Artworks · Ford Madox Brown

The Bridgewater Canal

1890 · Ink on paper

support: 113 x 177 mm mount: 279 x 406 x 6 mm

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Study of the Tow-Path on the Bridgewater Canal

1890 · Graphite on paper

support: 96 x 173 mm mount: 279 x 405 x 5 mm

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Section of the Bridgewater Canal

1890 · Ink on paper

support: 112 x 177 mm mount: 277 x 406 x 6 mm

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A Barge on the Bridgewater Canal

1890 · Graphite on paper

support: 96 x 173 mm mount: 280 x 406 x 5 mm

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Study for ‘John Kay’

1889 · Graphite on paper

support: 179 x 256 mm mount: 279 x 405 x 5 mm

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Sheepshearing

1887 · Ink and graphite on paper

support: 241 x 279 mm

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Platt Lane

1884 · Oil paint on canvas

support: 264 x 401 mm frame: 444 x 575 x 33 mm

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Elijah and the Widow’s Son, engraved by the Dalziel Brothers

1881 · Print on paper

image: 229 x 149 mm

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Arkwright’s Mill

1881 · Graphite on paper

support: 133 x 216 mm

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Arkwright’s Mill

1878 · Graphite on paper

support: 140 x 229 mm

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The Convalescent (A Portrait of the Artist's Wife)

1872 · Pastel

Sheet: 18 3/8 × 17 3/8 in. (46.7 × 44.1 cm)

The Metropolitan Museum of Art

David and Goliath, Cartoon for Stained Glass Window at Jesus College, Cambridge

1872 · gray-black and brown-black charcoal, and graphite on light- to medium-weight Japanese paper

Sheet: 52 x 41.7 cm (20 1/2 x 16 7/16 in.)

Cleveland Museum of Art

The Coat of Many Colours

1867 · Watercolour and gouache on paper

support: 305 x 305 mm

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Sussex Corner Chair

1865 · Ebonized oak and rush seat

27 3/4 x 22 x 22" (70.5 x 55.9 x 55.9 cm)

Museum of Modern Art

The Death of Eglon, from "Dalziels' Bible Gallery"

1865 · Wood engraving on India paper, mounted on thin card

Image: 5 15/16 × 7 5/16 in. (15.1 × 18.6 cm) India sheet: 8 1/16 × 9 3/8 in. (20.4 × 23.8 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)

The Metropolitan Museum of Art

Elijah and the Widow's Son, from "Dalziels' Bible Gallery"

1865 · Wood engraving on India paper, mounted on thin card

Image: 9 in. × 5 13/16 in. (22.8 × 14.7 cm) India sheet: 10 15/16 × 7 11/16 in. (27.8 × 19.6 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)

The Metropolitan Museum of Art

King René‘s Honeymoon

1864 · Graphite, watercolour, gouache and gum arabic on card

support: 276 x 186 mm

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The Last of England

1864 · Watercolour on paper

support: 356 x 330 mm

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Joseph's Coat, from "Dalziels' Bible Gallery"

1864 · Wood engraving on India paper, mounted on thin card

Image: 6 15/16 × 6 3/4 in. (17.7 × 17.2 cm) India sheet: 9 5/16 × 8 13/16 in. (23.7 × 22.4 cm) Mount: 16 7/16 in. × 12 15/16 in. (41.8 × 32.8 cm)

The Metropolitan Museum of Art

Mauvais Sujet

1863 · Watercolour on paper

support: 232 x 210 mm

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Jesus Washing Peter’s Feet

1857 · Watercolour on paper

support: 394 x 448 mm

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Stages of Cruelty

1856 · Watercolour on paper

support: 143 x 121 mm

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Chaucer at the Court of Edward III

1856 · Oil paint on canvas

support: 1232 x 991 mm frame: 1490 x 1263 x 115 mm

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The Hayfield

1855 · Oil paint on mahogany

support: 241 x 333 mm frame: 410 x 498 x 50 mm

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Studies for ‘Work’

1855 · Graphite and ink on paper

support: 124 x 175 mm

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Carrying Corn

1854 · Oil paint on mahogany

support: 197 x 276 mm frame: 350 x 425 x 55 mm

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The Brent at Hendon

1854 · Oil paint on board on mahogany

support: 203 x 248 mm frame: 345 x 400 x 40 mm

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Cordelia Parting from her Sisters

1854 · pen and oil on paper on panel

Framed: 30.5 x 36.8 x 3.5 cm (12 x 14 1/2 x 1 3/8 in.); Unframed: 19.5 x 26.5 cm (7 11/16 x 10 7/16 in.)

Cleveland Museum of Art

Portrait of Dykes Barry as a Child

1853 · Oil paint on mahogany

support: 152 x 127 mm frame: 380 x 287 x 65 mm

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Sketch for ‘Cromwell on his Farm’

1853 · Graphite on paper

support: 146 x 98 mm

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Cathy Madox Brown at the Age of Three

1853 · Graphite on paper

support: 171 x 146 mm

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Study of F.G. Stephens for ‘Jesus Washing Peter’s Feet’. Verso: A Head Crowned with Laurels

1852 · Graphite on paper. Verso: graphite on paper

support: 292 x 343 mm

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Sketch for ‘Jesus Washing Peter’s Feet’

1852 · Graphite on paper

support: 171 x 200 mm

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Jesus Washing Peter’s Feet

1852 · Oil paint on canvas

support: 1168 x 1333 mm frame: 1475 x 1640 x 98 mm

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Sketch for ‘Jesus Washing Peter’s Feet’

1851 · Ink and graphite on paper

support: 73 x 89 mm

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‘Take your Son, Sir’

1851 · Oil paint on canvas

support: 705 x 381 mm frame: 874 x 550 x 50 mm

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Lear and Cordelia

1849 · Oil paint on canvas

support: 711 x 991 mm frame: 995 x 1270 x 80 mm

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Our Lady of Good Children

1847 · Pastel, watercolour and gold paint on paper

support: 781 x 591 mm frame: 1113 x 910 x 75 mm

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Two Drapery Studies [verso]

1844 · black chalk on laid paper

overall: 30 x 47.5 cm (11 13/16 x 18 11/16 in.)

National Gallery of Art

The Virgin Swooning [recto]

1844 · black chalk on laid paper

overall: 47.5 x 30 cm (18 11/16 x 11 13/16 in.)

National Gallery of Art

Study for the Dean in the ‘Execution of Mary Queen of Scots’

1840 · Oil paint on paper

support: 470 x 394 mm

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Study of a Man Painting

1839 · Graphite on paper

support: 279 x 229 mm

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Head of a Girl

Oil paint on paper

support: 514 x 356 mm frame: 660 x 505 x 80 mm

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The Bridgewater Canal

Chalk and graphite on paper

support: 113 x 177 mm mount: 278 x 406 x 5 mm

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‘Where are you going, my pretty maid?’

Graphite on paper

support: 222 x 178 mm

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Study for ‘Southend’

Graphite on paper

support: 140 x 229 mm

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Design for Badge for Gillum’s Homes

Ink and graphite on paper

support: 114 x 178 mm

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King René‘s Honeymoon

Ink on paper

support: 260 x 168 mm

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