Artworks · Jacob Jordaens

39 artworks · page 1 of 1

1771 · Pen and brush and brown gallnut ink, brown and grayish brown washes.

Dorcas Raised From the Dead by Saint Peter

1667 · Red and black chalk; margins left blank by the artist (2.5 cm., at the bottom and .5 - .8 cm. on the top and sides)

11 15/16 x 15 15/16 in. (30.3 x 40.5 cm)

The Metropolitan Museum of Art

The Betrayal of Christ

1655 · oil on canvas

Framed: 249 x 271.5 x 8 cm (98 1/16 x 106 7/8 x 3 1/8 in.); Unframed: 225.5 x 246.3 cm (88 3/4 x 96 15/16 in.)

Cleveland Museum of Art

Saint Philip Healing the Cripple in Samaria

1652 · Red and black chalk, reddish brown and gray wash; paper extended 3 cm. at the left and top by the artist (similar extensions at the right and bottom margins may have been removed).

14 x 17 1/8 in. (35.6 x 43.5 cm)

The Metropolitan Museum of Art

Mercury Killing Argus

1652 · etching

Cleveland Museum of Art

Saint Philip Healing the Cripple in Samaria

1652 · Red and black chalk, reddish brown and gray wash; paper extended 3 cm. at the left and top by the artist (similar extensions at the right and bottom margins may have been removed).

14 x 17 1/8 in. (35.6 x 43.5 cm)

The Metropolitan Museum of Art

The Master Pulls the Cow Out of the Ditch by its Tail

1652 · Etching on cream laid paper

Plate: 22.5 × 31.4 cm (8 7/8 × 12 3/8 in.); Sheet: 20.7 × 30.3 cm (8 3/16 × 11 15/16 in.)

Art Institute of Chicago

Jupiter Nourished by the Goat Almathea

1652 · etching

Cleveland Museum of Art

Jacob and Esau

1650 · Charcoal, pen and brown ink, and brush and brown washes, heightened with opaque white watercolor, on pieced cream laid paper, laid down on blue laid paper, ruled in pen and brown ink, laid down on tan laid paper

Primary support: 25.4 × 29.7 cm (10 × 11 3/4 in.); Secondary/tertiary supports: 32.2 × 36.6 cm (12 11/16 × 14 7/16 in.)

Art Institute of Chicago

The Conversion of Saul with Christ and the Cross

1645 · brush and brown wash, gouache and watercolor over black and red chalk, heightened with traces of white; framing lines in graphite

Sheet: 33 x 19.9 cm (13 x 7 13/16 in.)

Cleveland Museum of Art

The King Drinks

1642 · Red chalk with brush and gray, blue, and brown ink, and washes in the same colors over black chalk; remains of a black chalk framing line

H. 6-3/4 in. x W. 10-7/8 in.

The Metropolitan Museum of Art

"It is good candles which light the way"

1640 · pen and ink with brown wash and white heightening over black and red chalk on laid paper

overall: 14.6 x 16.7 cm (5 3/4 x 6 9/16 in.)

National Gallery of Art

Design for a Wall Decoration [recto]

1640 · brush with brown and black ink and color washes, heightened with white, over black chalk on laid paper

overall: 31.9 x 18.8 cm (12 9/16 x 7 3/8 in.)

National Gallery of Art

Susannah Crouching

1640 · black and red chalk with watercolor, heightened with white

overall (approximate): 28.7 x 41.9 cm (11 5/16 x 16 1/2 in.)

National Gallery of Art

Study of a Young Girl Drinking from a Glass

1640 · Black and red chalk, heightened with white chalk, on light brown paper; framing lines in pen and brown ink

Sheet: 7 5/16 x 5 7/8 in. (18.6 x 15 cm)

The Metropolitan Museum of Art

The Conversion of Saul with Horseman and Banner

1640 · Black and red chalk, pen and black and gray ink, brush and brown wash, watercolor, and gouache, heightened with white gouache; framing lines in red chalk and graphite (right edge)

Sheet: 32.9 x 19.9 cm (12 15/16 x 7 13/16 in.)

Cleveland Museum of Art

Study of a Young Girl Drinking from a Glass

1640 · Black and red chalk, heightened with white chalk, on light brown paper; framing lines in pen and brown ink

Sheet: 7 5/16 x 5 7/8 in. (18.6 x 15 cm)

The Metropolitan Museum of Art

Allegory of Fertility (Recto)

1637 · Pen and brush and brown ink, watercolor, over traces of preliminary drawing in black chalk.

The Metropolitan Museum of Art

Nymphs Suprised

1637 · Brush and brown and gray ink, brown and gray washes over red chalk and traces of black chalk, some blue chalk.

7 15/16 x 10 11/16 in. (20.2 x 27.2 cm)

The Metropolitan Museum of Art

Allegory of Fertility (Recto)

1637 · Pen and brush and brown ink, watercolor, over traces of preliminary drawing in black chalk. Verso in black chalk.

9 1/16 x 8 in. (23 x 20.3 cm)

The Metropolitan Museum of Art

Nude Old Man Seated, Leaning on His Forearm, Facing Left

1635 · Red and black chalk, with touches of white chalk, on cream laid paper

34.4 × 21.7 cm (13 9/16 × 8 9/16 in.)

Art Institute of Chicago

Saint Martin of Tours Healing the Servant of Tetrodius

1630 · watercolor and gouache over black chalk on four joined sheets of laid paper

overall: 54.6 x 38.5 cm (21 1/2 x 15 3/16 in.)

National Gallery of Art

The Presentation in the Temple, with a Design for a Sculpted Frame

1630 · Brush and brown ink, watercolor, gouache, heightened with white and yellow gouache

8 13/16 × 6 5/16 in. (22.4 × 16 cm)

The Metropolitan Museum of Art

The Presentation in the Temple, with a Design for a Sculpted Frame

1630 · Brush and brown ink, watercolor, gouache, heightened with white and yellow gouache

8 13/16 × 6 5/16 in. (22.4 × 16 cm)

The Metropolitan Museum of Art

Three Caryatids Supporting a Basket

1630 · Pen and brown ink, with brush and brown wash, on buff laid paper, laid down on cream laid card

15 × 5.4 cm (5 15/16 × 2 3/16 in.)

Art Institute of Chicago

The Martyrdom of Saint Sebastian

1620 · pen and brown ink with brown wash on laid paper

overall: 18.8 x 15.3 cm (7 3/8 x 6 in.)

National Gallery of Art

The Holy Family with Saint Anne and the Young Baptist and His Parents

1620 · Oil on wood

66 7/8 x 59 in. (169.9 x 149.9 cm)

The Metropolitan Museum of Art

The Holy Family with Saint Anne and the Young Baptist and His Parents

1620 · Oil on wood

66 7/8 x 59 in. (169.9 x 149.9 cm)

The Metropolitan Museum of Art

The Holy Family with Shepherds

1616 · Oil on canvas, transferred from wood

42 x 30 in. (106.7 x 76.2 cm)

The Metropolitan Museum of Art

The Holy Family with Shepherds

1616 · Oil on canvas, transferred from wood

42 x 30 in. (106.7 x 76.2 cm)

The Metropolitan Museum of Art

Study for the Sine Baccho et Cerere Friget Venus (recto); Family of Darius before Alexander (verso)

1613 · Pen and black ink with brush and brown wash, over black chalk (recto), and brush and brown wash over black chalk (verso), on ivory laid paper

20.5 × 32.4 cm (8 1/8 × 12 13/16 in.)

Art Institute of Chicago

The Temptation of the Magdalene

1611 · Oil on panel

126.2 × 96.8 cm (49 11/16 × 38 1/4 in.); Framed: 155.6 × 130.2 × 12.7 cm (61 1/4 × 51 1/4 × 5 in.)

Art Institute of Chicago

Adoration of the Shepherds

1605 · Pen and brown ink, brush and brown wash, over black chalk. Framing lines in pen and black ink.

9 13/16 x 8 3/16 in. (24.9 x 20.8 cm)

The Metropolitan Museum of Art

The Banquet of Anthony and Cleopatra

1605 · Pen and brown ink, watercolor, heightened with white gouache, over black chalk

16 7/16 x 14 1/8 in. (41.7 x 35.8 cm)

The Metropolitan Museum of Art

Saint Paul at Lystra

1605 · Colored chalks and wash

16 3/16 x 14 5/16 in. (41.1 x 36.3 cm)

The Metropolitan Museum of Art

The Banquet of Anthony and Cleopatra

1605 · Pen and brown ink, watercolor, heightened with white gouache, over black chalk

16 7/16 x 14 1/8 in. (41.7 x 35.8 cm)

The Metropolitan Museum of Art

A Youth and Two Girls Singing

1600 · Black chalk, brown wash, heightened with white, on blue paper

sheet: 4 15/16 x 7 1/16 in. (12.6 x 18 cm)

The Metropolitan Museum of Art

Sheet of Studies with the Drunken Pan and Nymphs [verso]

1593 · black and red chalk on laid paper

overall: 31.9 x 18.8 cm (12 9/16 x 7 3/8 in.)

National Gallery of Art

Last Judgement

1500 · Black chalk, with pen and brown ink, on tan laid paper, laid down on tan wove paper

53.6 × 39 cm (21 1/8 × 15 3/8 in.)

Art Institute of Chicago