Artworks · Dan Flavin

Second Sails 5 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 x 5 15/16" (10.2 x 15.1 cm); sheet: 11 3/16 x 14 15/16" (28.4 x 37.9 cm)

Museum of Modern Art

Second Sails 8 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 x 6" (10.2 x 15.2 cm); sheet: 11 1/4 x 14 15/16" (28.5 x 38 cm)

Museum of Modern Art

Second Sails 9 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 x 5 15/16" (10.2 x 15.1 cm); sheet: 11 3/16 x 14 15/16" (28.4 x 37.9 cm)

Museum of Modern Art

Second Sails 10 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 3 15/16 x 5 15/16" (10 x 15.1 cm); sheet: 11 1/4 x 15" (28.6 x 38.1 cm)

Museum of Modern Art

Second Sails 11 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 1/16 x 5 7/8" (10.3 x 15 cm); sheet: 11 1/4 x 14 15/16" (28.5 x 38 cm)

Museum of Modern Art

Second Sails 7 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 x 5 15/16" (10.2 x 15.1 cm); sheet: 11 3/16 x 14 15/16" (28.4 x 38 cm)

Museum of Modern Art

Second Sails 6 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 1/16 x 5 7/8" (10.3 x 15 cm); sheet: 11 3/16 x 14 7/8" (28.4 x 37.8 cm)

Museum of Modern Art

Second Sails 4 from Second Sails (To James Abbott McNeill Whistler)

1978 · One from a portfolio of eight drypoints

plate: 4 x 5 15/16" (10.2 x 15.1 cm); sheet: 11 3/16 x 14 15/16" (28.4 x 37.9 cm)

Museum of Modern Art

Installation Plan for Art Institute Exhibition

1977 · Pen and black ink and colored pencils on white wove graph paper

43.3 × 55.8 cm (17 1/16 × 22 in.)

Art Institute of Chicago

The Printer Larry Scholder at Work

1975 · Etching on white wove paper

Plate: 17.5 × 12.3 cm (6 15/16 × 4 7/8 in.); Sheet: 75.6 × 55.5 cm (29 13/16 × 21 7/8 in.)

Art Institute of Chicago

For Circular Flourescent Light

1975 · Etching on white wove paper

Plate: 12.3 × 17.5 cm (4 7/8 × 6 15/16 in.); Sheet: 55.6 × 75.7 cm (21 15/16 × 29 13/16 in.)

Art Institute of Chicago

The Printer, Larry Scholder, At Work

1975 · Etching

plate: 7 x 4 15/16" (17.8 x 12.6 cm); sheet: 29 3/4 x 21 3/4" (75.5 x 55.2 cm)

Museum of Modern Art

A Proposed Fountain of Trickling Water with Ultra-Violet Underlighting, in Memory of Pablo Picasso from Homage to Picasso (Hommage à Picasso)

1974 · Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts

composition (irreg.): 10 13/16 x 30 3/16" (27.4 x 76.7cm); sheet: 22 7/16 x 30 3/16" (57 x 76.7cm)

Museum of Modern Art

Untitled, from The New York Collection for Stockholm

1973 · Two-color silkscreen on paper

30.5 × 22.9 cm (12 1/16 × 9 1/16 in.)

Art Institute of Chicago

Untitled from The New York Collection for Stockholm

1973 · Screenprint from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph

composition and sheet: 12 x 9" (30.5 x 22.8cm)

Museum of Modern Art

Untitled

1973 · Crayon and ink on graph paper on paper

17 x 21 3/4" (43.2 x 55.2 cm)

Museum of Modern Art

Untitled (To Jean Christophe)

1971 · Colored pencil, ink, and pencil on paper

11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

Untitled (to Barnett Newman) one and three

1971 · Ink, colored pencil, and pencil on graph paper

16 x 22" (40.6 x 55.9 cm)

Museum of Modern Art

untitled

1969 · Two pink fluorescent light tubes

Leaning: 244 × 10.2 × 17.8 cm (96 1/8 × 4 1/16 × 7 in.); 243.9 × 10.2 × 17.8 cm (96 × 4 × 7 in.)

Art Institute of Chicago

untitled

1969 · Fluorescent light and metal fixtures

25 x 25 x 5 3/4" (63.5 x 63.5 x 14.6 cm)

Museum of Modern Art

untitled

1968 · Fluorescent light and metal fixtures

10' (304.8 cm) high

Museum of Modern Art

Document for Untitled (to the "innovator" of Wheeling Peachblow)

1968 · Ink, colored pencil, and typewriting on graph paper

8 1/2 x 11" (21.6 x 27.9 cm)

Museum of Modern Art

untitled (to the "innovator" of Wheeling Peachblow)

1968 · Fluorescent light and metal fixtures

8' 1/2" x 8' 1/4" x 5 3/4" (245 x 244.3 x 14.5 cm)

Museum of Modern Art

Alternating Pink and "Gold"

1967 · Ink on two sheets of paper

each: 11 × 8 1/2" (27.9 × 21.6 cm)

Museum of Modern Art

‘Monument’ for V. Tatlin

1966 · Fluorescent tubes and metal

object: 3054 x 584 x 89 mm

Tate

A Corner Monument for Those Who Have Been Killed in Ambush (for the Jewish Museum) (to P.K. who reminded me of death)

1966 · Pencil and crayon on paper

8 x 11" (20.3 x 27.9 cm)

Museum of Modern Art

White Around a Corner of April 26, 1965

1965 · Graphite and white colored pencil on gray wove paper, fixed

25.4 × 33 cm (10 × 13 in.)

Art Institute of Chicago

Jill's Red Red and Gold of December 9, 1965.

1965 · Colored pencil on paper

19 3/4 x 12 3/4" (50.2 x 32.4 cm)

Museum of Modern Art

Pink out of a Corner from No. 1 of December 19, 1963

1965 · Pencil and crayon on colored paper

10 x 13" (25.4 x 33 cm)

Museum of Modern Art

Untitled

1964 · Graphite on ivory wove paper

11.8 × 6.8 cm (4 11/16 × 2 11/16 in.)

Art Institute of Chicago

"monument" for V. Tatlin

1964 · Cool white flourescent light

243.8 × 71.1 × 12.1 cm (96 × 28 × 4 3/4 in.)

Art Institute of Chicago

the diagonal of May 25, 1963

1964 · Colored pencil on black paper

9 7/8 x 12 7/8" (25.1 x 32.7 cm)

Museum of Modern Art

"monument" 1 for V. Tatlin

1964 · Fluorescent light and metal fixtures

8' x 23 1/8" x 4 1/2" (243.8 x 58.7 x 10.8 cm)

Museum of Modern Art

one of May 27, 1963

1963 · Red fluorescent and incandescent light on acrylic and Masonite and pine

20 × 122 × 16.5 cm (8 × 48 × 6 1/2 in.)

Art Institute of Chicago

pink out of a corner (to Jasper Johns)

1963 · Fluorescent light and metal fixture

8' x 6" x 5 3/8" (243.8 x 15.2 x 13.6 cm)

Museum of Modern Art

Roses

1962 · Aerolux Flowerlite light bulb, ceramic flower pot, cord and light switch

8 1/2 x 5 1/4" (21.6 x 13.3 cm)

Museum of Modern Art