Artworks · Enrique Chagoya

Bravisimo! / Bravissimo! from Recurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 1/2 × 5 7/8" (21.6 × 15 cm; sheet: 14 1/2 × 11" (36.9 × 28 cm)

Museum of Modern Art

Lo que puede un sastre! / What a tailor can do! from Recurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 1/2 × 5 7/8" (21.6 × 15 cm); sheet: 14 1/2 × 11" (36.9 × 28 cm)

Museum of Modern Art

Y se le quema la casa / And the house is on fire from Recurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 × 5 7/8" (21.4 × 14.9 cm); sheet: 14 1/2 × 11" (36.9 × 27.9 cm)

Museum of Modern Art

Sopla / Gust the wind from Recurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 × 5 7/8" (21.4 × 14.9 cm); sheet: 14 1/2 × 11" (36.9 × 28 cm)

Museum of Modern Art

Ya tienen asiento / Now they are sitting well fromRecurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 9/16 × 5 7/8" (21.7 × 15 cm); sheet: 14 1/2 × 11" (36.9 × 27.9 cm)

Museum of Modern Art

Ya van desplumados / There they go plucked from Recurrent Goya

2015 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 × 5 13/16" (21.5 × 14.8 cm); sheet: 14 1/2 × 11" (36.9 × 27.9 cm)

Museum of Modern Art

Porque esconderlos?/Why hide them? from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 3/8 x 5 13/16" (21.3 x 14.8 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

Tu que no puedes/Thou who canst not from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 3/8 x 5 13/16" (21.3 x 14.8 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

Grande el Sombrero/Hat's too Big from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 x 5 13/16" (21.4 x 14.8 cm); sheet: 14 9/16 x 11" (37 x 27.9 cm)

Museum of Modern Art

Que sacrificio!/What a sacrifice! from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 x 5 7/8" (21.4 x 14.9 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

El sueño de la razón produce monstrous/The sleep of reason produces monsters from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 3/8 x 5 13/16" (21.3 x 14.7 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

Aquellos polvos/Those specks of dust from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 7/16 x 5 7/8" (21.4 x 14.9 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

Subir y bajar/To rise and to fall from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 3/8 x 5 13/16" (21.3 x 14.8 cm); sheet: 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

Mucho hay que chupar/There is plenty to suck from Recurrent Goya

2012 · One from a portfolio of fourteen etching and aquatints with letterpress

plate: 8 3/8 x 5 7/8" (21.3 x 14.9 cm); sheet: 14 9/16 x 11" (37 x 27.9 cm)

Museum of Modern Art

Recurrent Goya

2012 · Portfolio of fourteen etching and aquatints with letterpress

plate (each, approx.): 8 3/8 x 5 13/16" (21.3 x 14.8 cm); sheet (each, approx.): 14 9/16 x 11" (37 x 28 cm)

Museum of Modern Art

My Cat Lulu's Utopia (After J.C. Orozco)

2010 · Etching, aquatint, and drypoint with watercolor and acrylic additions

plate: 13 13/16 x 16 15/16" (35.1 x 43 cm); sheet: 20 x 21 7/8" (50.8 x 55.6 cm)

Museum of Modern Art

My Cat Santos had a Nightmare

2010 · Etching, aquatint and drypoint with watercolor additions

plate: 13 7/8 x 16 7/8" (35.2 x 42.9 cm); sheet: 20 x 21 5/8" (50.8 x 55 cm)

Museum of Modern Art

Orozco Meets Victor Hugo at the Auction House

2009 · Etching, aquatint, and drypoint with hand additions

plate: 12 15/16 x 17 1/2" (32.8 x 44.5 cm); sheet: 20 x 22 1/16" (50.8 x 56 cm)

Museum of Modern Art

Homage to the Un-Square and My Cat Frida

2009 · Etching, aquatint, and drypoint with hand additions

plate: 12 7/8 x 15 15/16" (32.7 x 40.5 cm); sheet: 20 1/16 x 22 1/16" (50.9 x 56 cm)

Museum of Modern Art

Border Patrol on Acid

2007 · Etching and aquatint with hand additions

plate: 10 3/4 x 13 7/8" (27.3 x 35.2 cm); sheet: 17 11/16 x 19 7/8" (45 x 50.5 cm)

Museum of Modern Art

Thinking of Ensor and My Cat Diego

2007 · Etching and aquatint with hand additions

plate: 10 13/16 x 13 3/4" (27.5 x 35 cm); sheet: 17 13/16 x 19 7/8" (45.2 x 50.5 cm)

Museum of Modern Art

The Illuminated Cannibal / El Cannibal Illuminado

2002 · Transfer drawing, cut-and-pasted painted paper, ink, and synthetic polymer paint on pieced amate paper

8" x 120" (20.3 x 304.8 cm)

Museum of Modern Art

The Utopian Cannibal

2000 · Lithograph and woodcut, in color, on chine collé on cream amate paper, 8 plates hinged and folded into accordian book style resulting in cover, back cover and 6 pages

19 × 234.4 cm (7 1/2 × 92 5/16 in.)

Art Institute of Chicago

The Return of the Macrobiotic Cannibal

1998 · Lithograph and woodcut, in color, and chine collé on cream amate paper, 8 plates hinged and folded into accordian book style resulting in cover, back cover and 6 pages

19 × 202.8 cm (7 1/2 × 79 7/8 in.)

Art Institute of Chicago

Codex Espangliensis: From Columbus to the Border Patrol

1998 · Accordion-folded illustrated book, letterpress printed in black and red from zinc photoengravings on Mexican amatl paper lined with Japanese shintengujo tissue; bound in a portfolio of amatl paper over board

Closed: 23 × 29.1 × 3 cm (9 1/16 × 11 1/2 × 1 3/16 in.); Extended: 23 × 921.5 cm (9 1/16 × 362 13/16 in.)

Art Institute of Chicago