Artworks · Jacques Villon

Madame Paul Petit

1935 · Etching and drypoint

plate: 8 7/8 x 5 7/8" (22.5 x 14.9 cm); sheet: 13 1/2 x 10 7/8" (34.3 x 27.7 cm)

Museum of Modern Art

New York

1935 · Lithograph

composition: 5 x 9 1/4" (12.7 x 23.5 cm); sheet: 6 1/2 x 11 1/4" (16.5 x 28.6 cm)

Museum of Modern Art

Study

1934 · Graphite on cream wove paper

18.4 × 26.3 cm (7 1/4 × 10 3/8 in.)

Art Institute of Chicago

Miss Bea

1934 · Etching and drypoint on ivory laid paper

Plate: 18 × 14 cm (7 1/8 × 5 9/16 in.); Sheet: 34.1 × 22 cm (13 7/16 × 8 11/16 in.)

Art Institute of Chicago

Notre Dame de Vie

1934 · Etching on ivory laid paper

Plate: 18.3 × 26 cm (7 1/4 × 10 1/4 in.); Sheet: 27.5 × 38.1 cm (10 7/8 × 15 in.)

Art Institute of Chicago

The Bride

1934 · Aquatint in colors on buff wove paper

Plate: 49.5 × 31 cm (19 1/2 × 12 1/4 in.); Sheet: 65.5 × 50 cm (25 13/16 × 19 11/16 in.)

Art Institute of Chicago

The Plain Between Cannes and Mougins

1934 · Etching and drypoint on white laid paper

Plate: 16.2 × 26.6 cm (6 7/16 × 10 1/2 in.); Sheet: 26.7 × 34 cm (10 9/16 × 13 7/16 in.)

Art Institute of Chicago

The Plunge

1934 · Drypoint and etching on ivory laid paper

Plate: 21.4 × 28.1 cm (8 7/16 × 11 1/8 in.); Sheet: 27 × 33.9 cm (10 11/16 × 13 3/8 in.)

Art Institute of Chicago

The Plain Between Cannes and Mougins

1934 · Etching on ivory laid paper

Plate: 15.7 × 24.7 cm (6 3/16 × 9 3/4 in.); Sheet: 20.1 × 31.3 cm (7 15/16 × 12 3/8 in.)

Art Institute of Chicago

Notre Dame de Vie

1934 · Etching

plate: 7 3/16 x 10 3/8" (18.3 x 26.4 cm); sheet: 10 3/4 x 14" (27.3 x 35.5 cm)

Museum of Modern Art

Bride (Mariée), After Duchamp

1934 · Aquatint and etching

plate: 19 3/4 x 12 3/8" (50.2 x 31.5 cm); sheet: 25 13/16 x 19 13/16" (65.5 x 50.3 cm)

Museum of Modern Art

The Plain Between Cannes and Mougins (La Plaine entre cannes et mougins)

1934 · Etching

plate: 6 7/16 x 10 5/8" (16.4 x 27 cm); sheet: 8 1/16 x 12 3/8" (20.4 x 31.5 cm)

Museum of Modern Art

Study

1933 · Pen and black ink on ivory wove paper

29.6 × 21.1 cm (11 11/16 × 8 5/16 in.)

Art Institute of Chicago

The Poet

1933 · Etching on ivory laid paper

Plate: 28 × 21 cm (11 1/16 × 8 5/16 in.); Sheet: 40.5 × 31 cm (16 × 12 1/4 in.)

Art Institute of Chicago

Nude Fixing Her Hair

1933 · Drypoint on cream wove paper

Plate: 29.5 × 21 cm (11 5/8 × 8 5/16 in.); Sheet: 42.8 × 32.5 cm (16 7/8 × 12 13/16 in.)

Art Institute of Chicago

The Poet (Le Poète)

1933 · Etching

plate: 11 5/16 x 9 1/8" (28.7 x 23.2 cm); sheet: 15 15/16 x 12 15/16" (40.5 x 32.9 cm)

Museum of Modern Art

The Savant (Le Savant)

1933 · Etching and engraving

plate: 10 7/8 x 8 3/16" (27.6 x 20.8 cm); sheet: 15 1/4 x 12 1/16" (38.7 x 30.7 cm)

Museum of Modern Art

The Departure

1932 · Etching and drypoint on ivory wove paper

Plate: 15 × 20 cm (5 15/16 × 7 7/8 in.); Sheet: 20.5 × 32.3 cm (8 1/8 × 12 3/4 in.)

Art Institute of Chicago

Shellfish

1932 · Etching and drypoint on ivory laid paper

Plate: 14.2 × 20.6 cm (5 5/8 × 8 1/8 in.); Sheet: 33.5 × 45 cm (13 1/4 × 17 3/4 in.)

Art Institute of Chicago

Dance

1932 · Oil on canvas

15 1/8 x 21 5/8" (38.4 x 54.9 cm)

Museum of Modern Art

Still Life with Parrot (Nature morte au perroquet)

1932 · Etching

plate: 8 3/4 x 11 1/8" (22.2 x 28.2 cm); sheet: 11 x 16" (27.9 x 40.6 cm)

Museum of Modern Art

Departure (Le Départ)

1932 · Engraving

plate: 5 7/8 x 7 15/16" (14.9 x 20.1 cm); sheet: 11 7/8 x 15 5/8" (30.1 x 39.7 cm)

Museum of Modern Art

Still Life with Parrot (Nature morte au perroquet)

1932 · Etching and drypoint

plate: 8 13/16 x 11 1/8" (22.4 x 28.2 cm); sheet: 11 5/8 x 15 11/16" (29.5 x 39.8 cm)

Museum of Modern Art

Le peintre décorateur (The Painter Decorator)

1931 · Drypoint and etching on ivory wove paper

Plate: 18.4 × 13.7 cm (7 1/4 × 5 7/16 in.); Sheet: 20.8 × 32 cm (8 1/4 × 12 5/8 in.)

Art Institute of Chicago

Petit nu étendu (Small Reclining Nude)

1931 · Etching and drypoint on ivory wove paper

Plate: 5.4 × 9.6 cm (2 3/16 × 3 13/16 in.); Sheet: 10.4 × 13.7 cm (4 1/8 × 5 7/16 in.)

Art Institute of Chicago

The Painter

1931 · Etching and drypoint on ivory wove paper

Plate: 18.4 × 14.1 cm (7 1/4 × 5 9/16 in.); Sheet: 27.9 × 22.4 cm (11 × 8 7/8 in.)

Art Institute of Chicago

Sculptures

1931 · Etching and drypoint on white wove paper

Plate: 18.8 × 12 cm (7 7/16 × 4 3/4 in.); Sheet: 32.7 × 25.7 cm (12 7/8 × 10 1/8 in.)

Art Institute of Chicago

Sculptures

1931 · Etching

plate: 7 3/8 x 4 3/4" (18.8 x 12 cm); sheet: 12 15/16 x 10 1/16" (32.9 x 25.5 cm)

Museum of Modern Art

TABLE WITH A BLACK STOPPER (tailpiece, folio 23 verso) from ÉLOGE DE JACQUES VILLON

1931 · Etching and drypoint, printed in black

plate 5 1/2 x 4 3/8" (14 x 11.2 cm)

Museum of Modern Art

Globes

1930 · Etching and drypoint on ivory laid paper

Plate: 17.1 × 21.6 cm (6 3/4 × 8 9/16 in.); Sheet: 29.5 × 39.5 cm (11 5/8 × 15 9/16 in.)

Art Institute of Chicago

Le philosophe (The Philosopher)

1930 · Etching and drypoint on ivory wove paper, laid down on cardboard

Plate: 21.2 × 15.3 cm (8 3/8 × 6 1/16 in.); Sheet: 38.6 × 26.7 cm (15 1/4 × 10 9/16 in.)

Art Institute of Chicago

Kneeling Nude

1930 · Etching and drypoint on cream laid paper

Plate: 22.2 × 16.3 cm (8 3/4 × 6 7/16 in.); Sheet: 39 × 29.8 cm (15 3/8 × 11 3/4 in.)

Art Institute of Chicago

Head of a Man

1930 · Etching and drypoint on white laid paper

Image: 18.5 × 15.5 cm (7 5/16 × 6 1/8 in.); Sheet: 39.5 × 30 cm (15 9/16 × 11 13/16 in.)

Art Institute of Chicago

The Boat Towers

1930 · Etching and drypoint on ivory laid paper

Plate: 18.2 × 22.2 cm (7 3/16 × 8 3/4 in.); Sheet: 30.1 × 40 cm (11 7/8 × 15 3/4 in.)

Art Institute of Chicago

The Philosopher

1930 · Etching and drypoint on ivory laid paper

Plate: 21.2 × 15.3 cm (8 3/8 × 6 1/16 in.); Sheet: 39.1 × 29.7 cm (15 7/16 × 11 3/4 in.)

Art Institute of Chicago

The Haulers (Les Haleurs)

1930 · Drypoint and etching

plate: 7 3/16 x 8 3/4" (18.3 x 22.2 cm); sheet: 11 7/8 x 15 1/2" (30.1 x 39.3 cm)

Museum of Modern Art

The Philosopher (Le Philosophe)

1930 · Etching

plate: 8 7/16 x 6" (21.4 x 15.3 cm); sheet: 12 11/16 x 9 7/8" (32.3 x 25.1 cm)

Museum of Modern Art

Head of a Young Girl

1929 · Etching and drypoint on white laid paper

Plate: 27.7 × 21.8 cm (10 15/16 × 8 5/8 in.); Image: 27.1 × 20.7 cm (10 11/16 × 8 3/16 in.); Sheet: 39.7 × 29.5 cm (15 11/16 × 11 5/8 in.)

Art Institute of Chicago

Man Reading

1929 · Etching on ivory laid paper

Plate: 27.3 × 22.1 cm (10 3/4 × 8 3/4 in.); Sheet: 40 × 30.1 cm (15 3/4 × 11 7/8 in.)

Art Institute of Chicago

Still Life with Walnuts

1929 · Etching, drypoint and roulette on ivory laid paper

Plate: 22.1 × 27.6 cm (8 3/4 × 10 7/8 in.); Sheet: 30 × 37.2 cm (11 13/16 × 14 11/16 in.)

Art Institute of Chicago

Student reading (Écolière lisant)

1929 · Etching

plate: 10 15/16 x 8 3/4" (27.8 x 22.3 cm); sheet: 15 3/4 x 11 7/8" (40 x 30.1 cm)

Museum of Modern Art

Head of a Young Girl (Tête de fillette)

1929 · Etching

plate: 10 13/16 x 10 1/4" (27.5 x 26 cm); sheet: 15 13/16 x 12" (40.2 x 30.5 cm)

Museum of Modern Art

Card Players (Les Joueurs de Cartes), after Cézanne

1929 · Aquatint

plate: 19 3/16 x 23 5/8" (48.7 x 60cm)

Museum of Modern Art

Sleep

1928 · Lithograph on ivory wove paper

Image: 10.9 × 17.8 cm (4 5/16 × 7 1/16 in.); Sheet: 22.3 × 28.2 cm (8 13/16 × 11 1/8 in.)

Art Institute of Chicago

Composition

1928 · Etching and aquatint with roulette, in color, on ivory wove paper

Plate: 49.5 × 34.2 cm (19 1/2 × 13 1/2 in.); Sheet: 65.5 × 50.2 cm (25 13/16 × 19 13/16 in.)

Art Institute of Chicago

Woman with Jar (La Femme à la cruche), after Fernand Léger

1928 · Aquatint

plate: 18 7/16 × 12 1/8" (46.8 × 30.8 cm); sheet: 25 3/8 × 19 9/16" (64.4 × 49.7 cm)

Museum of Modern Art

On the Rocks

1927 · Etching, drypoint, soft ground and roulette on cream wove paper

Plate: 22.3 × 27.6 cm (8 13/16 × 10 7/8 in.); Sheet: 28 × 33.8 cm (11 1/16 × 13 5/16 in.)

Art Institute of Chicago

The Italian Woman

1927 · Aquatint in color on ivory wove paper

Plate: 49.3 × 31 cm (19 7/16 × 12 1/4 in.); Sheet: 59.4 × 42 cm (23 7/16 × 16 9/16 in.)

Art Institute of Chicago