Artworks · Frederic Remington

On the Bridle Path, Central Park, New York

1889 · pen and black ink, wash, and gouache on wove paper

image (irregular): 31.75 × 23.81 cm (12 1/2 × 9 3/8 in.) sheet (irregular): 45.88 × 35.72 cm (18 1/16 × 14 1/16 in.)

National Gallery of Art

Pitched It Sheer into the River . . . Where It Still Is Seen in the Summer

1889 · Oil on canvas

20 x 28 1/4in. (50.8 x 71.8cm)

The Metropolitan Museum of Art

The Mexican Major

1889 · Oil on canvas

87 × 124.8 cm (34 1/4 × 49 1/8 in.)

Art Institute of Chicago

The Advance Guard

1888 · watercolor

sight: 22 7/8 x 20 7/8 in. (58.1 x 53.0 cm) frame: 30 1/4 x 28 1/2 in. (76.8 x 72.4 cm)

Smithsonian American Art Museum

Initial Letters - Essentials at Fort Adobe - Letter T

1881 · Pen and black ink, on off-white wove card

32.9 × 26.9 cm (13 × 10 5/8 in.)

Art Institute of Chicago

The Last Horse Shot, the Thornburg Massacre

1881 · Brush and black wash and pen and black ink with touches of scraping, on ivory laid paper laid down on board

34.7 × 55.1 cm (13 11/16 × 21 3/4 in.)

Art Institute of Chicago

The Cuban Martyrdom

1881 · Pen and black ink and brush and black wash, with opaque white watercolor, over graphite, on cream wove paper

53.2 × 73.7 cm (21 × 29 1/16 in.)

Art Institute of Chicago

The Branding Chute

1881 · Pen and black ink and brush and black wash, heightened with white gouache, over traces of graphite, on tan laid paper with blue fibers, laid down on masonite

45.9 × 60.7 cm (18 1/8 × 23 15/16 in.)

Art Institute of Chicago

The Artful Dodgers (Shrapnel Coming Down the Road)

1881 · Pen and black ink and brush and black and gray wash, heightened with white gouache, over graphite, on tan wood-pulp laminate board

55.5 × 71.1 cm (21 7/8 × 28 in.)

Art Institute of Chicago

Arabian Chief and Cavalrymen

1801 · Brush and black ink and brush and black and gray wash, heightened with white gouache, over graphite, on ivory wood-pulp laminate board

35 × 44.7 cm (13 13/16 × 17 5/8 in.)

Art Institute of Chicago