Self-Portrait with Devils)

1898 · Color lithograph on tan wove paper, laid down on fabric

Image: 56.5 × 37 cm (22 1/4 × 14 5/8 in.); Sheet: 63.8 × 46.5 cm (25 1/8 × 18 5/16 in.)

Art Institute of Chicago

Hop-Frog's Revenge

1898 · Etching with drypoint on copper in black with hand-coloring on cream wove (simili-Japan) paper

Image: 35 × 24.2 cm (13 13/16 × 9 9/16 in.); Plate: 35.9 × 25 cm (14 3/16 × 9 7/8 in.); Sheet: 40.1 × 28.5 cm (15 13/16 × 11 1/4 in.)

Art Institute of Chicago