Artworks · Giovanni Battista Gaulli

Christ Giving the Host to a Holy Abbess

1690 · Pen and brown ink, brush and gray wash. Squared in black chalk

15-11/16 x 9-3/16 in. (39.9 x 23.3 cm)

The Metropolitan Museum of Art

Allegorical Figure of Faith

1672 · Pen and brown ink, brush and brown wash, highlighted with white, over a little black chalk, on brownish paper

9-1/8 x 6-7/16 in. (23.1 x 16.3 cm)

The Metropolitan Museum of Art

Sketch for "The Four Prophets of Israel" (for Il Gesù, Rome)

1670 · oil on canvas

Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)

Cleveland Museum of Art

Pope Clement X (1590–1676)

1670 · Oil on canvas

30 1/2 × 24 1/4 in. (77.5 × 61.6 cm)

The Metropolitan Museum of Art

Detail Study for The Assumption of St. Agnes

1670 · Pen and brown ink, with brush and brown wash, heightened with white gouache, over black chalk, on tan laid paper

26 × 39.1 cm (10 1/4 × 15 7/16 in.)

Art Institute of Chicago

Portrait of a Woman

1670 · Oil on canvas

29 7/8 × 23 3/8 in. (75.9 × 59.4 cm)

The Metropolitan Museum of Art

Flora

1660 · Pen and iron gall ink, with brush and blue wash, on gray brown laid paper

35.7 × 19.3 cm (14 1/16 × 7 5/8 in.)

Art Institute of Chicago

Standing Franciscan Saint Holding Crucifix

1659 · Pen and brown ink, with brush and brown wash, and red chalk and red chalk wash, on ivory laid paper, laid down on ivory wove board

18.5 × 14 cm (7 5/16 × 5 9/16 in.)

Art Institute of Chicago

Saint Andrew Adoring the Cross

1659 · Pen and brown ink, with black chalk with stumping, on buff laid paper, perimeter mounted on light gray wove card

38.5 × 26.4 cm (15 3/16 × 10 7/16 in.)

Art Institute of Chicago

Prophets, Patriarchs, Saints, and Music-Making Angels in Glory

1639 · Pen and brown ink, brush and gray wash, over black chalk

16-1/4 x 20-13/16 in. (41.3 x 52.8 cm)

The Metropolitan Museum of Art

Allegorical Composition: Music and Justice with the Spinola Arms

1639 · Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on rose-washed paper

7-13/16 x 5-5/16 in. (19.9 x 13.5 cm)

The Metropolitan Museum of Art

Allegory of the Immaculate Conception

1639 · Pen and brown ink, brush and gray wash. Squared in black chalk

9-3/4 x 5-15/16 in. (24.7 x 15.1 cm)

The Metropolitan Museum of Art

Four Putti

1602 · Pen and brown ink, with brush and gray wash, over black chalk, on ivory laid paper

43.4 × 28.4 cm (17 1/8 × 11 3/16 in.)

Art Institute of Chicago