Artworks · Georges Vantongerloo

Plate 20 from Futurists, Abstractionists, Dadaists: the Forerunners of the Avant-Garde, vol. I

1962 · Etching from an illustrated book with nineteen etchings (three with drypoint, two with aquatint, and one with aquatint and embossing) and one engraving

plate: 5 11/16 × 4 1/2" (14.5 × 11.4 cm); page: 11 3/4 × 9 7/16" (29.8 × 24 cm)

Museum of Modern Art

Plate (folio 22) from 10 Origin

1942 · Linoleum cut from a portfolio of six linoleum cuts, three woodcuts, and one lithograph

composition (irreg.): 8 3/8 × 5 1/8" (21.2 × 13 cm); page (each): 10 5/8 × 8 1/4" (27 × 21 cm)

Museum of Modern Art

10 Origin

1942 · Portfolio of six linoleum cuts, three woodcuts, and one lithograph

page (each): 10 5/8 × 8 1/4" (27 × 21 cm); overall (closed): 10 13/16 × 8 7/16 × 1/4" (27.5 × 21.4 × 0.7 cm)

Museum of Modern Art

Relation of Lines and Colors

1939 · Oil on board

28 5/8 x 21" (72.6 x 53.3 cm)

Museum of Modern Art

Curving Function Greenish Brown

1938 · Oil on hardboard

62.8 × 46.3 cm (24 3/4 × 18 1/4 in.)

Art Institute of Chicago

No. 98 2478 Red/135 Green

1936 · Oil paint on plywood

support: 575 x 568 mm frame: 814 x 959 x 65 mm

Tate

The Function of Lines

1936 · Brush with opaque and transparent watercolor and pen and black ink on beige, wove paper

49.1 × 59.9 cm (19 3/8 × 23 5/8 in.)

Art Institute of Chicago

XY = K Green and Red

1929 · Gouache on paper

6 7/8 x 8 5/8" (17.5 x 21.9 cm)

Museum of Modern Art

Handwritten letter

1927 · Ink on paper

10 1/2 × 8 1/8" (26.7 × 20.6 cm)

Museum of Modern Art

Interrelation of Volumes from the Ellipsoid

1926 · Plaster

40 × 47 × 26 cm (15 3/4 × 18 1/2 × 10 1/4 in.)

Art Institute of Chicago

Facade Elevation Study for "Interrelation of Volumes from the Ellipsoid"

1926 · Pen and black ink over graphite on cream wove paper, with graphite sketch and notations over commercially printed black ink on the verso

21.8 × 27.6 cm (8 5/8 × 10 7/8 in.)

Art Institute of Chicago

Right Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"

1926 · Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso

26.3 × 21.8 cm (10 3/8 × 8 5/8 in.)

Art Institute of Chicago

Rear Elevation Study for "Interrelation of Volumes from the Ellipsoid"

1926 · Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso

26.3 × 21.8 cm (10 3/8 × 8 5/8 in.)

Art Institute of Chicago

Left Side (Proper) Elevation Study for "Interrelation of Volumes from the Ellipsoid"

1926 · Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso

26.3 × 21.8 cm (10 3/8 × 8 5/8 in.)

Art Institute of Chicago

Plan Overview Study for "Interrelation of Volumes from the Ellipsoid"

1926 · Pen and black ink over graphite on cream wove paper, with commercially printed black ink on the verso

26.3 × 21.8 cm (10 3/8 × 8 5/8 in.)

Art Institute of Chicago

Construction of Volume Relations

1921 · Mahogany

16 1/8 x 5 5/8 x 5 3/4" (41 x 14.4 x 14.5 cm)

Museum of Modern Art

Composition II, Indigo Violet Derived from Equilateral Triangle

1921 · Oil on canvas mounted on cardboard

13 x 14 3/4" (33 x 37.5 cm)

Museum of Modern Art

Interrelation of Volumes

1919 · Sandstone

object: 225 x 137 x 137 mm

Tate

Étude No. 1

1917 · Oil on pressboard

55 × 55 cm (21 5/8 × 21 5/8 in.)

Art Institute of Chicago

Construction within a Sphere

1917 · Silvered plaster

7 x 5 1/2 x 6 3/4" (17.8 x 14 x 17.2 cm)

Museum of Modern Art