Artworks · Édouard Manet

A Matador

1866 · Oil on canvas

67 3/8 x 44 1/2 in. (171.1 x 113 cm)

The Metropolitan Museum of Art

The Races at Longchamp

1866 · Oil on canvas

44 × 84.2 cm (17 5/16 × 33 1/8 in.); Framed: 69.6 × 109.9 × 10.2 cm (27 3/8 × 43 1/4 × 4 in.)

Art Institute of Chicago

The Dead Christ with Angels

1866 · etching and aquatint

The Races

1865 · Lithograph in black on chine collé

42 × 50.8 cm (16 1/2 × 20 in.)

Art Institute of Chicago

Sketches from “The Gypsies,” “The Spanish Ballet,” and “Lola de Valence” for “L’Autographe au Salon de 1865”

1865 · Brush and black ink and wash, over graphite, on ivory laid paper, pieced in the lower left

18.1 × 12.7 cm (7 3/16 × 5 in.)

Art Institute of Chicago

The Races

1865 · Lithograph in black on ivory chine, laid down on ivory wove paper (chine collé)

Image: 35.5 × 51.3 cm (14 × 20 1/4 in.); Primary support: 36.6 × 51.1 cm (14 7/16 × 20 1/8 in.); Secondary support: 47.2 × 63.9 cm (18 5/8 × 25 3/16 in.)

Art Institute of Chicago

The Philosopher

1865 · Etching and drypoint in warm black on blue laid paper

Image: 27.1 × 16.4 cm (10 11/16 × 6 1/2 in.); Plate: 31.8 × 23.6 cm (12 9/16 × 9 5/16 in.); Sheet: 46.3 × 34.9 cm (18 1/4 × 13 3/4 in.)

Art Institute of Chicago

The Philosopher

1865 · Etching and drypoint in warm black on ivory laid paper

Image: 26.9 × 16.3 cm (10 5/8 × 6 7/16 in.); Plate: 31.7 × 23.6 cm (12 1/2 × 9 5/16 in.); Sheet: 47.9 × 36 cm (18 7/8 × 14 3/16 in.)

Art Institute of Chicago

Marine

1865 · Etching, aquatint and roulette in brown on ivory laid paper

Image: 12.4 × 18 cm (4 15/16 × 7 1/8 in.); Plate: 14 × 20 cm (5 9/16 × 7 7/8 in.); Sheet: 18.1 × 28.3 cm (7 3/16 × 11 3/16 in.)

Art Institute of Chicago

Portrait of Félix Bracquémond

1865 · Lift-ground etching with plate tone in black on cream laid paper

Image: 16 × 10.4 cm (6 5/16 × 4 1/8 in.); Plate: 16.9 × 11.2 cm (6 11/16 × 4 7/16 in.); Sheet: 30.4 × 22.2 cm (12 × 8 3/4 in.)

Art Institute of Chicago

Bullfight

1865 · Oil on canvas

48 × 60.4 cm (18 7/8 × 23 3/4 in.); Framed: 72.4 × 84.5 × 9.3 cm (28 1/2 × 33 1/4 × 3 5/8 in.)

Art Institute of Chicago

Beggar with a Duffle Coat (Philosopher)

1865 · Oil on canvas

187.7 × 109.9 cm (73 7/8 × 43 1/4 in.); Framed: 222.6 × 145.1 × 17.5 cm (87 5/8 × 57 1/8 × 6 7/8 in.)

Art Institute of Chicago

Beggar with Oysters (Philosopher)

1865 · Oil on canvas

188 × 111 cm (74 × 43 5/16 in.); Framed: 223.3 × 145.5 × 17.5 cm (87 7/8 × 57 1/4 × 6 7/8 in.)

Art Institute of Chicago

Jesus Mocked by the Soldiers

1865 · Oil on canvas

190.8 × 148.3 cm (74 7/8 × 58 3/8 in.); Framed: 240.1 × 196.9 cm (94 1/2 × 77 1/2 in.)

Art Institute of Chicago

Jesus Mocked by the Soldiers

1865 · Oil on canvas

190.8 × 148.3 cm (74 7/8 × 58 3/8 in.); Framed: 240.1 × 196.9 cm (94 1/2 × 77 1/2 in.)

Art Institute of Chicago

Beggar with a Duffle Coat (Philosopher)

1865 · Oil on canvas

187.7 × 109.9 cm (73 7/8 × 43 1/4 in.); Framed: 222.6 × 145.1 × 17.5 cm (87 5/8 × 57 1/8 × 6 7/8 in.)

Art Institute of Chicago

The Tragic Actor (Rouvière in the role of Hamlet)

1865 · Etching and plate tone in black on ivory laid paper

Image: 29.9 × 16.1 cm (11 13/16 × 6 3/8 in.); Plate: 32.6 × 17.8 cm (12 7/8 × 7 1/16 in.); Sheet: 36.9 × 22.1 cm (14 9/16 × 8 3/4 in.)

Art Institute of Chicago

The Races

1865 · lithograph

Sketches of Snails, Flowering Plant

1864 · Watercolor over graphite pencil on cream laid paper

19.8 × 12.6 cm (7 13/16 × 5 in.)

Art Institute of Chicago

Young Man Standing (Léon Leenhoff) (recto); Sketch of Standing Boy (verso)

1864 · Black crayon (recto and verso) on tannish-buff laid paper with blue fibers, recto squared in graphite

40.6 × 20.7 cm (16 × 8 3/16 in.)

Art Institute of Chicago

Fish (Still Life)

1864 · Oil on canvas

73.5 × 92.4 cm (28 15/16 × 36 3/8 in.); Framed: 108.6 × 127 × 12.7 cm (42 3/4 × 50 × 5 in.)

Art Institute of Chicago

Sea View, Calm Weather (Vue de mer, temps calme)

1864 · Oil on canvas

73.6 × 92.6 cm (29 × 36 1/2 in.); Framed: 97.8 × 117.2 × 12.7 cm (38 1/2 × 46 1/8 × 5 in.)

Art Institute of Chicago

Fish (Still Life)

1864 · Oil on canvas

73.5 × 92.4 cm (28 15/16 × 36 3/8 in.); Framed: 108.6 × 127 × 12.7 cm (42 3/4 × 50 × 5 in.)

Art Institute of Chicago

The Dead Christ with Angels

1864 · Oil on canvas

70 5/8 x 59 in. (179.4 x 149.9 cm)

The Metropolitan Museum of Art

Lola de Valence

1863 · Etching and aquatint, with roulette, in black on cream laid paper

Image, without poem: 23.3 × 16 cm (9 3/16 × 6 5/16 in.); Plate: 26.4 × 18.4 cm (10 7/16 × 7 1/4 in.); Sheet: 44.7 × 32.5 cm (17 5/8 × 12 13/16 in.)

Art Institute of Chicago

Lola de Valence

1863 · Etching in black on ivory laid Japanese paper

Image: 23.6 × 15.9 cm (9 5/16 × 6 5/16 in.); Plate: 26 × 18.1 cm (10 1/4 × 7 3/16 in.); Sheet: 26.9 × 19.5 cm (10 5/8 × 7 11/16 in.)

Art Institute of Chicago

Lola de Valence

1863 · Lithograph in black on light gray wove paper

Image: 24.1 × 21.2 cm (9 1/2 × 8 3/8 in.); Sheet, folded: 34.2 × 24.1 cm (13 1/2 × 9 1/2 in.); Sheet, unfolded: 34.2 × 48.3 cm (13 1/2 × 19 1/16 in.)

Art Institute of Chicago

At the Prado I

1863 · Etching and aquatint in black on cream laid paper

Image: 17.7 × 11.4 cm (7 × 4 1/2 in.); Plate: 18.2 × 11.9 cm (7 3/16 × 4 11/16 in.); Sheet: 36.9 × 27.4 cm (14 9/16 × 10 13/16 in.)

Art Institute of Chicago

The Ballet Dancer (Don Mariano Camprubi)

1862 · Etching in brown on cream laid paper

Image: 25.5 × 15.7 cm (10 1/16 × 6 3/16 in.); Plate: 29.8 × 19.8 cm (11 3/4 × 7 13/16 in.); Sheet: 44.7 × 32.2 cm (17 5/8 × 12 11/16 in.)

Art Institute of Chicago

Victorine Meurent in the Costume of an "Espada"

1862 · Etching in black and lavis in warm gray on ivory laid paper

Image: 30.5 × 23.8 cm (12 1/16 × 9 3/8 in.); Plate: 33.8 × 27.8 cm (13 5/16 × 11 in.); Sheet: 52.4 × 35.9 cm (20 11/16 × 14 3/16 in.)

Art Institute of Chicago

The Toilette

1862 · Etching in black on ivory laid Chinese paper

Image/plate: 28.5 × 22.2 cm (11 1/4 × 8 3/4 in.); Sheet: 34.3 × 26.3 cm (13 9/16 × 10 3/8 in.)

Art Institute of Chicago

Hat and Guitar, Frontispiece for the edition of fourteen etchings

1862 · Etching, aquatint and drypoint in black on ivory wove paper

Image: 33.1 × 22.5 cm (13 1/16 × 8 7/8 in.); Plate: 43.4 × 29.6 cm (17 1/8 × 11 11/16 in.); Sheet, folded: 44.9 × 31.8 cm (17 11/16 × 12 9/16 in.); Sheet, unfolded: 45 × 63 cm (17 3/4 × 24 13/16 in.)

Art Institute of Chicago

The Boy with a Sword, Turned to the Left III

1862 · Etching, aquatint and drypoint, with roulette, in black on ivory laid paper

Image: 26.2 × 17.4 cm (10 3/8 × 6 7/8 in.); Plate: 31.7 × 23.7 cm (12 1/2 × 9 3/8 in.); Sheet: 38.5 × 28.9 cm (15 3/16 × 11 7/16 in.)

Art Institute of Chicago

The Gypsies

1862 · Etching in warm black on ivory laid paper

Image: 28.2 × 20.7 cm (11 1/8 × 8 3/16 in.); Plate: 31.5 × 23.8 cm (12 7/16 × 9 3/8 in.); Sheet: 53.7 × 34.9 cm (21 3/16 × 13 3/4 in.)

Art Institute of Chicago

The Absinthe Drinker

1862 · Etching and aquatint in black on cream Japanese laid paper

Image: 25.2 × 14.5 cm (9 15/16 × 5 3/4 in.); Plate: 29 × 16.1 cm (11 7/16 × 6 3/8 in.); Sheet: 36.4 × 26 cm (14 3/8 × 10 1/4 in.)

Art Institute of Chicago

The Boy Carrying a Tray

1862 · Etching and aquatint in black on cream Japanese paper

Image: 22.2 × 14.5 cm (8 3/4 × 5 3/4 in.); Plate: 24.1 × 15.9 cm (9 1/2 × 6 5/16 in.); Sheet: 46.7 × 29.8 cm (18 7/16 × 11 3/4 in.)

Art Institute of Chicago

The Absinthe Drinker

1862 · Etching in black on cream laid paper

Image: 25 × 14.5 cm (9 7/8 × 5 3/4 in.); Plate: 28.8 × 16.1 cm (11 3/8 × 6 3/8 in.); Sheet: 30.8 × 17.5 cm (12 3/16 × 6 15/16 in.)

Art Institute of Chicago

Phillip IV King of Spain

1862 · Etching, drypoint and retroussage inking in black on ivory chine, laid down on ivory wove paper (chine collé)

Image: 31.9 × 20.2 cm (12 9/16 × 8 in.); Plate: 35.6 × 23.9 cm (14 1/16 × 9 7/16 in.); Primary support: 31.8 × 19.8 cm (12 9/16 × 7 13/16 in.); Secondary support: 47.2 × 31.8 cm (18 5/8 × 12 9/16 in.)

Art Institute of Chicago

The Absinthe Drinker

1862 · Etching and plate tone in black on ivory laid paper

Image: 24.8 × 14.5 cm (9 13/16 × 5 3/4 in.); Plate: 28.9 × 16.1 cm (11 7/16 × 6 3/8 in.); Sheet: 29.1 × 16.4 cm (11 1/2 × 6 1/2 in.)

Art Institute of Chicago

Boy with Pitcher (La Régalade)

1862 · Oil on canvas

61.8 × 54.3 cm (24 5/16 × 21 3/8 in.); Framed: 92.1 × 85.1 cm (36 1/4 × 33 1/2 in.)

Art Institute of Chicago

The Little Girl

1861 · Etching and drypoint with plate tone in brown on ivory laid paper

Image/plate: 20.7 × 11.9 cm (8 3/16 × 4 11/16 in.); Sheet: 42 × 30.1 cm (16 9/16 × 11 7/8 in.)

Art Institute of Chicago

The Spanish Singer

1861 · Etching, lavis and roulette in black on ivory China paper

Image: 29.8 × 24.2 cm (11 3/4 × 9 9/16 in.); Plate: 29.8 × 24.4 cm (11 3/4 × 9 5/8 in.); Sheet: 34 × 32 cm (13 7/16 × 12 5/8 in.)

Art Institute of Chicago

The Little Gypsies

1861 · Etching and drypoint in warm black on ivory laid paper

Image/plate: 19.7 × 13.9 cm (7 13/16 × 5 1/2 in.); Sheet: 36.8 × 26.8 cm (14 1/2 × 10 9/16 in.)

Art Institute of Chicago

M. Manet (The Artist's Father) II

1861 · Etching, aquatint and plate tone in black on ivory laid paper

Image/plate: 18.7 × 15.6 cm (7 3/8 × 6 3/16 in.); Sheet: 35.7 × 26.7 cm (14 1/16 × 10 9/16 in.)

Art Institute of Chicago

The Little Cavaliers

1860 · Etching, drypoint, roulette, and bitten tone in black on gray chine, laid down on ivory wove paper (chine collé)

240 × 380 mm (image); 248 × 391 mm (plate); 242 × 383 mm (primary support) 319 × 448 mm (secondary support)

Art Institute of Chicago

The Spanish Singer

1860 · Oil on canvas

58 x 45 in. (147.3 x 114.3 cm)

The Metropolitan Museum of Art

Seated Nude

1858 · Red chalk on buff laid paper

28 × 20 cm (11 1/16 × 7 7/8 in.)

Art Institute of Chicago

Mademoiselle Isabelle Lemonnier

1852 · Black crayon on cream wove tracing paper (discolored to tan), laid down on ivory wove paper

20.2 × 14.5 cm (8 × 5 3/4 in.)

Art Institute of Chicago