Artworks · Camille Pissarro

The Church at Eragny

1889 · Black chalk

9 3/8 x 12 1/16 in. (23.8 x 30.7 cm)

The Metropolitan Museum of Art

Grandmother (Light Effect) [Grandmère (Effet de lumière)]

1889 · Etching

plate: 6 7/8 × 10 1/16" (17.5 × 25.6 cm); sheet (irreg.): 7 7/8 × 6 1/4" (20 × 15.8 cm)

Museum of Modern Art

Goose Girl (Gardeuse d'oies)

1888 · etching and drypoint

plate: 14 x 19.7 cm (5 1/2 x 7 3/4 in.) sheet: 27 x 35.5 cm (10 5/8 x 14 in.)

National Gallery of Art

The Maid Shopping

1888 · Etching and drypoint with plate tone in black on cream laid paper

Image: 19.3 × 13.3 cm (7 5/8 × 5 1/4 in.); Plate: 19.7 × 13.8 cm (7 13/16 × 5 7/16 in.); Sheet: 28.5 × 22.5 cm (11 1/4 × 8 7/8 in.)

Art Institute of Chicago

The Geese

1888 · Drypoint, with burnishing, in black on tan laid paper

Image: 14.1 × 19.7 cm (5 9/16 × 7 13/16 in.); Plate: 14.1 × 20 cm (5 9/16 × 7 7/8 in.); Sheet: 22.8 × 28.2 cm (9 × 11 1/8 in.)

Art Institute of Chicago

The Maid Shopping

1888 · Drypoint in black on ivory laid China paper

Image: 19.5 × 13.2 cm (7 11/16 × 5 1/4 in.); Plate: 20 × 13.8 cm (7 7/8 × 5 7/16 in.); Sheet: 35.7 × 23.7 cm (14 1/16 × 9 3/8 in.)

Art Institute of Chicago

Cows in the Fields of Éragny, near Gisors

1888 · Drypoint on laid paper; first state of two

sheet: 8 7/8 x 10 3/8 in. (22.6 x 26.4 cm)

The Metropolitan Museum of Art

Goose Girl

1888 · Etching and drypoint on china paper; third state of three

sheet: 9 3/8 x 13 11/16 in. (23.8 x 34.7 cm)

The Metropolitan Museum of Art

Goose Girl

1888 · Etching and drypoint on china paper; first state of three

sheet: 9 3/8 x 13 3/4 in. (23.8 x 35 cm)

The Metropolitan Museum of Art

The Maid at the Market

1888 · Etching and drypoint on china paper; second state of four

sheet: 13 7/8 x 9 3/16 in. (35.3 x 23.3 cm)

The Metropolitan Museum of Art

Two Women in a Garden

1888 · Gouache on silk. Framing lines in graphite.

mount: 14 15/16 x 12 3/8 in. (37.9 x 31.5 cm)

The Metropolitan Museum of Art

Maid, Marketing

1888 · Drypoint

plate: 7 13/16 × 5 3/8" (19.8 × 13.7 cm); sheet (irreg.): 7 7/8 × 6 1/4" (20 × 15.8 cm)

Museum of Modern Art

The Stone Bridge at Rouen

1887 · Soft ground etching and drypoint in black on tan laid paper

Image/plate: 14.9 × 19.6 cm (5 7/8 × 7 3/4 in.); Sheet: 26.8 × 36.2 cm (10 9/16 × 14 5/16 in.)

Art Institute of Chicago

Gathering Potatoes (Recolte de pommes de terre)

1886 · drypoint and aquatint

plate: 27.5 x 21.9 cm (10 13/16 x 8 5/8 in.) sheet: 47.2 x 34.5 cm (18 9/16 x 13 9/16 in.)

National Gallery of Art

Marketplace in Pontoise

1886 · Graphite, pen and black-gummed ink on buff wove paper (glossy on verso); right margin torn from notebook

6 5/8 x 5 in. (16.8 x 12.7 cm)

The Metropolitan Museum of Art

View of Pontoise (Vue de Pontoise)

1885 · etching and aquatint

plate: 15.7 x 24.4 cm (6 3/16 x 9 5/8 in.) sheet: 27.2 x 36.4 cm (10 11/16 x 14 5/16 in.)

National Gallery of Art

Camille Pissarro, A Self-Portrait

1885 · Etching with drypoint in black on cream laid paper

Image/plate: 18.6 × 17.7 cm (7 3/8 × 7 in.); Sheet: 36.5 × 26.2 cm (14 3/8 × 10 3/8 in.)

Art Institute of Chicago

View of Pontoise

1885 · Etching, aquatint, and drypoint in black on cream Japanese paper

Image/plate: 16 × 24.5 cm (6 5/16 × 9 11/16 in.); Sheet: 40 × 33.5 cm (15 3/4 × 13 1/4 in.)

Art Institute of Chicago

Field and Mill at Osny, 1885

1885 · Etching, drypoint, and aquatint on laid paper (Van Gelder); sixth state of six

sheet: 11 1/8 x 17 3/4 in. (28.3 x 45.1 cm)

The Metropolitan Museum of Art

Field and Mill at Osny (Pontoise), 1885

1885 · Etching, drypoint, and aquatint on heavy beige laid paper; sixth state of six

sheet: 11 5/16 x 17 in. (28.8 x 43.2 cm)

The Metropolitan Museum of Art

The Street of the Grand Clock, Rouen

1885 · Etching and aquatint on beige laid paper (Van Gelder); third state

sheet: 14 7/16 x 10 13/16 in. (36.7 x 27.5 cm)

The Metropolitan Museum of Art

The Port of Rouen

1885 · Etching, aquatint, and drypoint on laid paper; second state of two

sheet: 8 15/16 x 10 15/16 in. (22.7 x 27.8 cm)

The Metropolitan Museum of Art

Self-Portrait

1885 · zinc etching with aquatint on light tan wove paper

Prairie et Moulin à Osny

1885

Promenade à Rouen: Cours Boieldieu

1884 · Etching and drypoint in black on buff laid paper

Image/plate: 19.8 × 14.8 cm (7 13/16 × 5 7/8 in.); Sheet: 37 × 27.3 cm (14 5/8 × 10 3/4 in.)

Art Institute of Chicago

The Gardener - Old Peasant with Cabbage

1883 · oil on canvas

overall: 81.5 x 65 cm (32 1/16 x 25 9/16 in.) framed: 106.7 x 90.5 x 9.5 cm (42 x 35 5/8 x 3 3/4 in.)

National Gallery of Art

Paysage avec berger et moutons a Osny (Pontoise)

1883 · etching, aquatint, and drypoint

National Gallery of Art

The Pork Butcher

1883 · Oil paint on canvas

support: 651 x 543 mm frame: 850 x 745 x 95 mm

Tate

Impressions of Rain, Rouen

1883 · Etching, drypoint, and aquatint

sheet: 11 x 8 3/4 in. (28 x 22.3 cm)

The Metropolitan Museum of Art

Young Peasant Girls Resting in the Fields near Pontoise

1882 · oil on canvas

overall: 65.41 × 81.6 cm (25 3/4 × 32 1/8 in.)

National Gallery of Art

The Little Country Maid

1882 · Oil paint on canvas

support: 635 x 530 mm frame: 865 x 750 x 100 mm

Tate

Path at Pontoise

1882 · Aquatint and drypoint in black on cream laid paper

Image: 15.2 × 11 cm (6 × 4 3/8 in.); Plate: 15.9 × 11.9 cm (6 5/16 × 4 11/16 in.); Sheet: 26.4 × 19.2 cm (10 7/16 × 7 9/16 in.)

Art Institute of Chicago

Pathway

1882 · Drypoint, with roulette, in black on tan laid paper

Image/plate: 14.3 × 11 cm (5 11/16 × 4 3/8 in.); Sheet: 25.8 × 20.7 cm (10 3/16 × 8 3/16 in.)

Art Institute of Chicago

Woman and Child at the Well

1882 · Oil on canvas

81.5 × 66.4 cm (32 1/8 × 26 1/8 in.); Framed: 98.5 × 81.6 × 6.1 cm (38 3/4 × 32 1/8 × 2 3/8 in.)

Art Institute of Chicago

Woman and Child at the Well

1882 · Oil on canvas

81.5 × 66.4 cm (32 1/8 × 26 1/8 in.); Framed: 98.5 × 81.6 × 6.1 cm (38 3/4 × 32 1/8 × 2 3/8 in.)

Art Institute of Chicago

Le Pont de Chemin de Fer à Pontoise

1882

Peasant Girl with a Straw Hat

1881 · oil on canvas

overall: 73.34 × 59.53 cm (28 7/8 × 23 7/16 in.) framed: 90.17 x 75.88 x 6.99 cm (35 1/2 x 29 7/8 x 2 3/4 in.)

National Gallery of Art

Portrait of Felix Pissarro

1881 · Oil paint on canvas

support: 552 x 464 mm frame: 747 x 657 x 100 mm

Tate

Young Peasant Having Her Coffee

1881 · Oil on canvas

65.3 × 54.8 cm (25 11/16 × 21 9/16 in.)

Art Institute of Chicago

The Harvest, Pontoise (La Récolte, Pontoise)

1881 · Oil on canvas

18 1/8 x 21 3/4 in. (46 x 55.2 cm)

The Metropolitan Museum of Art

Chestnut Vendor, St. Martin's Market, Pontoise

1881 · Drypoint, with stippling; first state before steelfacing, on yellow/brown laid paper; first state of two

sheet: 17 x 12 5/16 in. (43.2 x 31.3 cm)

The Metropolitan Museum of Art

Young Peasant Having Her Coffee

1881 · Oil on canvas

65.3 × 54.8 cm (25 11/16 × 21 9/16 in.)

Art Institute of Chicago

The Harvest, Pontoise (La Récolte, Pontoise)

1881 · Oil on canvas

18 1/8 × 21 3/4 in. (46 × 55.2 cm) Framed: 28 3/8 × 31 15/16 in. (72.1 × 81.1 cm)

The Metropolitan Museum of Art

The Children

1880 · opaque watercolor with graphite on canvas mounted on board

image: 29.21 × 41.91 cm (11 1/2 × 16 1/2 in.)

National Gallery of Art

The Artist's Son Georges [verso]

1880 · transparent and opaque watercolor and graphite on wove paper

overall: 23.9 x 31.7 cm (9 7/16 x 12 1/2 in.)

National Gallery of Art

Pea Harvesters [recto]

1880 · conté crayon and transparent and opaque watercolor on wove paper

overall: 23.9 x 31.7 cm (9 7/16 x 12 1/2 in.)

National Gallery of Art

Road by a Field of Cabbages

1880 · monotype in gray and yellow on wove paper

sheet: 23 × 18 cm (9 1/16 × 7 1/16 in.) plate: 20 × 15.4 cm (7 7/8 × 6 1/16 in.)

National Gallery of Art

The Cabbage Field (Le Champ de choux)

1880 · softground etching with open-bite tone on laid paper

plate: 24.7 x 16.8 cm (9 3/4 x 6 5/8 in.) sheet: 31.5 x 24 cm (12 3/8 x 9 7/16 in.)

National Gallery of Art