Artworks · George Grosz

Made in Germany (Den macht uns keiner nach) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 11 3/16 x 9 9/16" (28.4 x 24.3 cm); sheet: 19 x 15 3/8" (48.3 x 39.1 cm)

Museum of Modern Art

Blood Is the Best Sauce (Die Kommunisten fallen - und die Devisen steigen) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 12 1/8 x 17 3/4" (30.8 x 45.1 cm); sheet: 15 1/4 x 19" (38.7 x 48.3 cm)

Museum of Modern Art

The Germans to the Front (Für deutsches Recht und deutsche Sitte) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 15 x 12 5/16" (38.1 x 31.3 cm); sheet: 19 x 15 3/8" (48.2 x 39.1 cm)

Museum of Modern Art

God with Us (Gott mit uns) from the portfolio God with Us (Gott mit uns)

1919 · Offset lithograph

composition (irreg.): 11 9/16 x 17" (29.3 x 43.2 cm); sheet: 15 7/16 x 19" (39.2 x 48.2 cm)

Museum of Modern Art

The End of the Day

1919 · Ink on paper

18 5/8 x 14 3/4" (47.5 x 37.5 cm)

Museum of Modern Art

Beauty Contest in the Motzstrasse

1918 · Lithograph in black on cream wove paper

Image: 28.5 × 42.4 cm (11 1/4 × 16 3/4 in.); Sheet: 37.5 × 49.4 cm (14 13/16 × 19 1/2 in.)

Art Institute of Chicago

German Doctors Fighting the Blockade (Die Gesundbeter) from the portfolio God with Us (Gott mit uns)

1918 · Offset lithograph

composition: 12 11/16 x 11 11/16" (32.3 x 29.7 cm); sheet: 18 7/8 x 15 1/4" (48 x 38.8 cm)

Museum of Modern Art

World of the Bourgeoisie (Bürgerliche Welt) from the illustrated book Ecce Homo

1918 · Offset lithograph

composition: 8 1/4 x 10 3/8" (21 x 26.3 cm); sheet: 10 x 13 15/16" (25.4 x 35.4 cm)

Museum of Modern Art

Fit for Active Service (Kriegsverwendungsfähig)

1918 · Ink and pencil on paper

20 x 14 3/8" (50.8 x 36.5 cm)

Museum of Modern Art

Third Case Grosz

1917 · Pen and black ink on cream wove paper

36.8 × 32 cm (14 1/2 × 12 5/8 in.)

Art Institute of Chicago

Little Man

1917 · Pen and brush and black ink on cream wove tracing paper

25 × 20.1 cm (9 7/8 × 7 15/16 in.)

Art Institute of Chicago

Explosion

1917 · Oil on board

18 7/8 x 26 7/8" (47.8 x 68.2 cm)

Museum of Modern Art

The Christmas Brothers

1917 · Ink on paper

11 1/4 x 8 7/8" (28.6 x 22.5 cm)

Museum of Modern Art

Metropolis (Grossstadt)

1917 · Oil on board

26 3/4 x 18 3/4" (68 x 47.6 cm)

Museum of Modern Art

Suicide

1916 · Oil paint on canvas

support: 1000 x 775 mm frame: 1106 x 887 x 67 mm

Tate

Jazz Musicians

1916 · Pen and black ink on cream wove paper

44.6 × 29.5 cm (17 9/16 × 11 5/8 in.)

Art Institute of Chicago

Joint (Kaschemme) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916 · One from a portfolio of nine lithographs

composition (irreg.): 10 5/8 x 8 9/16" (27 x 21.7 cm); sheet: 19 3/4 x 15 3/8" (50.2 x 39 cm)

Museum of Modern Art

The First George Grosz Portfolio (Erste George Grosz-Mappe)

1916 · Portfolio of nine lithographs

composition (each approx.): 12 1/16 x 9 1/16" (30.6 x 23 cm); sheet (each approx.): 19 1/4 x 15 13/16" (48.9 x 40.2 cm)

Museum of Modern Art

Family (Familie) from the illustrated book Ecce Homo

1916 · Offset lithograph

composition: 10 7/8 x 6 11/16" (27.6 x 17 cm); sheet: 13 7/8 x 9 15/16" (35.3 x 25.3 cm)

Museum of Modern Art

A Friend of Mine (recto); Head of a Man (verso)

1915 · Pen and black ink (recto), and pen and black ink and brush and gray wash (verso), on cream wove paper

33.2 × 20.9 cm (13 1/8 × 8 1/4 in.)

Art Institute of Chicago

“I Wish They Would Come!”, illustration for Alphonse Daudet’s The Adventures of the Tartarin from Tarascon

1915 · Pen and black ink on cream wove paper

50.1 × 32.6 cm (19 3/4 × 12 7/8 in.)

Art Institute of Chicago

Wedding Day

1915 · Black ink with brush on tan wove paper

61.6 × 49.2 cm (24 5/16 × 19 3/8 in.)

Art Institute of Chicago

Street in the City (Strasse in der Stadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 10 3/16 x 14 5/8" (25.8 x 37.2 cm); sheet: 15 3/8 x 19 3/4" (39 x 50.1 cm)

Museum of Modern Art

Texas Picture for My Friend Chingachgook (Texasbild für meinen Freund Chingachgook) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 10 9/16 x 8 5/8" (26.9 x 21.9 cm); sheet: 19 3/4 x 15 3/8" (50.2 x 39 cm)

Museum of Modern Art

At the Canal (Am Canal) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 10 3/8 x 8 11/16" (26.3 x 22 cm); sheet: 19 11/16 x 15 3/8" (50 x 39 cm)

Museum of Modern Art

Suburb (Vorstadt) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 14 9/16 x 12 3/16" (37 x 31 cm); sheet: 19 3/4 x 15 3/8" (50.1 x 39 cm)

Museum of Modern Art

People in the Street (Menschen in der Strasse) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 10 13/16 x 8 7/16" (27.4 x 21.5 cm); sheet: 19 3/4 x 15 3/8" (50.1 x 39 cm)

Museum of Modern Art

Outskirts (Peripherie) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 12 1/16 x 8 7/8" (30.6 x 22.5 cm); sheet: 19 11/16 x 15 3/8" (50 x 39 cm)

Museum of Modern Art

Moonlit Night (Mondnacht) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 14 9/16 x 11 13/16" (37 x 30 cm); sheet: 19 3/4 x 15 3/8" (50.1 x 39 cm)

Museum of Modern Art

Attack (Attentat)

1915 · Lithograph

composition (irreg.): 7 5/8 x 9 3/4" (19.4 x 24.8 cm); sheet: 9 1/2 x 12 3/8" (24.2 x 31.5 cm)

Museum of Modern Art

Lady with a Veil (Schleierdame)

1915 · Lithograph

composition (irreg.): 10 1/2 x 7 3/16" (26.7 x 18.3 cm); sheet: 12 3/8 x 9 3/8" (31.5 x 23.8 cm)

Museum of Modern Art

Two Men (Zwei Männer)

1915 · Lithograph

composition (irreg.): 10 1/4 x 8 1/8" (26.1 x 20.6 cm); sheet: 19 x 12 5/8" (48.3 x 32.1 cm)

Museum of Modern Art

Memory of New York (Erinnerung an New York) from The First George Grosz Portfolio (Erste George Grosz-Mappe)

1915 · One from a portfolio of nine lithographs

composition (irreg.): 14 3/4 x 11 5/8" (37.5 x 29.5 cm); sheet: 19 3/4 x 15 3/8" (50.2 x 39.1 cm)

Museum of Modern Art

Murder (Mord) from the illustrated book Ecce Homo

1915 · Offset lithograph

composition: 8 15/16 x 6" (22.7 x 15.2 cm); sheet: 13 7/8 x 10" (35.3 x 25.4 cm)

Museum of Modern Art

Air Attack (Fliegerbombe)

1915 · Ink on paper

7 3/8 x 10 1/2" (18.7 x 26.7 cm)

Museum of Modern Art

Ecce Homo

1915 · Illustrated book with 100 offset lithograph reproductions

page (each approx.): 13 11/16 x 9 13/16" (34.8 x 25 cm); overall: 14 x 10 5/16 x 1 5/16" (35.5 x 26.2 x 3.3 cm)

Museum of Modern Art

Murder

1914 · Drypoint on ivory wove paper

Plate: 17.8 × 12.8 cm (7 1/16 × 5 1/16 in.); Sheet: 20.9 × 19.5 cm (8 1/4 × 7 11/16 in.)

Art Institute of Chicago

Trapeze Artists

1914 · Drypoint on ivory wove paper

Plate: 16.8 × 12 cm (6 5/8 × 4 3/4 in.); Sheet: 28.2 × 18.3 cm (11 1/8 × 7 1/4 in.)

Art Institute of Chicago

Den of Iniquity (Lasterhöhle)

1914 · Drypoint

plate: 5 13/16 x 9 3/4" (14.7 x 24.8 cm); sheet: 11 x 14 5/16" (28 x 36.4 cm)

Museum of Modern Art

Spider (Die Spinne)

1914 · Drypoint

plate: 6 3/4 x 4 3/4" (17.1 x 12 cm); sheet: 14 5/16 x 11 1/8" (36.4 x 28.2 cm)

Museum of Modern Art

Self-Portrait, with Glasses

1913 · Drypoint on cream laid imitation parchment paper

Plate: 11.8 × 8 cm (4 11/16 × 3 3/16 in.); Sheet: 22.4 × 20.5 cm (8 7/8 × 8 1/8 in.)

Art Institute of Chicago

German War Decorations

1913 · Pen and black ink on cream wove paper

14.8 × 12.1 cm (5 7/8 × 4 13/16 in.)

Art Institute of Chicago

South Berlin (Südende)

1913 · Pen and brown ink, with colored pencils, on tan wove paper

20.1 × 29.8 cm (7 15/16 × 11 3/4 in.)

Art Institute of Chicago

The End of the Road (Out of Fear of Starvation) [Das Ende des Weges (Aus Nahrungssorgen)]

1913 · Watercolor and charcoal on paper

11 3/8 x 9" (28.9 x 22.9 cm)

Museum of Modern Art

Two Men Watching a Couple (Zwei Männer in Betrachtung eines Paares)

1911 · Etching

plate (irreg.): 5 1/16 x 4 11/16" (12.9 x 11.9 cm); sheet: 12 3/8 x 9 1/2" (31.4 x 24.1 cm)

Museum of Modern Art