Artworks · Gerard de Lairesse

Scrapbook Containing Prints, Drawings, and Manuscript Text

1800 · Various media including etching, engraving, and handwritten text

Art Institute of Chicago

Selene and Endymion

1680 · canvas, oil paint (paint)

width: 118.5 cm, height: 177 cm

Rijksmuseum

Mercury Ordering Calypso to Release Odysseus

1680 · canvas, oil paint (paint)

height: 132 cm, width: 96 cm

Rijksmuseum

Odysseus and Calypso

1680 · canvas, oil paint (paint)

width: 94 cm, height: 125 cm

Rijksmuseum

Five-part Ceiling Decoration for the Great Hall of Soestdijk Palace

1676 · paint on oil paint (paint), canvas

width: 300 cm, width: 600 cm, diameter: 280 cm, height: 800 cm, height: 400 cm

Rijksmuseum

Allegory of the Sciences

1675 · canvas, oil paint (paint)

height: 289 cm, width: 161 cm

Rijksmuseum

Allegory of Fame

1675 · oil paint (paint), canvas

height: 288 cm, width: 152 cm

Rijksmuseum

Apollo and Aurora

1671 · Oil on canvas

80 1/2 x 76 1/8 in. (204.5 x 193.4 cm)

The Metropolitan Museum of Art

Allegorie op de Schilderkunst

1670 · paper

height: 109 cm, width: 90 cm

Rijksmuseum

Parcere Subiectis (The Magnanimous Treatment of Prisoners)

1665 · etching on laid paper

National Gallery of Art

Aeneas and the Sibyl

1665 · etching on laid paper

sheet: 20.2 × 15.6 cm (7 15/16 × 6 1/8 in.), cut to platemark

National Gallery of Art

The Sacrifice of Iphigenia

1664 · Pen and brown ink

7 15/16 x 6 7/16 in. (20.2 x 16.3 cm)

The Metropolitan Museum of Art

Joseph Recognized by His Brothers

1660 · Black chalk on brown wove paper, laid down on tan wove paper

42.6 × 53.1 cm (16 13/16 × 20 15/16 in.)

Art Institute of Chicago

Sketches of Five Busts

1660 · Pen and black ink, with brush and gray wash, on cream laid paper

15.6 × 19.5 cm (6 3/16 × 7 11/16 in.)

Art Institute of Chicago

Four Continents

1660 · Pen and brown ink, with brush and gray wash, on tan laid paper, tipped on ivory laid paper

19.4 × 31.4 cm (7 11/16 × 12 3/8 in.)

Art Institute of Chicago

Putti and Coat of Arms

1660 · Pen and gray ink, with brush and gray wash, over black and red chalk, on cream laid paper, laid down on ivory laid paper

9.7 × 15.7 cm (3 7/8 × 6 3/16 in.)

Art Institute of Chicago

Allegory of Fecundity (?)

1660 · Pen and brown ink, over red chalk; double framing lines in pen and brown ink (possibly by the artist)

sheet: 10 1/4 x 12 3/8 in. (26 x 31.5 cm)

The Metropolitan Museum of Art

Copies after Illustrations of Statues and Paintings (recto); Measurements for a Man's Skeleton (verso)

1660 · Pen and brown ink, over graphite (recto and verso), on buff laid paper

21 × 32 cm (8 5/16 × 12 5/8 in.)

Art Institute of Chicago

Angel Appearing to Saint

1660 · Pen and brown ink, over red chalk, on buff laid paper

13.3 × 9 cm (5 1/4 × 3 9/16 in.)

Art Institute of Chicago

Design for Title page: Clio Taking Dictation from Minerva

1660 · Pen and brown ink, and brush and brown wash, over black chalk, on ivory laid paper, tipped onto ivory wove card

24.6 × 17.6 cm (9 11/16 × 6 15/16 in.)

Art Institute of Chicago

The Death of Dido

1660 · Watercolor, over traces of graphite, on ivory laid paper

17.9 × 16.7 cm (7 1/16 × 6 5/8 in.)

Art Institute of Chicago

The Annunciation

1660 · Pen and black ink, with brush and gray wash, over traces of red chalk, on ivory laid paper

10.9 × 8.7 cm (4 5/16 × 3 7/16 in.)

Art Institute of Chicago

Mythological subject

1655 · black and red chalk on cream paper. Framing line in pen and black ink.

sheet: 11 1/2 x 15 in. (29.2 x 38.1 cm)

The Metropolitan Museum of Art

Bacchanalian Scene with Nymphs and Putti

1655 · Pen and brown ink, brown wash.

sheet: 9 x 7 5/8 in. (22.9 x 19.4 cm)

The Metropolitan Museum of Art

Design for a Frontispiece of a Title Page

1655 · Brush and gray wash over black chalk; framing lines in brown ink

14 9/10 x 9 1/2 in. (37.8 x 24.1 cm)

The Metropolitan Museum of Art

The Pentecost

1650 · Pen and grayish brown ink, tip of the brush and gray ink, gray wash, red chalk and white heightening

sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm)

The Metropolitan Museum of Art

Semiramis on the Lion Hunt

1641 · engraving and etching

National Gallery of Art

Joseph Reveals Himself to His Brothers

1641 · engraving with etching

National Gallery of Art

Jeanne d'Albret, Queen of Navarre, Mother of Henry IV of France

1641 · engraving

sheet: 16 × 10.8 cm (6 5/16 × 4 1/4 in.)

National Gallery of Art

Arcadian Scene with Bacchus

1641 · Black and red chalk

sheet: 14 15/16 x 9 3/4 in. (38 x 24.7 cm)

The Metropolitan Museum of Art

The Circumcision

1641 · Pen and grayish brown ink, tip of the brush and gray ink, gray wash, red chalk and white heightening

sheet: 7 11/16 x 5 1/16 in. (19.6 x 12.8 cm)

The Metropolitan Museum of Art