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← Camille Pissarro
Artworks · Camille Pissarro
222 artworks · page 3 of 5
📷 With images only (169)
TC
The Church at Eragny
1889 · Black chalk
9 3/8 x 12 1/16 in. (23.8 x 30.7 cm)
The Metropolitan Museum of Art
G(
Grandmother (Light Effect) [Grandmère (Effet de lumière)]
1889 · Etching
plate: 6 7/8 × 10 1/16" (17.5 × 25.6 cm); sheet (irreg.): 7 7/8 × 6 1/4" (20 × 15.8 cm)
Museum of Modern Art
Goose Girl (Gardeuse d'oies)
1888 · etching and drypoint
plate: 14 x 19.7 cm (5 1/2 x 7 3/4 in.) sheet: 27 x 35.5 cm (10 5/8 x 14 in.)
National Gallery of Art
The Maid Shopping
1888 · Etching and drypoint with plate tone in black on cream laid paper
Image: 19.3 × 13.3 cm (7 5/8 × 5 1/4 in.); Plate: 19.7 × 13.8 cm (7 13/16 × 5 7/16 in.); Sheet: 28.5 × 22.5 cm (11 1/4 × 8 7/8 in.)
Art Institute of Chicago
The Geese
1888 · Drypoint, with burnishing, in black on tan laid paper
Image: 14.1 × 19.7 cm (5 9/16 × 7 13/16 in.); Plate: 14.1 × 20 cm (5 9/16 × 7 7/8 in.); Sheet: 22.8 × 28.2 cm (9 × 11 1/8 in.)
Art Institute of Chicago
The Maid Shopping
1888 · Drypoint in black on ivory laid China paper
Image: 19.5 × 13.2 cm (7 11/16 × 5 1/4 in.); Plate: 20 × 13.8 cm (7 7/8 × 5 7/16 in.); Sheet: 35.7 × 23.7 cm (14 1/16 × 9 3/8 in.)
Art Institute of Chicago
CI
Cows in the Fields of Éragny, near Gisors
1888 · Drypoint on laid paper; first state of two
sheet: 8 7/8 x 10 3/8 in. (22.6 x 26.4 cm)
The Metropolitan Museum of Art
GG
Goose Girl
1888 · Etching and drypoint on china paper; third state of three
sheet: 9 3/8 x 13 11/16 in. (23.8 x 34.7 cm)
The Metropolitan Museum of Art
GG
Goose Girl
1888 · Etching and drypoint on china paper; first state of three
sheet: 9 3/8 x 13 3/4 in. (23.8 x 35 cm)
The Metropolitan Museum of Art
TM
The Maid at the Market
1888 · Etching and drypoint on china paper; second state of four
sheet: 13 7/8 x 9 3/16 in. (35.3 x 23.3 cm)
The Metropolitan Museum of Art
TW
Two Women in a Garden
1888 · Gouache on silk. Framing lines in graphite.
mount: 14 15/16 x 12 3/8 in. (37.9 x 31.5 cm)
The Metropolitan Museum of Art
Maid, Marketing
1888 · Drypoint
plate: 7 13/16 × 5 3/8" (19.8 × 13.7 cm); sheet (irreg.): 7 7/8 × 6 1/4" (20 × 15.8 cm)
Museum of Modern Art
The Stone Bridge at Rouen
1887 · Soft ground etching and drypoint in black on tan laid paper
Image/plate: 14.9 × 19.6 cm (5 7/8 × 7 3/4 in.); Sheet: 26.8 × 36.2 cm (10 9/16 × 14 5/16 in.)
Art Institute of Chicago
Gathering Potatoes (Recolte de pommes de terre)
1886 · drypoint and aquatint
plate: 27.5 x 21.9 cm (10 13/16 x 8 5/8 in.) sheet: 47.2 x 34.5 cm (18 9/16 x 13 9/16 in.)
National Gallery of Art
MI
Marketplace in Pontoise
1886 · Graphite, pen and black-gummed ink on buff wove paper (glossy on verso); right margin torn from notebook
6 5/8 x 5 in. (16.8 x 12.7 cm)
The Metropolitan Museum of Art
View of Pontoise (Vue de Pontoise)
1885 · etching and aquatint
plate: 15.7 x 24.4 cm (6 3/16 x 9 5/8 in.) sheet: 27.2 x 36.4 cm (10 11/16 x 14 5/16 in.)
National Gallery of Art
Camille Pissarro, A Self-Portrait
1885 · Etching with drypoint in black on cream laid paper
Image/plate: 18.6 × 17.7 cm (7 3/8 × 7 in.); Sheet: 36.5 × 26.2 cm (14 3/8 × 10 3/8 in.)
Art Institute of Chicago
View of Pontoise
1885 · Etching, aquatint, and drypoint in black on cream Japanese paper
Image/plate: 16 × 24.5 cm (6 5/16 × 9 11/16 in.); Sheet: 40 × 33.5 cm (15 3/4 × 13 1/4 in.)
Art Institute of Chicago
FA
Field and Mill at Osny, 1885
1885 · Etching, drypoint, and aquatint on laid paper (Van Gelder); sixth state of six
sheet: 11 1/8 x 17 3/4 in. (28.3 x 45.1 cm)
The Metropolitan Museum of Art
FA
Field and Mill at Osny (Pontoise), 1885
1885 · Etching, drypoint, and aquatint on heavy beige laid paper; sixth state of six
sheet: 11 5/16 x 17 in. (28.8 x 43.2 cm)
The Metropolitan Museum of Art
TS
The Street of the Grand Clock, Rouen
1885 · Etching and aquatint on beige laid paper (Van Gelder); third state
sheet: 14 7/16 x 10 13/16 in. (36.7 x 27.5 cm)
The Metropolitan Museum of Art
TP
The Port of Rouen
1885 · Etching, aquatint, and drypoint on laid paper; second state of two
sheet: 8 15/16 x 10 15/16 in. (22.7 x 27.8 cm)
The Metropolitan Museum of Art
Self-Portrait
1885 · zinc etching with aquatint on light tan wove paper
Prairie et Moulin à Osny
1885
Promenade à Rouen: Cours Boieldieu
1884 · Etching and drypoint in black on buff laid paper
Image/plate: 19.8 × 14.8 cm (7 13/16 × 5 7/8 in.); Sheet: 37 × 27.3 cm (14 5/8 × 10 3/4 in.)
Art Institute of Chicago
The Gardener - Old Peasant with Cabbage
1883 · oil on canvas
overall: 81.5 x 65 cm (32 1/16 x 25 9/16 in.) framed: 106.7 x 90.5 x 9.5 cm (42 x 35 5/8 x 3 3/4 in.)
National Gallery of Art
Paysage avec berger et moutons a Osny (Pontoise)
1883 · etching, aquatint, and drypoint
National Gallery of Art
The Pork Butcher
1883 · Oil paint on canvas
support: 651 x 543 mm frame: 850 x 745 x 95 mm
Tate
IO
Impressions of Rain, Rouen
1883 · Etching, drypoint, and aquatint
sheet: 11 x 8 3/4 in. (28 x 22.3 cm)
The Metropolitan Museum of Art
Young Peasant Girls Resting in the Fields near Pontoise
1882 · oil on canvas
overall: 65.41 × 81.6 cm (25 3/4 × 32 1/8 in.)
National Gallery of Art
The Little Country Maid
1882 · Oil paint on canvas
support: 635 x 530 mm frame: 865 x 750 x 100 mm
Tate
Path at Pontoise
1882 · Aquatint and drypoint in black on cream laid paper
Image: 15.2 × 11 cm (6 × 4 3/8 in.); Plate: 15.9 × 11.9 cm (6 5/16 × 4 11/16 in.); Sheet: 26.4 × 19.2 cm (10 7/16 × 7 9/16 in.)
Art Institute of Chicago
Pathway
1882 · Drypoint, with roulette, in black on tan laid paper
Image/plate: 14.3 × 11 cm (5 11/16 × 4 3/8 in.); Sheet: 25.8 × 20.7 cm (10 3/16 × 8 3/16 in.)
Art Institute of Chicago
Woman and Child at the Well
1882 · Oil on canvas
81.5 × 66.4 cm (32 1/8 × 26 1/8 in.); Framed: 98.5 × 81.6 × 6.1 cm (38 3/4 × 32 1/8 × 2 3/8 in.)
Art Institute of Chicago
Woman and Child at the Well
1882 · Oil on canvas
81.5 × 66.4 cm (32 1/8 × 26 1/8 in.); Framed: 98.5 × 81.6 × 6.1 cm (38 3/4 × 32 1/8 × 2 3/8 in.)
Art Institute of Chicago
Le Pont de Chemin de Fer à Pontoise
1882
Peasant Girl with a Straw Hat
1881 · oil on canvas
overall: 73.34 × 59.53 cm (28 7/8 × 23 7/16 in.) framed: 90.17 x 75.88 x 6.99 cm (35 1/2 x 29 7/8 x 2 3/4 in.)
National Gallery of Art
Portrait of Felix Pissarro
1881 · Oil paint on canvas
support: 552 x 464 mm frame: 747 x 657 x 100 mm
Tate
Young Peasant Having Her Coffee
1881 · Oil on canvas
65.3 × 54.8 cm (25 11/16 × 21 9/16 in.)
Art Institute of Chicago
TH
The Harvest, Pontoise (La Récolte, Pontoise)
1881 · Oil on canvas
18 1/8 x 21 3/4 in. (46 x 55.2 cm)
The Metropolitan Museum of Art
CV
Chestnut Vendor, St. Martin's Market, Pontoise
1881 · Drypoint, with stippling; first state before steelfacing, on yellow/brown laid paper; first state of two
sheet: 17 x 12 5/16 in. (43.2 x 31.3 cm)
The Metropolitan Museum of Art
Young Peasant Having Her Coffee
1881 · Oil on canvas
65.3 × 54.8 cm (25 11/16 × 21 9/16 in.)
Art Institute of Chicago
The Harvest, Pontoise (La Récolte, Pontoise)
1881 · Oil on canvas
18 1/8 × 21 3/4 in. (46 × 55.2 cm) Framed: 28 3/8 × 31 15/16 in. (72.1 × 81.1 cm)
The Metropolitan Museum of Art
The Children
1880 · opaque watercolor with graphite on canvas mounted on board
image: 29.21 × 41.91 cm (11 1/2 × 16 1/2 in.)
National Gallery of Art
The Artist's Son Georges [verso]
1880 · transparent and opaque watercolor and graphite on wove paper
overall: 23.9 x 31.7 cm (9 7/16 x 12 1/2 in.)
National Gallery of Art
Pea Harvesters [recto]
1880 · conté crayon and transparent and opaque watercolor on wove paper
overall: 23.9 x 31.7 cm (9 7/16 x 12 1/2 in.)
National Gallery of Art
Road by a Field of Cabbages
1880 · monotype in gray and yellow on wove paper
sheet: 23 × 18 cm (9 1/16 × 7 1/16 in.) plate: 20 × 15.4 cm (7 7/8 × 6 1/16 in.)
National Gallery of Art
The Cabbage Field (Le Champ de choux)
1880 · softground etching with open-bite tone on laid paper
plate: 24.7 x 16.8 cm (9 3/4 x 6 5/8 in.) sheet: 31.5 x 24 cm (12 3/8 x 9 7/16 in.)
National Gallery of Art
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