Artworks · Camille Pissarro

The Pilots’ Jetty, Le Havre, Morning, Cloudy and Misty Weather

1903 · Oil paint on canvas

support: 651 x 813 mm frame: 860 x 1030 x 120 mm

Tate

Self-Portrait

1903 · Oil paint on canvas

support: 410 x 333 mm frame: 539 x 465 x 60 mm

Tate

A Corner of the Meadow at Eragny

1902 · Oil paint on canvas

support: 600 x 813 mm frame: 857 x 1056 x 95 mm

Tate

Fishmarket

1902 · oil on canvas

Brief aan Philip Zilcken

1901

The Louvre, Afternoon, Rainy Weather

1900 · oil on canvas

overall: 66.68 × 81.6 cm (26 1/4 × 32 1/8 in.) framed: 93.66 × 109.86 × 10.16 cm (36 7/8 × 43 1/4 × 4 in.)

National Gallery of Art

Place du Carrousel, Paris

1900 · oil on canvas

overall: 54.9 x 65.4 cm (21 5/8 x 25 3/4 in.) framed: 79.7 x 89.5 x 10.1 cm (31 3/8 x 35 1/4 x 4 in.)

National Gallery of Art

Peasants Carrying Hay (Paysans portant du foin)

1900 · etching and drypoint

National Gallery of Art

Groupe de paysans (Group of Peasants)

1899 · chine collé lithograph in black on Ingres de couleur paper

image: 12.9 x 10.5 cm (5 1/16 x 4 1/8 in.) support: 35.6 x 26.5 cm (14 x 10 7/16 in.)

National Gallery of Art

Haystacks, Morning, Eragny

1899 · Oil on canvas

25 x 31 1/2 in. (63.5 x 80 cm)

The Metropolitan Museum of Art

The Garden of the Tuileries on a Winter Afternoon

1899 · Oil on canvas

28 7/8 x 36 3/8 in. (73.3 x 92.4 cm)

The Metropolitan Museum of Art

The Garden of the Tuileries on a Winter Afternoon

1899 · Oil on canvas

29 x 36 1/4 in. (73.7 x 92.1 cm)

The Metropolitan Museum of Art

The Garden of the Tuileries on a Spring Morning

1899 · Oil on canvas

28 7/8 x 36 1/4 in. (73.3 x 92.1 cm)

The Metropolitan Museum of Art

Haystacks, Morning, Eragny

1899 · Oil on canvas

25 x 31 1/2 in. (63.5 x 80 cm)

The Metropolitan Museum of Art

The Artist's Garden at Eragny

1898 · oil on canvas

overall: 73.4 x 92.1 cm (28 7/8 x 36 1/4 in.) framed: 94 x 113.4 x 10.2 cm (37 x 44 5/8 x 4 in.)

National Gallery of Art

Rue de l'Epicerie, Rouen (Effect of Sunlight)

1898 · Oil on canvas

32 x 25 5/8 in. (81.3 x 65.1 cm)

The Metropolitan Museum of Art

Beggar with a Crutch (Mendiant a la bequille)

1897 · lithograph on blue-violet paper laid down on whitepaper

National Gallery of Art

Boulevard des Italiens, Morning, Sunlight

1897 · oil on canvas

overall: 73.2 x 92.1 cm (28 13/16 x 36 1/4 in.) framed: 100.3 x 92.1 x 7 cm (39 1/2 x 36 1/4 x 2 3/4 in.)

National Gallery of Art

Gardeuse d'oies nue (Nude Goose Girl)

1897 · lithograph (zinc)

National Gallery of Art

Woman Haymaker at Éragny

1897 · Etching in black on cream wove paper (discolored to brown)

Image/plate: 20.5 × 15 cm (8 1/8 × 5 15/16 in.); Sheet: 22.4 × 17.2 cm (8 7/8 × 6 13/16 in.)

Art Institute of Chicago

Beggar with Crutch

1897 · Lithograph in black on violet laid paper, laid down on white wove paper (chine collé)

Image: 25 × 30.8 cm (9 7/8 × 12 3/16 in.); Primary support: 25 × 30.7 cm (9 7/8 × 12 1/8 in.); Secondary support: 31.6 × 45.1 cm (12 1/2 × 17 13/16 in.)

Art Institute of Chicago

The Boulevard Montmartre on a Winter Morning

1897 · Oil on canvas

25 1/2 x 32 in. (64.8 x 81.3 cm)

The Metropolitan Museum of Art

Bather, Evening

1897 · Lithograph on chine collé; only state

sheet: 10 13/16 x 13 3/8 in. (27.5 x 33.9 cm)

The Metropolitan Museum of Art

Group of Bathers

1897 · Lithograph on chine collé; only state

sheet: 10 13/16 x 14 7/8 in. (27.4 x 37.8 cm)

The Metropolitan Museum of Art

The Boulevard Montmartre on a Winter Morning

1897 · Oil on canvas

Baigneuses luttant (Bathers Wrestling)

1896 · lithograph

plate: 18.5 x 23.7 cm (7 5/16 x 9 5/16 in.) sheet: 24.1 x 29.6 cm (9 1/2 x 11 5/8 in.)

National Gallery of Art

Peasants Carrying Sticks (Paysannes portant des fagots)

1896 · lithograph (zinc) on pink Chine colle paper

image: 21 x 28.5 cm (8 1/4 x 11 1/4 in.) sheet: 31.7 x 45 cm (12 1/2 x 17 11/16 in.)

National Gallery of Art

Peasants Carrying Sticks (Paysannes portant des fagots)

1896 · lithograph (zinc) [trial proof?]

National Gallery of Art

Bathers Wrestling (Baigneuses luttants)

1896 · lithograph

plate: 18 x 26.4 cm (7 1/16 x 10 3/8 in.) sheet: 27.2 x 38 cm (10 11/16 x 14 15/16 in.)

National Gallery of Art

The Vagabonds

1896 · Lithograph in black on cream laid paper

Image: 29.5 × 24.7 cm (11 5/8 × 9 3/4 in.); Sheet: 48.4 × 35.3 cm (19 1/16 × 13 15/16 in.)

Art Institute of Chicago

The Vagabonds

1896 · Lithograph in black on buff laid paper

Image: 24.7 × 29.6 cm (9 3/4 × 11 11/16 in.); Sheet: 45.5 × 56.7 cm (17 15/16 × 22 3/8 in.)

Art Institute of Chicago

Bridge in Rouen: Pont Corneille

1896 · Lithograph in black on cream laid paper, laid down on off-white laid paper

Image: 21.8 × 29.9 cm (8 5/8 × 11 13/16 in.); Primary support: 21.8 × 29.9 cm (8 5/8 × 11 13/16 in.); Secondary support: 31.5 × 44.8 cm (12 7/16 × 17 11/16 in.)

Art Institute of Chicago

Morning, An Overcast Day, Rouen

1896 · Oil on canvas

21 3/8 x 25 5/8 in. (54.3 x 65.1 cm)

The Metropolitan Museum of Art

Steamboats in the Port of Rouen

1896 · Oil on canvas

18 x 21 1/2 in. (45.7 x 54.6 cm)

The Metropolitan Museum of Art

Le Vieux Rouen

1896

The Driveway

1895 · black pencil on wove paper

sheet: 11.11 × 17.78 cm (4 3/8 × 7 in.)

National Gallery of Art

Trees and Meadows at Eragny

1895 · black chalk on originally pale pink laid paper

overall: 30.8 x 47.5 cm (12 1/8 x 18 11/16 in.)

National Gallery of Art

Baigneuses

1895 · lithograph (zinc) in black on chine collé

image: 13.4 x 20.2 cm (5 1/4 x 7 15/16 in.) sheet: 26.8 x 36.3 cm (10 9/16 x 14 5/16 in.)

National Gallery of Art

Baigneuses, gardeuses d'oies (Bathers Tending Geese)

1895 · color etching and drypoint with aquatint

image: 9.1 x 15.1 cm (3 9/16 x 5 15/16 in.) sheet: 16.5 x 19.7 cm (6 1/2 x 7 3/4 in.)

National Gallery of Art

Baigneuse aux oies (Bathers with Geese)

1895 · etching and aquatint on light green dyed paper

plate: 12.9 x 17.8 cm (5 1/16 x 7 in.) sheet: 16 x 20.8 cm (6 5/16 x 8 3/16 in.)

National Gallery of Art

Market at Pontoise (Marché a Pontoise)

1895 · lithograph (zinc)

National Gallery of Art

Two Women Bathing (Les deux baigneuses)

1895 · etching

National Gallery of Art

The Bather

1895 · oil on canvas

overall: 35.3 x 27.3 cm (13 7/8 x 10 3/4 in.) framed: 53.7 x 45.1 x 5.7 cm (21 1/8 x 17 3/4 x 2 1/4 in.)

National Gallery of Art

The Two Bathers

1895 · Drypoint, etching, and aquatint, with burnishing, in black on ivory laid paper

Image/plate/sheet, sight: 17.6 × 12.6 cm (6 15/16 × 5 in.)

Art Institute of Chicago

Church and Farm at Éragny

1895 · Etching and drypoint in black on ivory laid paper

Image/plate: 15.5 × 24.3 cm (6 1/8 × 9 5/8 in.); Sheet: 25.1 × 32.3 cm (9 15/16 × 12 3/4 in.)

Art Institute of Chicago

Church and Farm at Éragny

1895 · Color etching and aquatint on ivory laid paper

Image/plate: 15.9 × 25.1 cm (6 5/16 × 9 15/16 in.); Sheet: 20.1 × 26.6 cm (7 15/16 × 10 1/2 in.)

Art Institute of Chicago

Church and Farm at Éragny

1895 · Etching and drypoint in black, with pastel, on buff laid paper

Image/plate: 15.7 × 24.4 cm (6 3/16 × 9 5/8 in.); Sheet: 20.4 × 28.7 cm (8 1/16 × 11 5/16 in.)

Art Institute of Chicago

Woman Mending

1895 · Oil on canvas

65.4 × 54.4 cm (25 5/8 × 21 3/8 in.); Framed: 87.7 × 75 × 10.2 cm (34 1/2 × 29 1/2 × 4 in.)

Art Institute of Chicago