Artworks · Frederic Remington

The Bronco Buster

1909 · Bronze with dark brown patina

82.6 × 34.9 × 47 cm (32 1/2 × 13 3/4 × 18 1/2 in.)

Art Institute of Chicago

Trooper of the Plains-1868

1908 · bronze

Overall: 65.1 x 73 x 24.1 cm (25 5/8 x 28 3/4 x 9 1/2 in.); Base: 19.1 x 50.8 cm (7 1/2 x 20 in.)

Cleveland Museum of Art

Trooper of the Plains-1868

1908 · bronze

Fired On

1907 · oil on canvas

27 1/8 x 40 in. (68.8 x 101.6 cm.)

Smithsonian American Art Museum

The Old Dragoons of 1850

1905 · Bronze with black patina

73 × 119.3 × 43.8 cm (28 3/4 × 47 × 17 1/4 in.)

Art Institute of Chicago

The Rattlesnake

1905 · Bronze

61 × 43.2 × 33 cm (24 × 17 × 13 in.)

Art Institute of Chicago

The Mountain Man

1903 · bronze

overall: 71.1 × 26.7 × 50.8 cm (28 × 10 1/2 × 20 in.)

National Gallery of Art

Off the Range (Coming Through the Rye)

1902 · bronze

overall: 73.03 × 71.12 × 72.71 cm (28 3/4 × 28 × 28 5/8 in.)

National Gallery of Art

Coming Through the Rye (Over the Range)

1902 · Bronze with brown patina

72.4 × 71.1 × 47 cm (28 1/2 × 28 × 18 1/2 in.)

Art Institute of Chicago

Rushing Red Lodges Passed through the Line

1900 · Oil on canvas

69.9 × 101.6 cm (27 1/8 × 40 in.)

Art Institute of Chicago

The Fire-Eater Slung His Victim Across His Pony

1900 · Oil on canvas

109.2 × 69.4 cm (40 1/4 × 27 5/16 in.)

Art Institute of Chicago

The Interpreter Waved at the Youth

1900 · Oil on canvas

68.9 × 102.2 cm (27 1/8 × 40 1/4 in.)

Art Institute of Chicago

I Will Tell the White Man

1900 · Oil on canvas

68.9 × 102.2 cm (27 1/8 × 40 1/4 in.)

Art Institute of Chicago

The Fire Eater Raised His Arms to the Thunder Bird

1900 · Oil on canvas

69.2 × 102.6 cm (27 1/4 × 40 3/8 in.)

Art Institute of Chicago

Nothing But Cheerful Looks Followed the Bat

1900 · Oil on canvas

68.9 × 102.2 cm (27 1/8 × 40 1/4 in.)

Art Institute of Chicago

Ceremony of the Fastest Horse

1900 · Oil on canvas

101.9 × 69.2 cm (40 1/8 × 27 1/4 in.)

Art Institute of Chicago

Ceremony of the Fastest Horse

1900 · Oil on canvas

101.9 × 69.2 cm (40 1/8 × 27 1/4 in.)

Art Institute of Chicago

How the Horses Died for Their Country at Santiago

1899 · Oil on canvas

68.6 × 101.7 cm (27 × 40 1/16 in.)

Art Institute of Chicago

U.S. Calvary at Port Tampa, Florida

1898 · Halftone on paper

Image: 28.8 × 21.5 cm (11 5/16 × 8 7/16")

National Portrait Gallery

The Storming of San Juan

1898 · Halftone on paper

Image: 32.7 × 48.3 cm (12 7/8 × 19")

National Portrait Gallery

This Was a Fatal Embarkation

1898 · Oil on canvas

68.6 × 102.2 cm (27 × 40 1/4 in.)

Art Institute of Chicago

Paddling the Wounded British Officer

1897 · Oil on canvas

69.9 × 102.9 cm (27 1/2 × 40 1/2 in.)

Art Institute of Chicago

The Broncho Buster (cast #86)

1895 · bronze

23 1/4 x 20 1/4 x 11 1/2 in. (59.1 x 51.4 x 29.2 cm)

Smithsonian American Art Museum

First and Best Camp of the Trip

1895 · Oil on canvas

68.9 × 102.6 cm (27 1/8 × 40 3/8 in.)

Art Institute of Chicago

The Bronco Buster

1895 · Bronze with brown patina

60 × 54.7 × 34.5 cm (23 5/8 × 21 9/16 × 13 5/8 in.)

Art Institute of Chicago

"As They Threw their Animals Back upon their Haunches," illustration for An Arabian Day and Night, in Harper's New Monthly Magazine

1894 · Brush and black gray wash heightened with white gouache over graphite, on cream laminate board

34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)

Art Institute of Chicago

Slave Market

1893 · Oil on canvas

73 × 103.5 cm (28 3/4 × 40 3/4 in.)

Art Institute of Chicago

A Mexican Vaquero

1890 · Oil on canvas

82.6 × 58.4 cm (32 1/2 × 23 in.)

Art Institute of Chicago

The Advance-Guard, or The Military Sacrifice (The Ambush)

1890 · Oil on canvas

87.3 × 123.1 cm (34 3/8 × 48 1/2 in.)

Art Institute of Chicago

Historians of the Tribe

1890 · Oil on canvas

62.2 × 111.4 cm (24 1/4 × 43 7/8 in.)

Art Institute of Chicago

On the Bridle Path, Central Park, New York

1889 · pen and black ink, wash, and gouache on wove paper

image (irregular): 31.75 × 23.81 cm (12 1/2 × 9 3/8 in.) sheet (irregular): 45.88 × 35.72 cm (18 1/16 × 14 1/16 in.)

National Gallery of Art

The Mexican Major

1889 · Oil on canvas

87 × 124.8 cm (34 1/4 × 49 1/8 in.)

Art Institute of Chicago

The Advance Guard

1888 · watercolor

sight: 22 7/8 x 20 7/8 in. (58.1 x 53.0 cm) frame: 30 1/4 x 28 1/2 in. (76.8 x 72.4 cm)

Smithsonian American Art Museum

Initial Letters - Essentials at Fort Adobe - Letter T

1881 · Pen and black ink, on off-white wove card

32.9 × 26.9 cm (13 × 10 5/8 in.)

Art Institute of Chicago

The Last Horse Shot, the Thornburg Massacre

1881 · Brush and black wash and pen and black ink with touches of scraping, on ivory laid paper laid down on board

34.7 × 55.1 cm (13 11/16 × 21 3/4 in.)

Art Institute of Chicago

The Cuban Martyrdom

1881 · Pen and black ink and brush and black wash, with opaque white watercolor, over graphite, on cream wove paper

53.2 × 73.7 cm (21 × 29 1/16 in.)

Art Institute of Chicago

The Branding Chute

1881 · Pen and black ink and brush and black wash, heightened with white gouache, over traces of graphite, on tan laid paper with blue fibers, laid down on masonite

45.9 × 60.7 cm (18 1/8 × 23 15/16 in.)

Art Institute of Chicago

The Artful Dodgers (Shrapnel Coming Down the Road)

1881 · Pen and black ink and brush and black and gray wash, heightened with white gouache, over graphite, on tan wood-pulp laminate board

55.5 × 71.1 cm (21 7/8 × 28 in.)

Art Institute of Chicago

Arabian Chief and Cavalrymen

1801 · Brush and black ink and brush and black and gray wash, heightened with white gouache, over graphite, on ivory wood-pulp laminate board

35 × 44.7 cm (13 13/16 × 17 5/8 in.)

Art Institute of Chicago