Artworks · Ger van Elk

Paal 120, Durgerdam

1991 · Screenprint

composition (irreg.): 36 5/8 x 26 3/8" (93 x 67 cm); sheet: 45 1/4 x 35 7/16" (115 x 90 cm)

Museum of Modern Art

Counter Kalf

1991 · Screenprint

composition (irreg.): 30 11/16 x 27 3/4" (78 x 70.5 cm); sheet: 45 1/4 x 35 7/16" (115 x 90 cm)

Museum of Modern Art

Pale London Blue

1991 · Screenprint

composition: 35 1/16 x 27 1/4" (89 x 69.2 cm); sheet: 45 1/4 x 35 7/16" (115 x 90 cm)

Museum of Modern Art

Western Stylemasters

1991 · Screenprint

composition: 31 1/2 x 19 11/16" (80 x 50 cm); sheet: 45 1/4 x 35 1/2" (115 x 90.2 cm)

Museum of Modern Art

Art & Project Bulletin #139

1984 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Art & Project Bulletin #132

1983 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

White Lilies on Glitter Cloth

1982 · Silver dye bleach print with enamel paint

53 3/4 × 42 1/2" (136.5 × 108 cm)

Museum of Modern Art

Pushing Sculpture

1981 · Shaped canvas, photograph and acrylic paint

152.4 × 274.3 cm (60 × 108 in.)

Art Institute of Chicago

Roquebrune

1979 · Screenprint and photograph on paper

image: 816 x 1702 mm

Tate

The Forest Lane II

1979 · Color photographs and acrylic paint on brass

5.1 × 543.8 cm (2 × 96 in.)

Art Institute of Chicago

Mont Blanc Mountain

1979 · Screenprint on color photograph

composition: 15 11/16 x 31 7/8" (39.9 x 81 cm); sheet: 18 7/8 x 35 1/16" (48 x 89 cm)

Museum of Modern Art

Art & Project Bulletin #100

1977 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Symmetry of Diplomacy

1975 · Composite chromogenic color photograph, with silkscreen printings (2) and air brushing, from the portfolio "Artists & Photographs" (1975)

50.8 × 60.7 cm (20 × 23 7/8 in.)

Art Institute of Chicago

The Symmetry of Diplomacy at The Stanhope Hotel, N.Y.C. with Kynaston McShine

1975 · Chromogenic print with airbrushed gouache and graphite

20 × 30" (50.8 × 76.2 cm)

Museum of Modern Art

Untitled

1975 · Screenprint with photolithograph collage additions and one duplicate copy

composition: 18 7/8 x 18 1/8" (48 x 46 cm); sheet: 19 11/16 x 18 7/8" (50 x 48 cm)

Museum of Modern Art

Art & Project Bulletin #74

1974 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

The Adieu, III

1974 · Gouache and ink on color photograph mounted to aluminum

39 1/8 x 36 3/8 x 1 3/4" (99.2 x 92.3 x 4.3 cm)

Museum of Modern Art

Art & Project Bulletin #65

1973 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Art & Project Bulletin #55

1972 · One from a set of 156 offset printed bulletins

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

The Co-Founder of the Word O.K.

1971 · Chromogenic prints

Each 20 × 15 13/16" (50.8 × 40.2 cm)

Museum of Modern Art

Art & Project Bulletin #33

1971 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Art & Project Bulletin #19

1970 · One from a set of 156 offset printed bulletins, exhibition copy

sheet (each): 11 5/8 x 16 9/16" (29.6 x 42 cm)

Museum of Modern Art

Design for a Luxurious Street Corner

1969 · Gelatin silver print and felt-tip-pen and ballpoint pen on paper on colored paper

16 1/2 × 14 5/8" (41.9 × 37.1 cm)

Museum of Modern Art